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The film opens with kidnappers of a corporate executive making an unusual ransom demand: that a wizened executive from another company haul large bags of money through downtown Tokyo as the media documents his every move. When the first old man almost dies from exhaustion, a second, and eventually a third elderly corporate fat cat is ordered to do the same. The police detective assigned to the case (Tetsuya Watari) and his younger partner (Masatoshi Nagase) are livid with indignation at this sorry spectacle. They learn that these four men were involved in a massive industrial spill that poisoned an entire rural hamlet 20 years previous. Suddenly, the detective -- who studied in the States and apparently absorbed some John Wayne-like mannerisms in the process -- isn't sure who are the victims and who are the villains.
Argentina, the 70’s. One morning, several armed young men, dressed in military uniform, kidnap a Senior Army General and hide him in a modest cottage. There, without the hostage’s awareness of either the reason for his imprisonment or the people who planned it, the young kidnappers subject him to summary trial. In subsequent days, the military man will respond to an interrogation as severe as precise, that will lay bare the tense contradiction between two political and moral ideologies so incompatible that destruction surely awaits one of the opposite fields. The ending unveils a new chapter of a contemporary drama.
In L.A.'s Chinatown, the crime cartel known as K.O. hatches a plot to bring down Ron Tayan and the 108 Dragons. Ron joins forces with the computer-savvy daughter of the local boss; she tracks the attacking gang via electronics, Ron goes to their stronghold via plane. They are kidnapers of young children, using ransom money to fuel their other activities. The troops are ex-Green Berets; the leaders are Larry Park, an expatriate Yank, and Nina Heaven, a killer with a soft spot in her heart for Ron. He's her captive, but she wants him to be her partner. Meanwhile, Fu, armed with her Muramasa sword, and Dark Eyes arrive on the island surreptitiously. The battle lines are drawn.
The Secret Service abducts a "rocket scientist" to better protect him against gangsters acting for Chinese agents.
Story of a young girl Niu Niu, who was abducted by members of Jiang San's crime syndicate and describes the difficult experience of Niu Niu's mother and father in their search for their daughter
A group of Irish noblemen kidnap girls in order to marry into their fortune and avoid becoming priests or soldiers.
Four Arab men in white burnouses, two women in grey, and one female cook in striped burnous, are sitting in front of a cave in a forest path. (From a piece of grey cloth over the entrance to the cave, two 8-pointed white stars hang incongruously: the Production company's logo.) A pan hangs from a tripod. A girl in a colorful dress arrives with a Bucovina shepherd dog, and starts dancing in front of the men. First, half of the men go, then the others and the girl leave. Only one man stays, taking care of the food being prepared in the pot. Snivelling from their hiding place, a robber jumps him, and knocks him out with a blow. Three thugs join him, and they take whatever they find in the cave (guns). The dog comes back, and sits a while near the fallen cook. The Arabs return, and are alarmed at the robbery, and the killing of their cook. Meanwhile, somewhere.
After Lucinda do Carmo is abducted from a theatre, the police are on the case. This film is lost.
Going back to the places of crime scenes and urban legends, a Visual Bizarre Adventure in Daytime.
A child abduction story ordered by a non-custodial uncle with the background of the East/West-German separation.
Some occurrences themselves are forgotten and being got rid of any copyrights. What’s more these occurrences were created and shared by people in a certain place. Although these occurrences are worthless, they are still meaningful for reservation. When the places that something occurred have changed gradually, will occurrences themselves die out soon? As an individual, I may record something.
Alex discovers that his mother has been abducted by aliens. Because of the evilness that he perceives in the world, Alex wants to be abducted too and follows the purple rabbit’s trail.
Singspiel in three acts by Wolfgang Amadeus Mozart. The German libretto is by Gottlieb Stephanie, based on Christoph Friedrich Bretzner's Belmont und Constanze, oder Die Entführung aus dem Serail. The plot concerns the attempt of the hero Belmonte, assisted by his servant Pedrillo, to rescue his beloved Konstanze from the seraglio of Pasha Selim. The work premiered on 16 July 1782 at the Vienna Burgtheater, with the composer conducting.
The Sun and the Moon are stolen by a vicious creature.
Some of the events themselves are forgotten, and they are excluded from copyright, and they are the co-creation and the word-of-mouth of people in a certain region. These events, which have little value but are attached to the landscape and time and space, should have a reserved meaning. When the scene of the event is gradually changing, will the event itself die? As an individual, I may be able to record something.