Exposed to bad influences since childhood, Mary, a young girl is pushed by her mother to approach an elderly banker by the name of Harber. After almost driving her fiancee to suicide and seducing his mentally-ill son, she realizes through a metaphorical dream the scope of her negligence. Sentenced to prison for incitement to murder Harber, she sees herself as a parallel figure to Lea, Lot's wife in Sodom, where the Angel of the Lord warns the sinful citizens of the city of their impending doom. Lea oppresses the angel and eventually turns it over to the pagan priests when her sexual advances to it are rejected. In another dream sequence, Mary becomes the Queen of Syria, whose oppressed people turn against her and who, in turn, condemns a young man who loves her to death. Finally, her dream returns to the present time and when she awakens, she runs back to her former lover.
A British playboy in Paris marries a dancer and convinces her to give up her career to move to a small cottage in the country. One night at a party given by her former manager, she is persuaded to perform one of the dances she was renowned for. That leads to a fight with her husband, who runs out of the party in the middle of a raging storm. Her subsequent search for him ends up placing her life in danger.
Felix Bressart, later one of the most delightful members of the Ernst Lubitsch "stock company," plays the title character in the Austrian comedy Hirsekorn Greift Ein (Hirsekorn Does Something About It). It's a typical worm-turns affair, as a mild-mannered provincial actor ends up working as a chauffeur for a scatterbrained female novelist. Slapstick is the order of the day, except in the scenes involving heroine Charlotte Susa. Guiding the actors through their paces was Rudolf Bernauer, a stage actor-manager of vast experience. Critics in 1931 felt that Hirsekorn Greift Ein was too thin to be stretched to 90 minutes.
A tangled web of affairs is weaved around actress, Desirée Armfeldt, and the men who love her: a lawyer by the name of Fredrik Egerman and the Count Carl-Magnus Malcom. When the traveling actress performs in Fredrik's town, the estranged lovers' passion rekindles.
At the urging of his dying aunt, a young man of limited means forgoes marriage into comfortable society. He becomes husband to an unwed mother and father to a child. Their meager existence is threatened, however, when the woman he left at the altar reenters his life.
The film starts with a woman on the run from her millionaire husband giving birth to a daughter in the home of a washerwoman. The woman dies in childbirth, but the baby survives. The washerwoman leaves the baby in a horsedrawn Parisian taxicab (No. 13). The paperwork of the birth is lost in a huge tome. Sixteen years pass. The tome is bought by a poor student. One day his bookshelf collapses, and the tome opens at the page where the paperwork has been hidden. The student realises that the paperwork relates to a millionaire who has spent the last sixteen years looking for his pregnant wife. The student traces the washerwoman, and he tricks her into confessing what she has done with the baby. Meanwhile, the baby has been adopted by the cab driver and his wife, and has grown into Lili Damita.
The daughter of a wealthy industrialist falls for a pickpocket.
A Jewish slave girl falls in love with the Pharaoh's son during the Exodus.
A 1929 British-Austrian romance film directed by Géza von Bolváry.
Popular comedy about a flower seller who cannot afford to pay a tax for having a little dog as her companion, and the new candidate for the post of burgomaster she endangers.
a movie by Karl Leiter
Patriotic Austrian costume drama, about the martyr Medardus who opposed Napoleon's occupation of Vienna in 1809. The plot proceeds in a series of confrontations with Medardus, his mother and sister, the blind exiled Count of Valois, his ambitious daughter, and Napoleon himself (portrayed as a cool strategist), including several brief flashbacks.
a silent movie by Robert Wiene
The first Austrian feature film.
Murder in a suburban hotel: suspect is the British upper-class-woman Dorothy who’s accused of murdering her husband – a fraud who gained wealth with shoddy tricks. Dorothy’s memories unveil piece by piece the prelude to this act of desperation.
A young poor girl falls in love with a rich heir.