A story about poverty, honour and forgiving.

Rural comedy of the intrigues and stratagems involving a country wedding. From a comedy by Alexis Kivi.

This film was directed by a member of the Ogawa collective, Fukuda Katsuhiko, while they were finishing the documentary Sanrizuka: Heta Village. Fukuda left the collective after this film and continued making documentaries in the village of Heta. Credit: ICA London

Music drama after the Japanese tragedy "Terakoya" in a German translation by Karl Florenz

First film adaptation of the play by Enrique Pérez Escrich.

What happens when your land is being claimed as event zone for the two biggest sport events of the planet? A question that applies to the multi-ethnic urban Indigenous community of Aldeia Maracanã in Rio de Janeiro, Brazil, as they face increased pressure ahead of the 2014 FIFA World Cup and the 2016 Rio Olympic Games. The Indigenous group lives right next to the sport stadium that stages the finals of both sport events. They wish to maintain their land as an Indigenous meeting place, like it has been since the early 20th century, but that does not correspond with the plans of the Brazilian authorities and the corporations coming with the sport events. From within the Indigenous settlement, the film explores how the arrival of the sport events is being experienced, how the pressure rises and how the community resists.

Hanatani Village in the valley of Tokushima Prefecture is going to be submerged when a dam is constructed. In order to preserve the beauty of the place for future generations, the villagers decide to take photographs of all the families in the village. Kenichi, the only photographer in the village, is put in charge of the project. He calls his son Takashi, an aspiring photographer, to help him with the task. Takashi is puzzled since his father and he are not at all close, but as they visit each family in turn and Takashi sees his father working, Takashi's feelings towards his father begin to change.

In Okinawa, the people of Takae village are convicted by the Japanese government for obstructing traffic in the struggle against the construction of new helipads. Their story embodies U.S. military strategy dating back to the Vietnam War, the blocking of gates to the Futenma base, and their town’s rage against their state.

The first feature-length animated film in Canada. The story of a new village somewhere in Abitibi, it's people, it's church and a werewolf causing trouble.

Robert Kelly: Live at the Village Underground is a stand-up comedy film that captures the indomitable nightlife and comedy club scene of New York City through Robert Kelly's raucous, savvy and hilarious one-man show.

A film based on the 1890s play of the same name, The Village Postmaster surrounds a love triangle and the implications of love, deceit, and fraud.

A documentary by Nobuo Ōnishi, who follows the people living in the area where Tokuyama Dam is planned to be built. In 1957, talk arose that Japan's largest dam would be built in Tokuyama Village, Gifu Prefecture. While the residents moved to new locations, some elderly families returned to Tokuyama Village, wanting to continue living there for as long as possible. Ōnishi, who grew up in the Ibi District, was fascinated by the lives of those elderly people and continued to photograph them for 15 years until the village sank to the bottom of the dam.

Short film by Carl Th. Dreyer

In the process of social transformation in China, urbanization has deeply affected and changed the countryside. Heishuigetuo is a remote village with over 300 years of history which is gradually withered. Currently, there're only 15 villagers living in it. The mountain village retains the traditional features of northwestern Shanxi Province. Hou Junli is the only young man in the village. He raises more than 500 goats with his father. Liu Sanlong, 82 years old, is a farmer of the older generation living on farming. Liu Guoping is a young man among the first group of people leaving the village to work in the cities.

A couple of friends go out in the woods to try to find the mythical village of Sugisawa, but something goes wrong and they go missing.

This is my second documentary film, and it is fully composed of old people. One woman, nearing 80, is living out the last two years of her life. From when she is still using a cane to walk, to when she becomes paralyzed. This is my grandmother. We also see other elderly people from the village, their daily activities, the tales of their starvation from 50 years ago.

In September of 2017 German writer and director Daniel Raboldt accompanied a group of German and Polish scientists and students into the woods of Masuria, Poland. The expedition aimed to find traces of the so-called "lost villages", left by the Masurians around 1945 by the end of the Second World War. Today only some of the old graveyards can be found deep in the woods of the beautiful Masurian landscape. The documentary "In the back of history - The lost villages of Masuria" shows the students at their work in the historic archives and in the woods. How conclusive can this kind of historic research be? How much can we really learn by looking through old files or other sources? And what can we learn from the vanishing of the Masurians? Do we face similar problems today? The film dives deep into themes like the rise of nationalism and identity and uncovers the tragic end of a population that was asked one simple question in the early 20th century: Stay or Leave?

Three friends spend an unseasonably warm day together in the midst of immense loss.

An eccentric artist runs a cultural center in the mountains of Yunnan, where he inspires minority youth to reconnect with their heritage.