A car full of girls pulls up to a mechanic shop, where a stuttering woman with a veiled agenda greets them. The girls are tied up and tortured, when one engages a special power that catches the villain off guard.

The Aboriginal story has been buried deep beneath the 247-year-old accepted Australian narrative. In OCCUPATION: NATIVE, Aboriginal filmmaker Trisha Morton-Thomas, bites back at Australian history.

Through conversations with Israeli conscientious objectors, former soldiers, and Palestinians living under occupation, Occupation Has No Future creates a survey of the current atmosphere in Israel and the West Bank.

Short documentary on gentrification in the east end of London, by The London Particular (Benedict Seymour & David Panos).

Speaking Truth To Power is an investigation into the ongoing illegal U.S. military occupation of The Hawaiian Islands. Our investigation views Hawaiian history and international law through an academic and legal lens. Interview subjects include academic professors, instructors, and legislators.

A documentary film by Edgardo Cozarinsky.

This video work forms part of a broader attempt to re-envision Irish cultural history in order to better understand the Now, to follow repressed lines of development that, if pursued, might have led Ireland out of its insular tendencies much earlier. The life and works of Irish writer Stephen MacKenna (1872-1934) form the documentary material on which the piece is built. MacKenna is best known for his translation from Ancient Greek of Third century philosopher Plotinus.

Cities (Territories & Occupation) thematize "the city" divided into districts, neighborhoods, zones and domains, marked by inner-city borderlines. The film investigates how cities emerge and change through migration, decay, destruction, demolition, relocation, displacement.

Desperately trying to gain the attention of the notorious promoter known as MO (Marq Terral), D.J. Somers (Dayana Jamine) will do anything to become a professional model. After she meets Downtown Jay Brown, who claims to be connected, D.J. is convinced that she'll soon be represented by MO's prestigious agency. But the promoter's personal demons and cowering fear of television mogul Big Showtime threaten the aspiring beauty's quest for success.

A stroboscopic train ride along a jungle stream. Asian military men appear with their pith-helmets, keeping the ferns, trees, monkeys, natives in line. The master of the stroboscopic depth illusion changes.

A woman sweeps the floor, then hands the broom to a man: he sweeps a bit, and hands it back to her. In this film, named after Vasari’s biography of Giorgione, man and woman reenact Manet and Titian, switch places, and in so doing, exchange their nudity and the gaze that seeks it. In voiceover, a woman reads a letter telling of her efforts to sign up her daughter in daycare ; other kafkaesque situations follow, drawing wth humour the picture of a life of submission to an absurd administrative power. In the frame, birds and their choreographies echo the wanderings of the two characters in the Camargue countryside. (Nathan Letoré)

Two elderly men share a hospital room, in which the window is the only connection to the outside world and thus becomes a highly demanded resource.

The short documentary was edited from video footage of Russian military phone Lieutenant Yuri Shalayev. He is a graduate of the Moscow Higher Command School, commander of the motorized infantry platoon of military unit 71718, stationed in Chechnya, and a representative of the Russian infantry elite. This is a film-essay about how he lived and served in Russia before the "military special operation". How he came to Ukraine to fight. And how, in the end, the war ended for him as a prisoner.