DAY AND NIGHT was photographed with a still-camera with close-up attachment. Two close images were taken, with the subject -a heather plant- on a turning platform. The heather blossoms are tiny, on average less than 1/8 inch in size. Color was augmented and transformed via computer. Movement was computer-created by way of an editing-formula of my invention (patented) by which 3D films can be made from 2D imagery exploiting similarities and differences between two adjacent film-frames. Active 3D events appear that impossibly continue in one direction without change, my name for them is both silly and fitting: eternalisms.

"Day and Night" is an omnibus release by William Kwok-Wai of 3 short films consisting of 3 Malaysian filmmakers Ho Yuhang, Charlotte Lim and Yeo Joon Han, reflecting their personal feelings about the health of Malaysian society. "TRESPASSED" by Ho Yuhang is about a girl who misses her father slowly becomes entirely possessed by grief. It seems as if an outside force has taken control of her emotions. "BITE" by Charlotte Lim is about a school girl, meticulously observed by a patient camera in a small, yet sensitive story. Perhaps a lesson in life, for it isn't as innocent as it seems and "BEDSIDE MANNERS" by Yeo Joon Han is about a man who lies in bed, paralyzed. He can still see and hear and has to suffer the stupid talk of a bunch of idiots. Satire on all sorts of things in Malaysia.

John is a successful businessman, at least on the surface. He's really suffering from a deep depression after the death of his loved one. He decides to take his life but on the way he meets Alex, a young girl who decides to stop him.

A young Sami boy, accustomed to the comfort of Swedish modern life, spend time with his grandfather in the mountains. Superstition, boredom and no freestyle.. After a while, however, he begins to understand what his grandfather represents.

A man's last night of freedom. We watch as he desperately tries to sort out his affairs before imprisonment. Short film shot in Edinburgh in 2007.

‘Nights and Days’ uses notes written and filmed during summer 2006 as a personal account of the experience of war. The first part, which resembles yet is not a diary of war, oscillates between day-shots and night-shots and features a soundtrack expressing the idea of time passing, awaiting, interrogations and fears experienced in such an unusual time. The second part is a journey to south Lebanon which was devastated during that war. It alternates between peaceful landscapes and ruins and destruction accompanied only by music, as no words could express this devastation. ‘Nights and Days’ questions the relation between image and sound and reflects on notions of ‘beauty’ and ‘horror through images of urban and natural landscapes, where sometimes a detail betrays the presence of war and its violence.

The once friendly and loving Gureev family finds itself on the verge of divorce. Spouses Olga and Sergey have moved away from each other, and children Anton and Nastya worry about their parents. Sergey, a fashion photographer, receives an assignment to fly to an exhibition. He is trying to cancel the business trip because it is Nastya's birthday. Olga, once again disappointed in her husband's actions, is ready to file for divorce... But eight-year-old Nastya, their daughter, buys a trip to Armenia for the whole family with the donated money. Fun adventures await the Gureev family, including an immersion in the flavor of a local wedding, which is celebrated for just 7 days and 7 nights. They will also pass their own tests, which will help them understand what is most valuable and important in this life.

"A 'drawn' film, with images that are constantly changing, drawings of landscapes that keep escaping, traces of faces, everything is almost what it is but never stays that way. The soundtrack punches out a wild monotone of dirty, nonsense limericks to the accompaniment of hand-drawn images related only in their complementary rhythm." -- David Holmstrom

This 1940’s artifact is coupled with music by Nino Rota to expose the existential skeleton in the closet: our perilous journey on the planet Earth. A readymade film with the barest of interventions.

A man emerges from the dark water of a muddy pond. Lost and confused, he faints on the shore. When he wakes up, a mysterious figure takes him back in time to where it all began.

This film documents an unusual healing ceremony in Senegal. The ceremony, called the Ndepp, is organized by the Lebou people to honor their ancestral spirits and to ask them to allow a cure to take place of one of their members. Performed over seven days and nights, it is a complicated ceremony with a precise set of rules and involves the whole community.

Lucas has invented a new computer language but at the same time he has been informed about his strange terminal illness during which he has been gradually losing his memory. Shortly after that he meets Blanche who acts as a medium in a bizarre traveling show. Dying Lucas follows her to the sea resort where they spend together several days and nights.

Three recovering heroin addicts try to make a new start.

Based on Virginia Woolf’s novel, an unromantic comedy about a passionate astronomer who does everything she can to avoid romantic love and marriage. The story of Katharine’s bold challenge to the Edwardian patriarchy is set against the backdrop of the suffragette movement and advances in science and technology, at the turn of the 20th century.

While the ten-day ceremony 'Âshûrâ' is a commemoration of the slaughter of the grandson of the prophet Muhammad and his relatives and companions at Karbalâ' in 680, it is also an invocation of the occulted Twelfth Imam, the Mahdî, in the hope of hurrying his exoteric earthly return. But how would the one invoked, who is (imaginally) present albeit occulted, perceive the ceremony? He would not perceive it the way we see it but in more temporal detail. While the first part of the video appears to be a documentation of the ceremony as it might be perceived by an all too human audience member, the second part of the video, which happens across a lapse of consciousness if not of being (indicated by the cut to black on the sound of the participants' hands striking their chests), and where time is dilated, implies that the essential spectator of the ceremony is the one to whom it is addressed, the Mahdî.

The film is about the relationship that a 13yr old girl shares with water while living next to Ahmedabad’s largest landfill. This poorly planned area has contaminated borewell water and a poor water distribution network. We explore the struggles of procuring clean drinking water, especially during the monsoons when the rainwater running through the landfill drowns their low-lying houses.

Bright days ahead? Caroline has retired, at last. A new life lies before her: time to take care of her children, her husband, and, most of all, herself. However, she soon comes to realize that this new freedom is synonymous with boredom and idleness. Especially when she receives a membership to her neighborhood’s senior club as a birthday present… Reluctant at first, she nevertheless decides to take the plunge. Oddly enough, she meets great people there, starting with the young computer science teacher, who is far from insensitive to her charms. Caroline gradually takes control of her life again and lives a second youth: taking a new lover, living new experiences, breaking the rules, not doing what’s expected of her… Who said that retirement was the beginning of the end and not a new beginning?

My ex-boyfriend, Tagawa, has been hospitalized with a stomach ulcer. In fact, he has cancer and only three months to live. Shoko wonders if there is anything she can do for Tagawa, and she makes a decision...

Recorded in Austin, Texas, Halloween 1984.

In 1984 an observational documentary was produced in Austin for Swedish television, entitled Demon Angel: A Day and Night With Roky Erickson. It featured Erickson in plugged and unplugged performances, solo and with local musician/producer Mike Alvarez on additional guitar, in an underground creek beneath the Congress Street Bridge on Halloween.