The CIA’s hunt is on for the mastermind of a wave of terrorist attacks. Roger Ferris is the agency’s man on the ground, moving from place to place, scrambling to stay ahead of ever-shifting events. An eye in the sky – a satellite link – watches Ferris. At the other end of that real-time link is the CIA’s Ed Hoffman, strategizing events from thousands of miles away. And as Ferris nears the target, he discovers trust can be just as dangerous as it is necessary for survival.

Hanna, a Korean-American adoptee, wakes up disoriented in Chuncheon. After discovering a missing person flyer, she begins to uncover the secrets of a mysterious death. As the events unfold, Hanna faces her lost past, transcending life's karma. The reunion between life and death leads to another dilemma, ironically ending Hanna's long journey of self-discovery.

Christmas Eve, somewhere in a gray suburb, a young daydreaming pizza delivery boy named Abdou, meets the real Santa Claus, who’s name is Marcel. The journey of this worn out and tired old man is jeopardized by a stupid accident with a scooter. Thanks to Abdou, who calls on the help of some of the neighborhood’s unusual characters, Santa’s distribution is completed. In a mayhem of song and dance, Christmas is saved!

In Lights (Body), flashing lights in a busy nightclub are accompanied by the hypnotic dance beat "Don't Be Light (The Hacker Remix)," by the French duo Air. The ravers are out of sight, but specks of dust rising from their clothes and skin are visible in close-up shots of the beams of light. Like Tillmans's earliest photographs of nightclubs, the work presents the dance floor as a site of liberation and resistance, generated through experiments in representation and collective assembly. As Tillmans has noted, it is also "the venue for extreme beautiful abstraction." [Overview Courtesy of MoMA]

Long time ago in ancient Japan, human beings could still see Yokai monsters and were afraid of them. However, as time passed and civilization and enlightenment progressed, people started forgetting about them... Though a son of the leader of all Yokai monsters, Mikoshi Nyudo, an adorable looking monster, Tofu Boy, has no talent in scaring the human beings. He is always scolded by his father and laughed at by his monster friends. One day, he decides to go on a journey to find out about the meaning of his life as a Yokai monster and to see his mother he's never met before.

A young boy grows up in a Spanish town with dreams of being a bullfighter in an age when tradition and modernity are in constant conflict.

According to the Honduran Public Ministry, during the 2020 pandemic, there were more than 100,000 calls to 911 from women reporting that they were victims of domestic violence. Of these calls, less than 30% were attended by the authorities. Living Bodies it’s a documentary that portrays a society submerged in indifference and silence. Living Bodies becomes an experimental documentary that seeks, through the sensoriality of images and sounds, to vindicate the empowerment of female bodies and highlight the harmful stereotypes to which girls, young women and women are exposed in the country.

A boy must brave deep winter snow to obtain an important family keepsake. Before he can even start this difficult journey he must first help his family survive financial ruin, rescue his beloved pet goat, and with his best friend, outwit a bratty bully who seems out to get him at every turn. Will he make it back to the village in time to celebrate the end-of-winter holiday of Chalandamarz?

Hong Kong horror movie from 1947.

Eight-year old Francois has moved from Paris to a quiet chateau with his parents who want to escape the stress of the war. In a nearby town, his father's mistress works as a tutor. Soon his father allows a refugee family of Polish Jews to move into the basement. Francois has a terrible crush upon their daugther. Real trouble begins when a Nazi commander and his unit also move into the house, totally unaware of the refugees living below them.

Things get crazy fro three groomsmen who make a bet on their way to their best friend's wedding. Can the dedicated swinger resist the ultimate temptation and remain celibate during the hottest weekend on his life? Can the serial monogamist actually go through with his first one night stand? It's up to the stunning bridesmaids who are ready for little misadventures of their own in their wedding that brings new meaning to the words LOVE, HoNOR and OBEY.

Documentary film that deals with four main thematic areas in Fassbinder’s films: The exploitation of love, the human tendency for mutual repression, the resulting loneliness, and powerlessness that leads to an explosion of violence. Fassbinder’s genius lay in his logical and uncompromising combination of these various themes into a harmonious unity, while at the same time creating a very personal self-portrait of himself. All Fassbinder’s films are self-portraits in disguise. His greatness was one of emphasizing the negative, the darker aspects of things. Through his radical use of rigorous subjectivity he was able to be objective, whether in Fear Eats the Soul, The Marriage of Maria Braun or Effi Briest.

Taiwanese horror film.

Liliomfi is a 1954 Hungarian comedy film directed by Károly Makk. It was entered into the 1955 Cannes Film Festival. Set in the "Golden Era" of the wandering Hungarian theatre troupes. Mariska and Liliomfi fall in love without suspecting that Mariska's foster father, Professor Szilvay, is also Liliomfi's uncle. Soon the couple must contend with the professor's plan to make Liliomfi give up his "unrespectable" profession of acting by exposing the professor's hypocrisy, greed, and tyrannical selfishness.

The interplanetary spacecraft Galileo II carries Atom and his friends to Titan, a satellite of Saturn. However, what awaits them when they arrive there is an attack from an unknown entity. What appears is a mechanical life form called "Igza" that wants to destroy humans. The battle between Atom and Igza unfolds in the far reaches of space.

Lunettes and Myope: two ways of resisting the world. Identical and opposites, face to face or, more often, back to back, in a small room in a timeless space. Twins and adversaries, these two girls make one: Lunettes uses her glasses to help her understand the world, or at least accept it; Myope can't see, except within herself, and lost in her blurred, but sharp, experience of the world, rebels continuously. Incited by Lunettes, Myope creates (in the same city and climate, but in another dimension) two characters: Pierrot and Agathe. To a certain degree, these two are a disjointed response to Myope, Lunettes, neighbors, and distant representatives. It's very hot. The inhabitants are interested in fountains and shadows. They build cool cabins, hanging curtains over the balcony balustrades. Asphalt sticks to the soles of sandals and when the wind blows, the canopies flap above the café terraces.

Tetsumu, an introverted youth, realizes he has a natural ability of communicating with elephants. This prompts him to leave for Chiang Mai in Thailand to become Japan's first elephant trainer. Having found his place in the world, Tetsumu develops into a strong, confident young man. He returns to Japan with the dream of building a green "paradise" for his ivory-tusked friends. Meanwhile, he starts a career as an elephant trainer for touring shows. He meets Emi, a woman seven years his senior and falls in love.

A young boy is hired as a lift attendant in a grand hotel when his mother dies. To fulfill his dream, he takes part in a competition organized by the manager, and wins 1st prize: a two-day stay in one of the princely suites. He wants to share the experience with his young girlfriend, the florist, but discovers that she has betrayed him and returns to her elevator.

Experimental film, Polke plays Polke, Christof Kohlhöfer is behind the camera. Together, the artists present abstruse scenarios and breathe a secret life into everyday things with anarchic humour and subversive magic.

A documentary portraying the life of Norwegian folk singer Lillebjørn Nilsen. Lillebjørn's talent brought him into the limelight as a shy 15-year-old. This is his own story about music, fame and an eternal longing for peace.