A terrible flood destroys the home of the AH family in a small village in China's Southern Guangdong province. Life was already a constant struggle for them, but this disaster turns their existence into a nightmare. Over a period of 12-months the filmmaker follows the family during the challenging period of building a new shelter. During this time they will have to confront many obstacles, material and emotional as well as those associated with local and regional governments, which in the end profoundly changes them forever.

When Cleo - born on a very auspicious day in the Chinese calendar - turns 18, she finds out that the Chinese mafia murdered her father. Outraged, she goes to Athens' Chinatown to confront the killers but soon realizes that in order to take her revenge she first has to face her own dark destiny.

Death has come to a small southern town. A biological weapon has been unleashed, driving residents insane before killing them. A small group of soldiers and civilians take refuge in a bunker for chemical warfare. Their sanctuary may turn into their tomb. Water is low and one of them will do what ever it takes to stay alive. When the end of the world comes are you safe in ... The Shelter

Zanskar is a remote kingdom in the northwest Indian Himalaya, where local people are snow-bound for six months of the year. About 10,000 Zanskaris live in the isolated valley. In winter, mountain passes are blocked, the summer Jeep road closes and buses stop. Two decades ago, three friends founded a ski school - to enable winter travel in the valley, improve quality of life, and to encourage young people to stay in Zanskar by helping establish a culture of mountain sports. The film tells the story of this friendship, the ski school and the development of skiing in the area. Along the way a bigger question is raised. Most recently, the federal government announced a major road building project that will provide year round access to Zanskar. How can Zanskar's wilderness be preserved? It is only a matter of time before the winter road is completed, and the "Big India" rushes in.

SHELTER ME is an entertaining and uplifting film series about shelter pets improving the lives of those who adopt them. Hosted by actress Katherine Heigl, SHELTER ME celebrates the human-animal bond with positive, uplifting stories about shelter pets and their new homes. Every year, 3-4 million dogs and cats are euthanized in America's shelters. SHELTER ME focuses on the success stories to bring more people into the shelters to give these incredible animals a second chance. The first film shows how shelter pets are helping our returning war veterans cope with PTSD. We go inside a women's prison, where inmates train shelter dogs to become service animals for people with disabilities. We also see the journey of two stray dogs, from the day they are picked up on the streets and brought to the shelter until the day they become a beloved family pet. SHELTER ME is about redemption, hope, helping others and making a difference. (Steven Latham)

Following on from Shelter (1981), the setting is again an air-raid shelter. Close-up images of trees are dissected and reformed abstractly. The film culminates with images of elderly survivors of the war in another example of Aihara’s unique blending of documentary storytelling with abstract illustration.

In a haunting southern town, a new police officer is tasked with informing a young woman of her husband's grisly murder, but battles with his own convictions when he becomes suspicious the widow might have played a role in her husband's death.

In the early 90's--when music was shared hand-to-hand--Jerry shows up at Liz's doorstep after disappearing with her prized collection of Bob Dylan bootlegs.

Shot entirely from an apartment window during the first month of New York City’s “Shelter in Place” directive, this film is a winding conversation about the fears, anxieties, and hopes of the residents of Claremont Avenue, in Manhattan.

“Taking Shelter” is a feature film made of other feature films - Canadian feature films. Over 400 Canuck flicks from the 1970s and 1980s - the notorious ‘tax shelter’ or ‘springtime for Hitler’ era - will be broken down and recombined into a new, single storyline, in which aliens posing as Americans invade Canada and conspire to turn the lives of everyday people into cinema! Hilarious, compelling, tightly edited fragments of countless forgotten science fiction, horror, docudrama, romance and action films will splinter, recombine and transform before the eyes of the viewer. “Taking Shelter” is an unprecedented and groundbreaking experiment in ‘fair use’ found-footage cinema.

This parody of Friends is a untypical sitcom that features three totally different people living together

A charity music video collection from the UK-based music paper Melody Maker.

In 1935 two German geologists, Henno Martin and Hermann Korn, leave Nazi Germany for South-West Africa (Namibia) to conduct field research. At the outbreak of the Second World War, many male Germans living in South-West Africa are interned in local camps. As pacifists the two German scientists refuse to be arrested and flee into the Namib Desert. They live for over two years in the vastness of the desert like ancient bushmen under indescribable circumstances, facing the challenge to survive and, at the same time, the threat to be detected. On the radio they follow the war events in Europe. Their adventure comes to an end when Hermann Korn starts suffering seriously from malnutrition.

Vienna, December 2012: A small group of young Afghans and Pakistanis occupy the Votive Church, the largest neo-Gothic church in the country. After accelerated processing, their applications for asylum were turned down, though they had fled extremely dangerous conditions in their home countries, witnessing schools being burned down, beheadings by religious fanatics and murders of their relatives.

Number 10 in the Nazi film series "Die Frontschau" (The Front Show), which was produced to supposedly prepare German troops for the 1941 assault on Soviet territories.

This feature length documentary takes the viewer into the gray zone of the national animal welfare system where quality-of-life issues take center stage.

War-weary Captain Willoby and his men are the occupation force on an island of lovely women...and are forbidden to fraternize.