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In Moscow in 1983, an American journalist interviews Guy Bennett, who recalls his last year at public school, fifty years before, and how it contributed to him becoming a spy.
Three French women visit the same holiday resort in Korea and their lives intersect to form a web of lust, love and confusion.
The Portuguese Revolution (1974-75) seen through the eyes of some of the most important photographers and filmmakers that witnessed the event. Their dreams and expectations and what came out of the revolution. With outstanding historical footage.
In this documentary companion to CHARLIE'S COUNTRY, Australian actor David Gulpilil tells the story of when his people's way of life was derailed by ours.
Based on Native Guard by Natasha Trethewey, Another Country tells the story of an interracial couple raising their mixed race child in the racially polarizing times of 1956 Mississippi.
1972 Mexican experimental film by Cooperativa de Cine Marginal
While in Calgary on business for Lynx River Resources, Teevee Tenia is in the wrong place at the wrong time. A troubled young native woman reaches out to him for help and sets him up for a murder charge. Teevee is the perfect fall guy – young, alone and native. While Teevee struggles to hold his own in the urban justice system, Corporal Michelle Kenidi frantically searches for evidence that will exonerate him. Her efforts are thwarted and Teevee escapes and flees back to Lynx River. Michelle is left with a terrible choice: to turn Teevee in, or to betray the justice system that she has built her career on. Her only chance is to uncover the truth.
During the cultural revolution, six-year-old Gharavi was sent from Iran to live with her father in the West, remaining separated from her mother into adulthood. This intense personal documentary follows Gharavi’s return to Iran in an attempt to understand her mother’s decision and to reconnect to her lost past. Choosing not to explain the last twenty years of her life, Gharavi drops the viewer directly into the moment of her return, sharing the immediacy of the event. With the use of verite and acted scenes to mirror the reunion’s emotional landscape, Gharavi’s frustration with her mother’s ambiguity becomes clear. As the visit draws to a close, her mother remains elusive about why she sent Gharavi away, while continuing to encourage and pressure her daughter to return to and settle down in Iran. Gharavi, however, has her own reasons for why she does not want to move back to Iran and meet a “good man.”
In 2012 Dalya and her mother Rudayna fled Aleppo for Los Angeles as war took over. Months before, Rudayna learns a secret that destroys her marriage, leaving her single at midlife. Arriving in LA, Dalya enrolls as the only Muslim at Holy Family Catholic High School. Can mother and daughter remake themselves while holding on to their Islamic traditions?
Fabrice is a journalist from the Congo who fled to Russia to save his life from political repression. In Russia, he is fighting for survival and the right to receive political asylum, which the Russian authorities deny him.
In 1919, a group of Japanese immigrants arrives in Hawaii. Among them Yoshio Inoue and his wife Kishimo and Sumi, a young woman ready to get married soon. With the soil that is hard to work and the subtroipical climate, the immigrants have to cope with a hard life. But after years of hard work, Yoshio finds work as a teacher while his wife manages to open a small grocery store. But with the war around the corner, life becomes more and more complicated for the Japanese immigrants in a foreign country.
About a young guy from the province who enters into an unequal struggle with the mafia.
Documentary about Moa Martinson.
If you would like to witness the forces of colonialism in brute action, Rithy Panh’s extraordinary new film provides the long view. A masterpiece of editing, the film assembles archival footage and antiqued title cards into a wordless recapturing of the Indochinese Empire, beginning with the early days of French occupation. In this prelapsarian age, everything is golden with promise. Ladies, in empire waist gowns and enormous hats, throw candies to local children. Great steamships carry French culture abroad, and the Tricolore flag flies on high.
Jonas intercuts scenes of the Nova Scotia countryside with images of a studio set-up reminiscent of a di Chirico painting. The soundtrack includes both music and spoken excerpts from a journal Jonas kept while travelling in Nova Scotia. I Want to Live in the Country ultimately deals with observation and fantasy, living in the country, and the stifling aspects of the city and one's art.
The population is the battleground in "one of the worst humanitarian crises in the world," where war continues between rebels and the Ugandan government. As rebels abduct and force children and adults into their ranks, thousands flood into towns searching for security. In response, the government forces 1.7 million people into camps in an attempt to cut off the rebel's supplies and recruits. Instead of protection, the camps offer disease and death. Politically crisp and salient, the film captures the realities of war in northern Uganda through the interconnected stories of five people.
Noah Bryan wants nothing more than to be the next big country music star, until his past catches up to him. With the help of his seasoned manager Larry Walker, Noah is quickly on his way to becoming the next big thing. Playing the little honky-tonks and cowboy bars starts to pay off and Noah's career gains momentum.
The destiny of a happy Armenian family will change forever in 1915, Ottoman Empire, (Armenian land), now Turkey and whose beautiful dreams will become memories in the eyes of the most famous Armenian American painter, who lives to paint the story of his shattered childhood.