Miss Havisham, a wealthy spinster who wears an old wedding dress and lives in the dilapidated Satis House, asks Pip's Uncle Pumblechook to find a boy to play with her adopted daughter Estella. Pip begins to visit Miss Havisham and Estella, with whom he falls in love, then Pip—a humble orphan—suddenly becomes a gentleman with the help of an unknown benefactor.

Loosely based on the Charles Dickens' classic novel, "Great Expectations" is a sensual tale of a young man's unforgettable passage into manhood, and the three individuals who will undeniably change his life forever. Through the surprising interactions of these vivid characters, "Great Expectations" takes a unique and contemporary look at life's great coincidences.

In this Dickens adaptation, orphan Pip discovers through lawyer Mr. Jaggers that a mysterious benefactor wishes to ensure that he becomes a gentleman. Reunited with his childhood patron, Miss Havisham, and his first love, the beautiful but emotionally cold Estella, he discovers that the elderly spinster has gone mad from having been left at the altar as a young woman, and has made her charge into a warped, unfeeling heartbreaker.

A young boy called Pip stumbles upon a hunted criminal who threatens him and demands food. A few years later, Pip finds that he has a benefactor. Imagining that Miss Havisham, a rich lady whose adopted daughter Estella he loves, is the benefactor, Pip believes in a grand plan at the end of which he will be married to Estella. However, when the criminal from his childhood turns up one stormy night and reveals that he, Magwitch, is his benefactor, Pip finds his dreams crumbling. Although initially repulsed by his benefactor, Pip gradually becomes loyal to him and stays with him until his death.

A humble orphan suddenly becomes a gentleman with the help of an unknown benefactor.

The classic tale of the helpless orphan Pip and his anonymous benefactor is brought to life in this high quality entertaining animated feature for your kids and family. These legendary characters have stirred the imaginations of the young and old from the moment Dickens created them.

A young boy, Pip, encounters an escaped prisoner, Magwitch, and steals food for him. After the convict is captured, Pip meets the reclusive Miss Havisham and her niece, Estella, eventually becoming friends with the girl. Wealth comes to Pip via a mysterious benefactor and he goes off to London for an education. As adults, Pip and Estella become romantic, and Pip learns the identity of his patron.

This stunning adaptation of Dickens' classic tale was captured live from the Vaudeville Theatre in the West End. Although Great Expectations has been adapted for film on two separate occasions, once by David Lean in 1946 and most recently by Mike Newell, it has never been produced for The West End or Broadway, widely believed to be too difficult to translate to stage. However, this Jo Clifford adaptation has been universally acclaimed as a triumph on its sellout tour of the UK head of its West End debut. In addition to the production, this version include red carpet arrivals from the February 7 premiere and behind the scenes footage exclusively for cinema audiences.

Animation featuring Jerry the Troublesome Tyke - a cartoon dog. A cartoon curtain rises. A U.I.C. production. Jerry emerges from under a door and does a somersault in the garden. He takes a piece of paper from his pocket and reads from it. It says "When is your birthday? If you would know your future consult Zodiac the great seer.." He puts it back in his pocket. Speech bubble appears: "Seeing it's my birthday, I'll slip along and see what the seer sees of my future!"

In the space of 3 days, Pip has lost her boyfriend, her flat and her terrible, dehumanising job. Craving a new start, she returns home to the Brexit British countryside. Great Expectations retells the classic Dickens novel with a modern and darkly comedic female voice. It engages with questions about society, exploitation, loneliness and how women are viewed, all with a great deal of humour and heart.

This documentary provides an astonishing journey through innovative, futuristic, utopian and sometimes bizarre architecture projects—including concrete illusions of grandeur and Lego-like modular apartments to an Instant City Airship and round, grass-covered subterranean dwellings—from the beginning of the 20th century to today.

The Aviron Bayonnais is a rugby team having a streak of bad luck. Even though they fight relentlessly, they keep losing. One day, though, things change. Everything seems to be possible again. But will the team be able to keep up the momentum? Delphine Gleize films this sports odyssey with humour and passion. She is the only woman in the locker room and the men talk to her as if she were one of them. Through her camera, getting close while keeping an observational distance, the filmmaker manages to capture elements that define and clarify male bonds and relationships.

A charitable childhood deed holds fateful consequences for poor Pip. An anonymous benefactor paves the way for Pip’s transformation and subsequent social ascent from peasant boy to gentleman. But he soon finds out that life among the upper-classes is no bed of roses, and Pip encounters a number of characters who shape his life for the better, and for the worse. (Stumfilm.dk)

Who are the people who will comprise Italy’s future leadership ? Three entrepreneurs offer some responses to the question: Antonio Ambrosetti, founder of a new course called «Leader del Futuro», Federcio Morgantini, a young man whose business ambitions take him to China, and Matteo Storchi, a succesful manager of a family business. The filmmakers want to record these individuals in «their roles as leaders within the society they represent.» So they follow their three protagonists through their working lives. All three are at a crucial stage in their careers: will they succeed in their respective projects? Taking a humorous perspective, navigating both hope and pessimism, the film moves from Italy to China on the heels of these contemporary entrepreneurs who are often destined to lead more through heredity than vocation.

A humble orphan suddenly becomes a gentleman with the help of an unknown benefactor.

Anna dreams of her life after high school, to move away and become an actress, despite her mother Jaya's expectations for her to become a doctor. On the day of Anna's big audition, Jaya organises Anna a scholarship interview, forcing her to choose between family or ambition.

A young woman dreams about her ideal future.

"Et expecto resurrectionem mortuorum", the work by Olivier Messiaen, was a commission by the Minister of Cultural Affairs André Malraux and was to be performed on the 20 June 1965 at Chartres Cathedral, in the presence of President Charles de Gaulle. This documentary takes place during the rehearsal on the prior day.