Pressured from all sides by the figure of her father, Chiara Mastroianni decides to bring him back to life through her own self. She goes by the name of Marcello, dresses like him and asks to now be considered an actor, not an actress. The people around her believe this to be a temporary joke, but Chiara is determined not to give up her new identity…

En 1996, Marcello Mastroianni se dispuso a recordar el pasado, frente a la realizadora Anna Maria Tató, la mujer que compartió con él los veintidós últimos años de su vida. El resultado es este repertorio de anécdotas, confesiones y memorias narradas por el protagonista en primera persona. (FILMAFFINITY)

For the love of the beautiful Elena the young fisherman's son Marcello turns a whole village upside down.

A documentary about Marcello Mastroianni.

A documentary about Marcello Mastroianni.

Marcello always stares at Andrea, a young girl who loves wearing lipstick and craves for his attention during biochemistry classes. Despite the initial wrong impression, Andrea is not what Marcello is staring at: there is something more behind the surface. ‘Marcello’ is a coming-of-age story of transgender self-expression.

After shooting to fame with Federico Fellini’s “La Dolce Vita” (1960), actor Marcello Mastroianni (1924-1996) starred in more than 160 films in his nearly half-a-century career. Directors Mario Canale and Annarosa Morri look into the melancholic charm of one of the most famous Italian actors through interviews with his two daughters, Barbara and Chiara; directors Fellini and Luchino Visconti; actresses Claudia Cardinale and Anouk Aimee; and in archival footage of Mastroianni himself. The subject matter ranges from Mastroianni’s passion for kidney-bean pasta and his addiction to the telephone to his famous laziness, humility and talent. Shown in black-and-white, Mastroianni — elegantly holding a cigarette in between his fingers — is undeniably the dandy.

Marcello, I'm So Bored is a 1966 short animated film co-directed by John Milius and John Strawbridge. An intentionally crude cartoon with a live action epilogue in which Milius appears with Gayle Hunnicutt. The film was made when Milius was a student at the University of Southern California and was a parody of Italian cinema. The film was edited by George Lucas. Milius' first film is important because it was the beginning point for his contribution of a style emphasizing depth and meaning in American popular films.

The documentary moves around the amazing figure of Osiride Pevarello, a circus performer with a very long career in cinema, from Lattuada to Germi, from Ben-Hur to Fellini, up to Tinto Brass. In this exquisitely lively and unexpectedly dense short film, Osiride faces the world by showing off confident steps and assertive vocation, as if he had everything under control and it was not necessary to demand more. Until the beautiful ending, when the voices of the sleeping boys give shape to a desire: to have a home. Osiride, lying on the bed smoking his umpteenth cigarette, as always he cannot sleep before the return of his eighteen-year-old daughter, who works under mistress in a dartboard. We discover the melancholy of a man who would like to leave from there, to find four real walls for his family. The camera moves to let us glimpse the pope's image on the dresser; one should have faith in miracles

A documentary about Marcello Mastroianni.

Marcello Red Ammunition es un documental de performance

A new Rock Brenner film currently being written...

Cortometraje realizado para Venezia 70 – Future Reloaded (2013). Estreno mundial el 28 de agosto de 2013 durante el 70º Festival Internacional de Cine de Venecia.

The documentary explores the life and career of Marcello Lippi, an iconic football figure.

Sophia Loren, who was born in Rome and lived there as a child, returns to the city that will forever be in her blood and gives her impressions of and reactions to the mosaic of Rome and the people she encounters there during her visit. She meets Marcello Mastroianni and Vittorio de Sica as she visits the sights, affectionately commenting on the grandeur of the Eternal City and the irrepressible nature of its people.