Estrada's account of directing his first feature film Blindspotting (2018)

The film has been shot for 8 years.

Lo schiavo was conceived as a politically engaged work. However, the issue was rather volatile and the composer had to change the contemporary time setting to a more distant one. In Brazil the opera was a triumph, but elsewhere it failed to gain popularity and soon fell into oblivion. This recording of the Teatro Lirico di Cagliari’s production documents the opera’s first performance in modern times and reveals Gomes’ flamboyant richness of melodic creativity, his sound grasp of construction, and a technical mastery of the theatrical mechanisms that are always of the highest level.

The Spanish singer of the group Il Divo performs for the first time as a soloist. This is a show full of strength, Las Vegas style. Performing with a band of 20 musicians and 12 dancers with guest artist Innocence, playing historical duos.

Two of most renowned portuguese musicians, Carlos do Carmo and Bernardo Sassetti, from the jazz, joined together in 2010 for a unique musical production. Carlos do Carmo is a great fado singer, while Bernardo Sassetti is a great jazz piano player. Their joint performance is a unique and fantastic blend of fado and Jazz.

The film tells part of the trajectory of Carlos Alberto Caó de Oliveira, a black Brazilian politician, journalist, lawyer, president of the Union of Journalists of Rio de Janeiro. He was also vice-president of UNE, having been arrested and tortured by the military dictatorship. As a Constituent Federal Deputy in 1988, he acted in the fight for civil rights, it was his amendment that determines that “the practice of racism constitutes a non-bailable and imprescriptible crime”. Directed by Filó Filho and Wanda Ribeiro, the film has the support of two reference institutions in the Brazilian Black Movement, CEAP – Centro de Articulação de Populações Marginalizadas, active in the fight against religious intolerance and racism, and the Cultne Institute, which holds the largest digital collection of black culture in Latin America.

The story of a legendary figure in Brazilian culture, the multifaceted Carlos Imperial. He was a convinced womanizer and cafajeste, he was a director and actor, created TV shows, composed songs like “Vem Quente que Eu Estou Fervendo” and “Mamãe Passou Açúcar em Mim”. In addition, he is responsible for launching big names in Brazilian music, such as Roberto Carlos, Elis Regina and Tim Maia.

Carlos flees to the mountains to find safety from the Argentinian dictatorship forces in 1976.

1 MANDELA

2 IT`S A JUNGLE OUT THERE

3 SOMEWHERE IN HEAVEN

4 CHILL OUT

5 BLACK MAGIC WOMAN

6 OYE COMO VA

7 FOR THOSE WHO CHANT

8 BLUES FOR SALVADOR

9 SAVE THE CHILDREN

10 SPIRITS DANCING IN THE FLESH

11 EUROPA

Newsreels, songs and films by Gardel, real scenes with events and historical figures from Argentina and the world, images of the accident that took his life in Medellín and the funeral in Buenos Aires.

The only three disciples of Carlos Castaneda (at the time of the first airing); fierce guardian warriors ("Chocmools") demonstrate the techniques of Tensegrity, ancient magical movements that are part of the heritage of sorcerers of ancient Mexico. These movements enable the practitioner to store greater amounts of energy, expand awareness , and increase purpose. They discuss the Sorcerer's Way.

Carlos Palomino was one of the more unlikely success stories in the sport of boxing. He would rise from poverty and become a world champion before parlaying his fame into a Hollywood career as he would appear in one of the 1970s most popular commercials.