Stolen Childhood is a Moroccan film by Hakim Noury.[1] It is one of Noury's most popular and influential films. The film is set in Casablanca and tells the story of the abuse of a young servant girl.

On the eve of emigration, a couple has problems that change the course of their lives. Mina, played by Nikki Karimi, is an actress whose personal laptop has been stolen and this causes her a lot of trouble. The film, whose old friend and colleague Alireza Afkari was also present, performed a number of his songs in front of the film and with his voice.

A young couple Yulia and Vlad go to spend some quiet days on an island. Vlad is in his early thirties. He is kind and caring with Yulia. She suffers from a psychological trauma and partial memory loss. Complete isolation makes the young couple happy during first days, however, very soon the girl notices some strange behavior of her boyfriend. Terrifying hallucinations and memories that she cannot explain overwhelm her. Her trials to bring back her memory and find out the truth turn into struggle for life.

The sun is shining in the sky. Flowers are revealed, birds sing, animals take care of others. Only an evil crocodile who could not catch anyone, attacks the sun and swallows it. It is darkness. The animals in a panic run to the bear and ask to return the sun to the sky. The bear, who in the dark could not find the cubs, goes to war with the crocodile. The bear engages in battle, wins the crocodile and forces him to free the sun. Happy beasts rejoice in the sun and praise the bear.

Hong Kong movie

After witnessing her mother's infidelity, Su-mi's psychological scar creates abnormal sexual tendencies. When she meets the hoodlum Ma Do-yub, Su-mi transforms herself into a sexy woman but runs away from the rough Do-yub. Afterwards, Su-mi marries the potter, Se-hyung. But Su-mi is unsatisfied with Se-hyung's abstinence so she lives a double life by wandering the streets at night. Ultimately, Su-mi falls into depression and ends up in a mental institution. She confesses everything to her husband and tries to regain her happy life. At this time, Do-yub reappears and torments Su-mi. She returns to her hometown. Se-hyung protects Su-mi even when Do-yub demands to hand her over. But Se-hyung gets in a car accident and ends up in the hospital. Su-mi goes to him and asks for his forgiveness.

In September 1944, an unusual train travels to the Turkish border. Abroad the train are German fascists and Bulgarian King's officers who carry important papers and archives. A group of partisan chases the fugitives with a track. Soon airplanes with red stars on their wings could be seen in the sky. The planes are reinforcements from the Soviet aviation squadron. With its help the partisans capture the fugitives.

Documentary film about war crime — annexation of Crimea by the Russian Federation.

Mitsuaki, a man who can’t get upset, secretly had a desire for his beautiful sister-in-law, Natsuki. One day, Mitsuaki, who came to the sea with his brother who runs a company on a company trip, sees Natsuki being raped by a rape addict in the bathroom behind the beach. The rape demon, Ansai, appears in front of Kosho as the days of agony pass. Using the position of Mitsuaki, he was aiming to commit Natsuki again … And finally Natsuki falls into the trap of Ansai and Kosho. The extreme insults and trainings eventually made Natsuki a captive of pleasure and drowned …

Directed by Hakim Noury.

German silent film starring Pola Negri.

Umitori takes place in Shimokita Peninsula on the northern edge of the mainland, which was becoming a “nuclear energy peninsula”, undergoing tremendous development and serving as the home port for Mutsu, a nuclear­-powered ship. Focusing on the fishermen and their stories, Tsuchimoto and his crew made their subject matter the “theft of the sea” perpetrated by giant business conglomerates. While the fishermen of Minamata were obvious victims of the mercury­-poisoning tragedy, the fishermen in Shimokita were inadvertently becoming the permanent victims of another announced trag­edy. Tsuchimoto interviews the fishermen, especially focusing on a stage play actor and his boat­-owner family, establishing, as it became his practice, a complex reflection about the threat brought to small communities by the forces of “progress”.

Five stolen doves "monks" are helping to investigate a big diamonds theft.

Twenty-six people - including two daughters, an ex-wife, his last lover, actors, fellow directors and writers, a neighbor, and boyhood friends - talk about François Truffaut. They discuss his attitudes toward wealth, his early writings about cinema, the undercurrent of violence in his films and his personality, the way he used and altered events in his life when making films, his search for a father (both artistic and biological), his relationship with his mother, the scenes in his films that cause a squirm of embarrassment, and his ultimate mysticism. Clips from a dozen of his films are included.

Bill's girlfriend Lore is an art student in Berlin. Since her professor doesn't think much of painting women, she exchanges a genuine Raphael painting in a gallery for a copy made by her. In a spectacular theft, the copy is stolen. Detective Keller suspects Bill and Lore. But Bill, who is a talented quick-change artist, eludes arrest in ever new masks.

A young woman from the countryside comes to Rio to try to be a theater star with the support of a friend, but to achieve what she wants, she ends up getting her own mother into trouble.

The director traces Slovenian children who were stolen during WW2.

As a student, the director managed to flee revolutionary Iran. Many who stayed behind did not survive. When there are renewed protests in Teheran 30 years later, she goes looking for a couple of other survivors who fled. An emotional, very personal documentary.