A woman inexplicably finds herself cut off from all human contact when an invisible, unyielding wall suddenly surrounds the countryside. Accompanied by her loyal dog Lynx, she becomes immersed in a world untouched by civilization and ruled by the laws of nature.

Early experimental film by Angela Christlieb.

With the intention to break free from the strict familial restrictions, a suicidal young woman sets up a marriage of convenience with a forty-year-old addict, an act that will lead to an outburst of envious love.

Constance, 1410. Marie, daughter of the richest bourgeois of the city, is on the eve of marrying a prestigious lawyer, son of an earl. Although the compromise fills with pride the girl's father, anxious to ennoble, Marie is not just convinced about her fiancé, who she has only seen twice. Her suspicions are confirmed tragically on the eve of the wedding when, after signing the marriage contract, a stranger breaks into the house ensuring that Marie has slept with other men in exchange for gifts, like a vile harlot. From that moment, the life of the girl will give a terrible unexpected turnaround. Alone, with his reputation ruined, she will have no choice to survive than partnering with a prostitute and lying on the roads.

In 1427, Lady Maria Van Arnstein is informed that her beloved husband Michel Van Arnstein was murdered in a battle against the Hussitas. However he was actually betrayed by his ambitious cousin Hettenhein that wants his lands and castle. The Pope's Great Inquisitor Janus Suppertour meets King König Sigismund and tells that he wants Maria for him.

Martin leaves his protective parents’ home and comes to Berlin as a law student with high hopes. He finds a tiny, run-down flat in a strange, dark apartment block, from which the previous tenant has disappeared without a trace. Having no luck with social contacts at the university, Martin quickly falls for his mysterious landlady Simone, who lives just next door behind a thin wall. Hoping to find trust and intimacy, Martin loses himself in the house’s disturbing world of sex and violence. Deep in the walls, Martin discovers the true horror of his first love.

Mr. Buchsbaum, third class taxes employee, lives a peaceful life until the new chief immediately criticizes his work. His only confort is his stamps collection. Sadly, even this consolation and his peace are threatened by a new, charming, neighbour who teaches piano.

Increasingly infuriated, he discovers accidentally one evening that he has the ability to go through walls. With this power, he decides to settle the scores, firstly with his boss who downgraded him.

A couple of scratch cards, the future, the money, the game, luck, whether or not to have, a fork in the road - a section of the world in which Azza lives and which leads us through the Mannheim of her present.

Follows the migration voyages of eels.

Several cases of labour exploitation concerning migrant workers from Eastern European countries have become publicly known. The film portrays the life of three migrant workers: a construction worker from Bulgaria who lives on the streets of Frankfurt collecting bottles for a living; a woman from Romania who shares a hotel room with her daughters, everyday she goes out to find work; and a retiree from Bulgaria who drives a truck and has been on the road for four months to support his family back home. Their daily lives are determined by bleak monotony and social isolation, and yet they have not abandoned their hope for a better life.