Marnie is a thief, a liar, and a cheat. When her new boss, Mark Rutland, catches on to her routine kleptomania, she finds herself being blackmailed.

Upon being sent to live with relatives in the countryside due to an illness, an emotionally distant adolescent girl becomes obsessed with an abandoned mansion and infatuated with a girl who lives there - a girl who may or may not be real.

A rich peasant, Carvajan, seeks revenge on the castellan, Clairefont, with whom he had a serious conflict. Their respective children, Antoinette and Pascal, meet and fall in love with each other. Robert de Clairefont, Antoinette's brother, unjustly accused of murder, is defended and saved by Pascal. Finally, love, by uniting the son of one to the daughter of the other, will appease souls and reconcile families.

Composer Nico Muhly unveils his second new opera for the Met with this gripping reimagining of Winston Graham’s novel, set in the 1950s, about a beautiful, mysterious young woman who assumes multiple identities. Director Michael Mayer and his creative team have devised a fast-moving, cinematic world for this exhilarating story of denial and deceit, which also inspired a film by Alfred Hitchcock. Mezzo-soprano Isabel Leonard sings the enigmatic Marnie, and baritone Christopher Maltman is the man who pursues her—with disastrous results. Robert Spano conducts.

This hour long documentary on the making of Alfred Hitchcock's "Marnie" incorporates the usual melange of contemporary interviews with surviving participants and liberal helpings of film clips and production shots. It also presents a nice selection of script pages and memos as well. In the former category we find cast members 'Tippi' Hedren, Diane Baker, and Louise Latham, rejected screenwriters Joseph Stefano and Evan Hunter, final screenwriter Jay Presson Allen, daughter Pat Hitchcock O'Connell, production designer Robert Boyle, makeup artist Howard Smit, unit manager Hilton Green, Hitchcock historian Robin Wood, composer Bernard Herrmann biographer Steven C. Smith, and Hitchcock fan/filmmaker Peter Bogdanovich. An entertaining account of the film's production, the participants offer loads of valuable information and anecdotes. Highly enjoyable for Hitchcock fans and the film's growing number of admirers.

Miserable Marnie Strauss (17), a lonely teenage girl, lives alone with her reclusive mother, Matilda in a small town. She dreams of nothing more than to befriend the popular girl, Spencer, but the feeling is not mutual. After a cruel prank breaks her spirit, Marnie embarks on a violent rampage, exacting revenge on all who have wronged her with the help of her new friend, Crystal.

Marnie Stern performing Marnie Stern live at XOYO, London from December 2011. Set list: (0:00) Cinco De Mayo; (4:32) Risky Biz; (8:22) The Crippled Jazzer; (13:09) Transformer; (15:24) Shea Stadium; (20:54) This American Life; (27:38) Transparency Is The New Mystery; (35:34) Prime; (38:23) For Ash; (43:11) Build Her Confidence; (48:36) Vibrational Match;

Through the process of recording her grandmother, Marnie Sproule, Erin realises that memories are precarious and can’t be trusted. So how do we hold onto precious memories, before they're gone… even though they’re gone… why are they gone… gone… gone…?

Four crazy antiheroes on the run. Their leader is the unworldly innocent, naive Marnie, a house cat who is not allowed to leave the house and only knows about real life from television