Secure within a desolate home as an unnatural threat terrorizes the world, a man has established a tenuous domestic order with his wife and son, but this will soon be put to test when a desperate young family arrives seeking refuge.

After sparing a girl's life during a massacre, an elite Triad assassin is targeted by an onslaught of murderous gangsters.

Feminine and romantic melodrama that women are the main target audience. The story of four intersecting narratives are intertwined and linked together. Foojan released the designer has to ...

A rich, mentally-unstable man—with a penchant for playing deadly S&M games with women who resemble his dead wife—sparks off a chain of bizarre events after getting remarried.

The village is brimming with stories and if you listen closely it might tell you a few. Perhaps the one about the businessman who dreams in Latin, or the one about the delicate boy who carves moorland birds, or maybe the one of the open-air sexual affair that has explosive consequences.

Romantic fantasy about the ruckus that ensues after a mother and daughter switch bodies. Director Imaoka Shinji wrote the script for The Drudgery Train and has worked on numerous erotic films. Housewife Suda Sawako (Takaki Mio) is dissatisfied with her husband Kenzo (Haruta Junichi). Meanwhile, her daughter Yasuko (Ishikawa Yumi) is going out with Kitamura Mitsuru (Nagaoka Tasuku), a struggling musician. When Sawako visits Yasuko's apartment one day, her built-up frustrations explode and she gets into a physical altercation with her daughter.

Night comes. For a boy in a dark room, this is a time of fear.

Diana Lorys, Collette Jack and Soledad Miranda star in this sexy thriller about two alluring dancers, Cincia and Anne, who embark on an erotically charged partnership. But when Anne starts to have nightmares that feature her as a murderous killer, she begins to lose her grip on reality. Or is reality merely rearing its ugly head in her dreams? She's determined find out what's causing this turmoil before something deadly happens.

Esmeralda is married with 5 husbands at the same time, so she has to explain to the judge why she has done this.

Jirka and Aneta are a young couple who enjoy the routine of their quiet relationship and are in no hurry to make big decisions in life. One night in their inherited flat, the doorbell rings and standing at the door is Jirka’s mother Valerie. An initially brief call turns into a never-ending visit from an intense and caustic diva whose presence fundamentally disrupts the couple’s privacy. Certainties are shaken, boundaries broken.

Marie, 22, works in her parent’s hotel-restaurant, a place of hard-work where three generations mix but barely speak to each other. Suzanne, 42, shows up for the night. She ends up staying two nights, then three and finally settles for a moment. To Marie, she’s a simple customer. Yet Suzanne did not choose this hotel by accident.

It’s wartime. Maria finds out that her husband Jan is in the hospital but it turns out that the man does not recognize her. Maria has doubts about whether Jan has actually lost his memory, or is lying to avoid punishment for potential desertion. The many understatements and secrets cause confusion. Night mixes with day, for both the audience, and our heroes. Is any of this real? Maybe it’s all a dream, maybe a figment of a traumatized mind.

In the Island of Corsica, Jeanne's everyday life flows more or less quietly since Lucien, her lover, has been murdered, three years ago.

The passionate story of the femme fatale, seductive and dangerous, a myth and a fantasy, through her representation in art.

Tourist gets involved with mother and daughter without realizing they're related, runs afoul of husband/father. It ends badly.

What would we be able to do for love? How far could we go in an extreme situation? Is there a monster inside each one of us waiting to reveal itself? Guilherme is a young man like many others, with dreams and aspirations, until one day his grandfather’s health puts him to test.

"Be Silent at Night", Caia reads on a wall in the apartment she has just moved in. Among the insistent innuendos by the new neighbor and the presence of her insurgent body in a new location, Caia begins to live inside a horror movie. In Gabriela Alcântara's film, the protagonist resorts to the protection of the Orixás to confront her fears and hauntings, experiencing magic through the strength of the herbs and the women around her.