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In the 1930’s, the workers of the underground, headed by brigades of writers, are in charge to write in real time "the history of the Moscow Metro". Based on their narratives, partially unpublished, the film recounts the first lines construction of the most beautifiul underground in the world, in the light of this "big literary Utopia", stoped by the purges of 1937-38.
A subway jigsaw of Marker's work: PASSENGERS.
Filmmakers have found a way to prove their existence in a country where cinema is banned...
A documentary about the making of the final version of "Metropolis" by restoring all material from different sources.
A subway passenger suffers from hallucinations and sees the metro that he has just boarded accelerate and gain speed quickly.
Celebrate the tenth anniversary of the Metropolitan Opera's Peabody and Emmy Award-winning series The Met: Live in HD. The broadcast of Donizetti's Roberto Devereux will be presented live on Saturday, April 16 in select cinemas nationwide. In this climactic opera of the trilogy, directed by Sir David McVicar, she plays Queen Elizabeth I, forced to sign the death warrant of the nobleman she loves, Roberto Devereux. Tenor Matthew Polenzani is Devereux, and mezzo-soprano Elina Garanca and baritone Mariusz Kwiecien complete the principal quartet in the bel canto masterpiece, directed by Sir David McVicar and conducted by Donizetti specialist Maurizio Benini.
Mezzo-soprano Clémentine Margaine reprises her remarkable portrayal of opera’s ultimate seductress, a triumph in her 2017 debut performances, with impassioned tenors Yonghoon Lee and Roberto Alagna as her lover, Don José. Omer Meir Wellber and Louis Langrée share conducting duties for Sir Richard Eyre’s powerful production, a Met favorite since its 2009 premiere.
A man takes the last night train, which transports him through the darkness in a dismal trip.
Richard Eyre’s elegant production, which opened the Met’s 2014–15 season, sets the action of Mozart’s timeless social comedy in a manor house in 1930s Seville. Ildar Abdrazakov leads the cast as the resourceful Figaro set on outwitting his master, the philandering Count Almaviva, played by Peter Mattei. Marlis Petersen sings Susanna, the object of the Count’s affection and Figaro’s bride-to-be, Amanda Majeski is the Countess, and Isabel Leonard gives a standout performance as the pageboy Cherubino. Music Director James Levine on the podium brings out all the humor, drama, and humanity of Mozart’s score.
New tenor star Vittorio Grigolo takes on the title role in Offenbach’s fantastical opera, giving a tour-de-force performance as the tortured poet unlucky in love. He is joined by a trio of leading ladies: Erin Morley sings the mechanical doll Olympia, Hibla Gerzmava is the fragile Antonia, and Christine Rice sings Giulietta, the Venetian courtesan. Bartlett Sher’s colorful production, seen here in its second Live in HD presentation, also stars Thomas Hampson as the sinister Four Villains and Kate Lindsey as Niklausse, Hoffmann’s friend and muse. Yves Abel conducts.
François Girard, whose revelatory 2013 take on Parsifal set the recent Met standard for Wagner stagings, now unveils a spellbinding new vision of the composer's tale of a cursed sea captain doomed to sail the open ocean for eternity. With sweeping sets by John Macfarlane, Girard’s new production turns the Met stage into a rich, layered tableau reminiscent of a vast oil painting. Valery Gergiev conducts a brilliant cast led by bass-baritone Evgeny Nikitin as the Dutchman, with German soprano Anja Kampe making her anticipated Met debut as the devoted Senta, whose selfless love is what the Dutchman seeks. Bass Franz-Josef Selig is her father, Daland, and tenor Sergey Skorokhodov is her deserted former lover, Erik. This live cinema transmission is part of the Met’s award-winning Live in HD series, bringing opera to more than 2,200 theaters in more than 70 countries worldwide.
A quick-tempered father argues with his son last time. The child decides to leave the family home. Dancing is the high point of the exchanges between the two characters because it is their only means of communication.
Marking the fourth centenary of the city of São Paulo, this documentary provides a brief overview of the city's history, then dynamically captures the present-day metropolis and the skyscrapers that dominate the plateau in the 1950s.
Two singers at the height of their powers—radiant soprano Nadine Sierra and tenor sensation Benjamin Bernheim—come together as the star-crossed lovers in Gounod’s sumptuous Shakespeare adaptation, with Met Music Director Yannick Nézet-Séguin on the podium to conduct one of the repertoire’s most romantic scores. Bartlett Sher’s elegant staging also features baritone Will Liverman and tenor Frederick Ballentine as the archrivals Mercutio and Tybalt, mezzo-soprano Samantha Hankey as the mischievous pageboy Stéphano, and bass-baritone Alfred Walker as Frère Laurent.
Extraordinary soprano Asmik Grigorian tackles the demanding role of Cio-Cio-San, the loyal geisha at the heart of Puccini’s devastating tragedy. Tenor Jonathan Tetelman stars as the callous American naval officer Pinkerton, whose betrayal destroys her. Mezzo-soprano Elizabeth DeShong reprises the role of the steadfast maid Suzuki, and baritone Lucas Meachem is the American consul Sharpless. Acclaimed maestro Xian Zhang takes the podium to conduct Anthony Minghella’s vivid production.
Berlin 1945 time-travels into the city’s most fateful year through the eyes of those, who experienced it: German people and Allied soldiers. A fast paced collage creates an in-the-moment narrative of how the war was won and lost. Hitlerboy Dirk and Goebbels watch their world implode, while Alice fears for her children in Auschwitz and Russian soldier Victor walks through the plundered Chancellery. When it’s all over, Germans learn democracy and socialism. Giving voice to Soviet, US, UK and French soldiers as well as to the German population anxiously awaiting the outcome of the fighting. BERLIN 1945 creates an innovative, comprehensive narrative of how the war was won and lost, how the city was liberated and how it emerged from the rubble.
Sequel to Life in a Metro.
A story about the tragic events in the life of besieged Leningrad from September 1941 to January 1943.
A journalist becomes a vigilante in order to bring down a chain-snatching gang, unaware of the fact that his younger brother is a part of it.
A young man enters the Rome Metro with a friend, where they notice a woman who has just left the restroom with her dress accidentally tucked into her panties. They tell her about her inadvertent exposure, after which one of the boys boards a train, leaving his besotted friend standing on the platform - totally smitten with the lovely young lady. The two are waiting on opposite platforms, where they await the last train. The young man proclaims his love at first sight - telling her she's the most beautiful woman he's ever seen. Obviously flattered, the woman reciprocates in a way the young man will never forget...