In an unforgettable sequence, the severely injured Godzilla is brought back to life by the power of a nuclear blast. To bring this scene to the screen, the filmmakers created Godzilla's undersea lair, a vast watery cathedral surrounded by radioactive thermal vents from which The King derives his atomic power. For the first time ever, audiences get to see Godzilla's deep-sea bachelor pad and watch as he rises to glory again.

In a sequence both majestic and horrifying, the larva who will become Mothra, Queen of the Monsters, emerges from her egg sack beneath a megalithic pyramid towering above China's primordial rainforest. Discover how this stunning sequence - and the ancient Yunnan Temple where it takes place - were created.

The blast doors slowly open, revealing for the first time - Godzilla, his bioluminescent dorsal spikes outlining his shape in the murky waters of the Atlantic. The scene of Godzilla's first appearance at Monarch's Deep Sea Command Center shows us a vision of The King as we've never seen him before. Join the filmmaking team as they illuminate the creation of this breathtaking sequence, and the location where it takes place: Castle Bravo, Monarch's epic underwater research complex.

In Monarch's Antarctic Base, a frozen fortress buffeted by screaming winds and surrounded by impenetrable ice, King Ghidorah shakes off his icy slumber and escapes in one of the film's most thrilling sequences. Join the filmmakers as they reveal how King Ghidorah was brought to terrifying life inside Monarch's underground biolab with its towering ice wall.

A screeching battle cry echoes from a burning volcano as Rodan rises with smoldering wings to conquer the air. Discover how this sequence came to life, combining modern visual effects with traditional on-location filmmaking. For the panicked evacuation of Isla de Mona, the filmmakers shot in historic Mexico City, enlisting hundreds of locals to portray terrified villagers. It was a bit of old-school Hollywood movie making in an otherwise cutting-edge motion picture.

In a timely precursor, this 40 minute talk sees Alexander Kluge and Joseph Vogl return to their customary roles. Kluge feigns the curious lay reader. He defers to the professional diviner of high and popular culture, Vogl. Together they make a sort of Dante and Vergil team, undaunted by the hellish difficulties in their pursuit of meaning and complexity. And these are the questions they ask themselves: Moby Dick - Ahab. Who are they? Godzilla. How does it compare to MB? What is monstrous, what is monstrosity?

Join Godzilla and his Monster Island buddies as they learn how to count.

Join Godzilla and his Monster Island buddies as they learn addition.

Join Godzilla and his Monster Island buddies as they learn subtraction.

From the maker of "Quentin Tarantino's Star Wars", this short film follows the adventures of Star Wars action figures as they deal with life, love, and an attack by Godzilla.

Godzilla fans discuss their love for the iconic franchise.

DVD featurette for Godzilla 2014.

How the first Godzilla suit was created and the struggles that came along with it.

One aspect of Japanese fantasy films that often goes overlooked is the significant part that women play in the drama.

They roam the Earth, destroying its cities and crushing its inhabitants. But where did they come from? This documentary traces the history of giant monsters in movies using scenes from sources as varied as Godzilla, King Kong and Daffy Duck and the Dinosaur. Bonus features include "Godzilla Rap," highlights from the 1920s silent classic The Lost World and the famous animated short Bambi Meets Godzilla.

Despite repeatedly being told not to, famed kaiju illustrator Matt Frank presses a button. He shouldn't have pressed the button.

The life of Eiji Tsuburaya, pioneer of Japanese special effects.

A brief biography of film director Ishiro Honda.

Marina, an upper-class girl, is dating a man in a bar located in a dangerous neighborhood in Rio de Janeiro. Zeca is a black man who is making a grafitti nearby. Three mysoginous and racist policemen go there to make what police is not supposed to do.

Sony Pictures, Fathom Events and RiffTrax are thrilled to be back in theaters nationwide this summer to riff the king of all giant lizard movies - GODZILLA! That's right, the 1998 version starring Matthew Broderick and Hank Azaria! (Because when you want action stars, you pick Ferris Bueller and the voice of Moe from the Simpsons.)