The lively João Grilo and the sly Chicó are poor guys living in the hinterland who cheat a bunch of people in a small in Northeastern Brazil. When they die, they have to be judged by Christ, the Devil and the Virgin Mary before they are admitted to paradise.
Diogo Álvares, a Portuguese map illustrator, reaches the Brazilian coast, after his caravel sinks. He is saved by the Indian chief Itaparica and his two daughters, Paraguaçu and Moema. They call him Caramuru and together they engage in a happy love triangle. But the chance to return to Portugal arises, and it is clear this amoral arrangement cannot last.
Claudio and Helena are on the verge of breaking up, until the couple experiences another strange phenomenon that looks to help them understand one another more.
In a dystopian future, the Brazilian government decrees a measure that forces black citizens to migrate to Africa in an attempt to return to their origins. Seeing themselves in the center of terror, two cousins take refuge in an apartment, where they debate social and racial issues, and share the same yearning for the change of country.
Sandro was a boy who loved to sing rap, to kiss, to stare the statue of Christ the Redeemer and dreamed to go visit Copacabana. Growing up on streets, the story culminates at the infamous episode of 12th June 2000, when Sandro hijacked bus 174.
An adaptation of the eponymous song by Renato Russo, a famous Brazilian singer and composer who in the style of Bob Dylan knew how to delight crowds by telling stories and singing with his lyrics. Focusing on the love story of outlaw João do Santo Cristo with Architecture major student Maria Lúcia, the movie takes place in Brasilia in the early 80s. In a clash of interest, drug dealers and the police conflict with one another,while the end of the military dictatorship in the Capital of Brazil, Brasilia takes place. The wanderings and tedium of a young rocker, who lived in a city still being built, are the backdrop for this story.
Inspired by the moving book “Só as Mães São Felizes”, by Lucinha Araújo, Cazuza's mother, the film covers a little more than 10 years of the singer’s crazy and brief life – from the beginning of his career in the Circo Voador venue, in 1981, to the huge success and the apotheosis of his shows with the Barão Vermelho band, his solo career, his relations with his parents, friends, lovers and passions, and the courage he had to face his final years, with HIV, until his death, in 1990.
A biography of spiritual medium and author Francisco Candido Xavier.
The publicist Claudio and the housewife and choral teacher Helena have been married for many years, but they do not understand and respect the feelings and view point of the partner. Claudio sees Helena as a shopper and "little teacher of a choral" and Helena sees Claudio as an insensitive and rough man. On the night before the fiftieth anniversary of Claudio, they changed places with each other.
In Rio de Janeiro, the forty and something years old Mercedes (Lília Cabral) goes to the psychoanalyst and tells the story of her life since she was a girl and lost her mother. Along the three years of analysis, her life changes and she divorces from her husband Gustavo (José Mayer) and has love affairs with the younger Theo (Reynaldo Gianecchini)
Geraldine is a fairy who lost their wings by using unconventional methods in their missions. Her last chance to retrieve them will be the mission "Julia".
Luísa is a romantic, dreamy and delicate young woman married to Jorge, an engineer, a man of good habits and good economic conditions. They didn't know each other well, but got married and Luísa was a good wife, "she was clean and happy as a bird". Everything get changed when she meets a childhood love, her cousin Basílio. What seemed to be a great adventure will became a nightmare and Luísa will discover the price of her infidelity.
A man is abandoned by his wife and then falls in love with his neighbor, the perfect, ideal woman. The only problem: she doesn't exist!
A 50 year-old woman who analyses her past. She pictures herself when she was 20 years old and she re-creates the story of her life through a game of innumerous possibilities. What if she wouldn't have gone to that ball? What if... instead of meeting the man of her life, with whom she married and had kids, she would have called a girlfriend and they went to the theater? What would be her destiny? What would have happened? In the plot the present talks to the past. A young woman projects her future in a fascinating game between memories and desires.
Célio Rocha believes he was assigned by God Himself a difficult mission: to persuade his childhood friend Otávio Sabóia, a corrupt entrepeneur in the construction business, to give away all his possessions to the poor.
Four sisters work together to raise rent money after learning they have to move to another neighborhood in this coming-of-age drama based on the series.
Situated just above the awe-inspiring Ipanema beach in Rio is the Cantagalo slum. Every day, floods of Cantagalo residents make their way down the mountain, only to disappear into their surroundings as part of the invisible working-class that cleans apartments, works in restaurants, and sells food along the scenic, sun-drenched shores. Young Dé (Thiago Martins) is just such a man. Dé lives with his mother Bernadette (Cyria Coentro) in a cramped Cantagalo apartment, selling hot dogs on the beach in order to make the rent. His brother Beto was killed when Dé was just a young boy, and his adopted brother Carlão (Rocco Pitanga) has been jailed for a robbery that he didn't commit. One day, while working on the beach, Dé meets Nina (Vitória Frate). Nina is the only child of a successful lawyer named Evandro (Paulo César Grande), who's none to happy to discover that his daughter is dating a member of the lower class. How...
Reunited for their mother’s funeral, four sisters – Selma, Regina, Laura and Lúcia – find themselves forced to divide much more than an apartment in Copacabana. While dividing the articles, the sisters compare options, destinies, lifestyles, and expectations. The turbulent sale of the apartment represents a turning point in their lives: they know they have never been so deeply involved as accomplices, or as sisters.
In 1945, Japan surrendered to the United States and the Second World War was over. Right? Wrong. For eighty percent of the Japanese community in Brazil, Japan had won the war and defeat was nothing more than American propaganda. The few immigrants that accepted the truth were persecuted. Some were hunted down and assassinated - by their own countrymen - causing the start of a new, private war. Dirty Hearts is a thriller and love story told by the wife of one of the fanatics dedicated to preach Japanese victory. Little by little, she watches her husband, a hard-working immigrant, become an assassin and their love story fade away.
Covering the last years of the famous Brazilian fashion designer in her doomed quest for justice, Zuzu Angel follows the case of her activist son Stuart's arrest, torture, murder, and subsequent corpse disposal by the military forces in early 1970s Rio de Janeiro, during the darkest era of Brazilian military regime and media censorship.