镖客乔（克林特·伊斯特伍德 Clint Eastwood 饰）来到墨西哥边境小镇，伺机寻找挣钱机会的他得知镇上的两大帮派罗霍兄弟和镇长巴克斯特为了争夺小镇的控制权厮杀已久，便决定与两派斡旋，设计将镇上恶霸一网打尽。墨西哥士兵押送黄金经过小镇，罗霍劫持了黄金，并杀光了 士兵，一路跟踪的乔将其中两具尸体藏起来，并透露消息给两边：有两个士兵还活着。巴克斯特火速赶往现场想抓到存活士兵，来指证罗霍；罗霍则试图阻止他们，双方展开了一场激烈枪战。罗霍捕获巴克斯特的儿子安东尼奥。乔趁着两派在激战时，找到了黄金，并发现罗霍囚禁的女人玛利索，他将玛利索交给罗霍家，换回安东尼奥。后来他得知她是安东尼奥的妻子，又救出了她，帮助玛利索与安东尼奥逃出镇子。罗霍发现玛利索被乔放走，便放火烧死了巴克斯特一家，乔侥幸逃脱。 当乔孤身一人重现在镇口时，他与罗霍兄弟的生死决战开始了。
亨利（让·迦本 Jean Gabin 饰）经营着一家夜总会，进行一些下流艳俗的表演，擅长跳肚皮舞的劳拉（玛丽亚·费力克斯 María Félix 饰）是台柱一般的存在。不景气的经济和亨利的不善经营很快就让夜总会来到了濒临破产的边缘，就在这个节骨眼上，亨利认识了平凡的洗衣女工妮妮（弗朗索瓦·阿努尔 Françoise Arnoul 饰），在妮妮的身上，亨利看到了过人的天赋，并且开创了“康康舞”这一前所未有的舞蹈形式。凭借着康康舞，亨利的夜总会再度红火了起来，然而劳拉和妮妮之间日积月累的矛盾却在开业的那一天彻底爆发。之后，一位亲王爱上了妮妮，打算给夜总会投资，可眼红的劳拉却破坏了这桩生意。
来到巴黎办事的于勒先生（雅克·塔蒂 Jacques Tati饰）初入巴黎就被超级现代化的世界博览会大楼所震惊。于勒先生很快就迷失在这座叹为观止的高科技大楼中，精妙绝伦的最新先进设备、流光溢彩的博览会景观以及来自世界各地的游客和顾客，都让于勒先生大开眼界。当于勒先生终于想起要去找办事的人时，天已渐黑。谈完公事，于勒先生来到了刚刚装修好的夜总会。午夜魅影，恍如白昼，里面的男男女女兴致正高。自然，于勒先生也加入了他们的狂欢队伍。于勒先生更一时兴起，把刚刚装修好的屋顶装饰弄了下来，屋内一片狼藉。怎知客人们非但没有觉得扫兴，反而玩得更加疯狂。旦夕之间已是清晨，狂欢一夜后的巴黎别有一番韵味。 由法国著名喜剧导演雅克·塔蒂自编自导自演的喜剧影片《玩乐时间》，用一种接近单色的色调和70毫米的巨大画卷，将钢筋玻璃世界的冷酷转化成格格不入的超现实影像。本片几乎没有对白，但巧妙的运用了音效，加上演员肢体动作的表现，有着较为浓厚的早期默片风格。
A hitman is double-crossed by his girlfriend and barely escapes a murder attempt. He then sets out to take his revenge on the woman and the gang boss who put her up to it.
一个复仇的女巫和她的恶魔仆人从坟墓里回来，开始了一场血腥的运动，以占有女巫美丽的长相相似的后代的尸体。只有女孩的哥哥和一位英俊的医生挡住了她的去路。
《巧设陷阱》由法国资深电影人让·迪兰诺导演，由他执导的《巴黎圣母院》等作品早已成为脍炙人口的影片，而《巧设陷阱》更是他的巅峰之作。一起扑朔迷离的连环杀人案让从事警察工作多年的警长梅格雷和他的手下焦头烂额。凶手神出鬼没，手段残忍，专找那些黑发的漂亮女人下手，市民人心惶惶，整个城市笼罩在一片恐怖之中。为了让杀人真凶露出狐狸尾巴，梅格雷巧妙地设下了重重陷阱。在这个过程中，一个在犯罪现场表现诡异的女人——莫兰夫人引起了警察们的注意。经过一番严密的调查后，除了意外获知表面深爱丈夫的莫兰夫人有婚外恋外，案件一无进展。但智慧机警的梅格雷警长并没有放弃，他小心翼翼地和女人进行周旋，并从女人那里了解到她的丈夫马塞尔——一位艺术家的情况。梅格雷不放过任何一条细小的线索，步步深入，最终凭借其过人的智慧破解了这件错综复杂的案件。
The Posalaquaglia cousins are two small scammers and make a living of expedients: Dante receives as recognition for Tommaso a bill of one hundred thousand lire from the famous financier Bruscatelli, who ends up in prison immediately afterwards.
在1920年4月，美国的马萨诸塞州发生了一桩抢劫案，一伙匪徒洗劫了一家皮鞋厂并枪杀了两名工人，鱼贩萨可和制鞋师傅方齐迪被无端指控为罪犯。原来两人是意大利移民，并信奉无政府主义，为当时美国社会所恶视不容，虽然两人清白无辜，最终仍被判处死刑。
Some political candidates are determined to win the electors' preference during an election campaign in Italy.
When the swindler La Spada and his accomplice José come out of jail in Madrid, they decide to pull a really great swindle: nothing less than to discover and sell a third picture of the famous Goya's Maya. They engage the renowed Scorcelletti who can imitate any picture and who lives in Rome. Afterwards, with the help of the beautiful Eva, they convince the celebrated art critic Francisco Montiel of the existance of a third Maya and let him find the picture. When the swindlers are on the point of selling the faked maya to an American millionaire, Scorcelli comes back from Rome to sell one of his six other maya pictures.
Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.
John Chandler is sentenced to death only to re-emerge as his own brother, courtesy of the CIA who have arranged the subterfuge so they can use him as a double agent.
A guy is about to become the millionth citizen to buy a car in Rome. Frightened, he decides to remain pedestrian, and recalls several stories, with new car owners as protagonists. Episodic comedy.
The fake private detective Mike Spillone is hired by two old ladies to find out if Brigitte, the wife of their nephew Otello Bellomo, has a lover. Brigitte is a physician but the two aunts are unaware of the fact. While investigating, Mike and his assistant Johnny discover Brigitte with a prospective patient, the marquis De Vitti who was shot by the husband of the woman he tried to seduce. Afterwards Spillone finds her with her husband who he believes to be her lover.
Ranch owner MacGregor has seven sons and oldest Gregor leads his brothers to Las Mesas, a small town where they want to sell horses. They get into trouble with local people who are related with evil Santillana. After getting imprisoned and losing their horses they decide to go after Santillana's gang.
A doctor saves a girl from suicide and marries her out of pity. Soon the evil man who had pushed her to the limit taking advantage of her re-enters her life. The ensuing crisis will help the newlyweds overcome their differences and start a fresh, better new life.
While filming in the Roman countryside, some of the workers damage the garden of Caterina. Going to ask for compensation, she meets the director Marcello, who propose her to star working in movies.
An avenging stranger guns down a gang of ruthless bandits in revenge for the murder of his family.
一群形形色色的国际罪犯在西班牙实施了一场精心策划的勒索计划。事情进展顺利，直到团队内部的各种紧张局势凸显出来。
Duclos's son, a worldly gangster, is compromised in a case of which he is innocent. The proof of this innocence is in the hands of a "competitor", the Marquis de Chemantel de Beauvoiron, a misguided aristocrat. He asked for $ 10 million to cede the document. Duclos will then imagine Chemantel contracting $ 10 million in life insurance for his son. As he discovered in Rome a tramp, a look-alike of the marquis, he will bring this man to Paris and arrange for him to die accidentally.