One of the great masterpieces of world literature comes to vivid life in an elaborate production from acclaimed theater and film innovator Peter Brook. This collection of ancient Sanskrit stories (composed into the longest book ever written) comprises a series of enlightened fables at the heart of countless beliefs, legends, and teachings; indeed, its very title means "the great story of mankind." Brook and writer Jean-Claude Carriere worked for eight years to develop this epic concerning two sides of a royal family, the Pandavas and the Kauravas, whose struggle leads to a fascinating voyage of emotions, passion and vision of glory. Briefly, the Mahabharata is a tale of two rival sets of brothers, cousins to eachother, each born into royalty and with divinely guided paths in life. The result, however, is a great war, death, destruction - a vast epic.

Drawing on the richness of the good old days of cinema with live music and a thoroughly modern, “hyper-real” film experience with multiple screens and surround sound, The End of Cinematics examines the 21st-century phenomenon of viewing media content in fragmented form. From channel surfing to MTV to formulaic Hollywood films and sitcoms, we’re accustomed to—and adept at—filling in the details of storylines, of grasping an idea and determining its conclusion.

The film is primarily a portrait of Kam Kelly, who teaches West African drumming to students at various New York schools, including Intermediate School 292 in Brooklyn. One of his students, Jessica Jackson, is featured. The piece was commissioned for the “Crossing Brooklyn Ferry” festival at the Brooklyn Academy of Music in 2012.

A live performance film of Mikel Rouse's song cycle Gravity Radio at the Brooklyn Academy of Music in 2010.