A high-profile terrorism case unexpectedly binds together two ex-lovers on the defense team - testing the limits of their loyalties and placing their lives in jeopardy.

The film is set in the Tricity in 2003, ten years after the end of communism in Poland. The plot, apparently based on the real-life experiences of Kraków businessmen Lech Jerzorny and Paweł Rey, is about three young, talented businessmen who open a high-tech factory. This comes to the attention of the local state ‘mafia’, the local Prosecutor, played by Janusz Gajos, and tax office boss, played by Kasimierz Kaczor, who are both jealous and would like to make money for themselves. We are in Poland, so success must be punished.

During a spaghetti western screening a man is shot dead, the doors are locked, and the police are called in to investigate.

A robot cares for a ship full of sleeping passengers on an interstellar voyage, and one day she discovers she is not alone.

Two men sit at a popular café in Tel Aviv. Moments later, they open fire on the shocked diners around them. One customer fights back. Others run to safety. No one escapes unharmed. Closed Circuit documents the infamous terrorist attack at Sarona Market with raw footage from security cameras and riveting interviews with survivors: a father breaking the Ramadan fast with his family; a cop who unknowingly saves one of the fleeing terrorists; a girl who escapes but loses her father; and restaurant workers, both Arab and Jewish, whose lives are forever changed by the sudden encounter with death.

Sasha Pirker´s conceptual experiment Closed Circuit, 2013 is a meeting of two analog formats – Polaroid and 16mm film – as well as of the predetermined units of time and the aesthetic aspects inherent in each material. In this work, the development time of Polaroid images correlates with the predetermined length of a 16mm film reel, which is three minutes – exactly the length of Pirker´s single-take film. The subject gradually peels itself into the picture, revealing a woman with a movie camera, or perhaps even the production process itself. The short, very concise film thus makes it possible to directly observe the development of a photographic image in an ambiguous gesture – the process of developing a static image using moving images – thus causing the viewer to reconsider the specifics of the respective media (photography and film) that have been directly interwoven in this piece.

Hired to oversee the security of a superstore, Pierre soon discovers a dark secret and becomes a threat to the system he helped create.

A young couple break into the house of a suspected serial killer and plant hidden cameras but are trapped when they try to retrieve the footage.

This is Rothko's haunted painting and its circular detour. Bloody suppuration and enchanted absorption as an omen in times of pandemic vortex.