Hank tries to get the truth about Ashby; Karen confronts the record producer; Marcy detoxes at her mother's house; Charlie succumbs to temptation.

Hank awaits test results and reflects on his early days with Karen; Charlie begs Daisy to move out.

Hank completes his biography of Ashby. Charlie is reduced to working at a car dealership. Sonja gives birth. Karen accepts a job offer back home in New York, forcing Hank and Becca to make painful choices.

Hank objects to Becca's adult fashion sense; Hank and Charlie visit a strip club to discover the secret life of a talented student; Charlie and Marcy's house sale goes awry.

Karen hatches a plan to move the family back to New York for good. Hank's mighty pleased, but Becca's crestfallen about leaving her new best friend, Chelsea. After inviting herself to Hank's class, Karen meets the comely ladies of the university: T.A. Jill Robinson and sexpot student Jackie. Later on, tempers flare when Becca and Chelsea get into some serious trouble and Hank and Karen are forced to pay a tense visit to Chelsea's parents, Felicia and Stacy Koons.

Charlie is crushed when Marcy loudly consummates her girlhood-crush on Rick Springfield. But Sue Collini thinks up a creative way to restore Charlie's confidence.

Hank's in for a hedonistic night to remember when Jackie and two stripper friends arrive at his doorstep, unannounced. The next morning, before Hank can escort his new friends from the apartment, Charlie shows up with a verbally abusive Rick Springfield. Hank’s forced to hide the hung-over party girls all over the house after Jill and Felicia pay surprise visits. The charade reaches its boiling point when Dean Koons arrives on the scene, resulting in a messy catharsis by fire.

Hank takes Charlie out on the town to drown his sorrows after Sue Collini fires him for causing client Rick Springfield to leave the agency. Meanwhile, Karen, still miffed by Hank's dalliance with Felicia, organizes a girls' night out with Becca and Marcy.

As the Moodys at last prepare to move to New York, Becca tells Hank about an intimate coming of age experience she had. Hank’s stunned when Mia shows up at the house unannounced, in town with her slimy boyfriend / manager PAUL for a book signing. Hank fails to prevent Mia and Paul from hatching a devious publicity stunt, forcing Hank to finally share the long-buried heartbreaking secret with Karen. gives Charlie a career opportunity of a lifetime, but Charlie must confront the fact that he might be losing Marcy for good.

Hank is told he faces 3 years in prison because the DA wants to make an example of him. There are signs Marcy is pregnant. Hank tries to fix things with Becca. The episode ends as Hank high on drugs and liquor writes a letter to Becca and then passes out.

Hank Moody is notified by his attorney Abby that he will be going to trial for statutory rape. But not before Hank hands the completed F&P script to Charlie, who promptly drags him to a meeting with the Director, producer Stu Beggs and eccentric financier Zig Samitaur, setting off a chain of events that leads to Hank and Charlie having to explain why there’s a dead billionaire in the bathroom.

A sensational photo derails Hank's case and threatens to destroy his movie project until his sincere love for Becca rescues his career, while Karen resuscitates her ex-husband's relationship with his beautiful lawyer.

Hank takes a gig rewriting dialogue on a zombie sequel but threatens his job when he hooks up with a sexy woman with close ties to the film's female lead; Marcy tells Stu she's pregnant but not that the baby may be Charlie's.

A nervous Hank discovers that he's got good reason to panic when his trial turns into an all-out character assassination, with even friendly witnesses Charlie and Karen unable to portray him as anything other than a drunken, oversexed lout.

As Hank awaits sentencing, the lines between his real life and the movie based on his life blur as the film's star hits on his ex-wife and he feels stirrings of passion for the actress hired to play Karen.

Hank passes on writing Samurai Apocalypse's new movie but Sam won't take no for an answer and drags Hank to a meeting with director Peter Berg, where they discover that Hank and Peter have shared more than just a love of the written word. Sam takes it on himself to get rid of Tyler, which makes things worse between Hank and Becca. Co-parents Charlie, Marcy and Stu have their hands full when Little Stuart exposes himself to a preschool classmate, and Charlie takes it upon himself to mend fences with the offended girl's attractive mother.

When Samurai Apocalypse hits a lyrical roadblock with his protege, he calls on the best writer he knows: Hank Moody, who unites with Kali to imbibe, bear his soul, and write a song that takes Hank back in time to an era when he, Karen and Charlie were happier and life was simpler before "A Crazy Little Thing Called Love." But the present comes roaring back when Karen shows up at Hank's door, worried that she made a mistake.

Hank is stuck reading Tyler's screenplay but discovers some talent under that head of hair, even though the script appears to be disturbingly autobiographical account of the author's relationship with Becca. Charlie and Lizzie's love quadrangle with Stu and Marcy heats up, but when their bedroom games hit too close to home for Charlie, it may be off to therapy for all four of them.