A young woman’s quest for revenge against the people who kidnapped and tortured her as a child leads her and her best friend, also a victim of child abuse, on a terrifying journey into a living hell of depravity.

A woman and her childhood friend seek out revenge on those who victimized and abused them.

Created by Bill Viola and Kira Perov and opened in May 2014, Martyrs shows four individuals, across four colour vertical plasma screens, being martyred by the four classical elements. The work has no sound. It lasts for seven minutes. Martyrs was joined in 2016 by a second piece entitled Mary. The installations have been gifted to Tate, and are on long-term loan to St Paul’s Cathedral. Bill Viola's commission for St Paul’s Cathedral follows the great historical tradition of commissions for spiritual centres that has resulted in a priceless heritage of art around the world. The result of this commission sees St Paul’s Cathedral, which has always spearheaded the engagement of great artists, house a resonant work of art for our times. Martyrs (and later Mary), will play an important role in connecting contemporary issues with the timeless themes embodied in the cathedral.

This short passion project delves deep into the trauma surrounding recent political strife. A fight over trust and purpose breaks out in the rubble of a post-apocalyptic town.

A reporter goes to a mysterious village to investigate mysterious disappearances until one night, his friend gets abducted and every citizen wants him dead.

The life of Jesus from the beginning of his ministry, his miracles, the Sermon on the Mount and his death on the cross.

After being delayed for a few months because of a 18+ rating due to its extreme violence, the French horror thriller Martyrs was finally released a few months later in the local theaters, with a 16+ rating with warning. This video was shot in June 2008, during a manifestation organised to protest against the first rating decision.

Close to 40 years after the war of Algeria ended, in a factory workers' garden, in Tourcoing, a city from the North of France, French and Algerian men work on their piece of land. These men were the conscripts, National Liberation Front militants or "harkis" from a colonial war led by the French republic.

This is a very long and incredibly informative featurette that goes deep behind the scenes of Pascal Laugier's film. The French director explains how key scenes from the film were shot, what type of obstacles the tech team had to deal with. Furthermore, there is an abundance of raw footage that shows the two actors in action.

Martyrs of the Inquisition

Various scenes from New Testament and Old: Christian martyrdom under Roman rule, Daniel in the lion's den, and Belshazzar's vision of a floating hand spelling the end of his rule.

This three-part ballad, which often uses music to stand in for dialogue, remains the most perfect embodiment of Nemec’s vision of a film world independent of reality. Mounting a defense of timid, inhibited, clumsy, and unsuccessful individuals, the three protagonists are a complete antithesis of the industrious heroes of socialist aesthetics. Martyrs of Love cemented Nemec’s reputation as the kind of unrestrained nonconformist the Communist establishment considered the most dangerous to their ideology.

Leah, 10, has terrible nightmares. Her mother seems distant somehow, lost in her thoughts. A small, nightly visitor brings Leah comfort, but soon Leah will realize that her little visitor offers knowledge that might be very, very dangerous.

A film based on the 1921 Nankana Sahib massacre and the events that led up to it.

Out of fourteen ministers taken away by the communist troop, only two come back alive. The mystery behind their survival is at the issue here. Told through one of the survivor's testimony, depicts images of men troubled between the war and the religion. Although laden with anti-Communist notions from the 60's military regime.

Tony is the ultimate good guy, sometimes to a fault. From nabbing the smallest slice of cake in grade school to guiding lost strangers in the city, his kindness knows no bounds. He also lives with an angel.

Jesuit priests in Japan during the 17th century are persecuted by the shogunate to for trying to spread Christianity.

Martyrs of the Anthropocene by artist Timaeus (Tim van Hooft) questions the relationships between people and the natural world in the Anthropocene. A digitally rendered nature and the narrator regale a myth with novel heroes: lichen and trees. These protagonists are the non-human martyrs of our age, adorned as they are with minerals and crystals that are exploited as resources in a world dominated by humans.

A biblical drama.

Delfina is a beautiful woman of 45 years who enjoys a good economic spend and shares her life with her faithful husband and her teenage daughter. Through an intimate friend, Delfina meets Kamil, a supposed high-ranking businessman.