Dopo aver scoperto che Roy Miller, l'uomo incontrato ad un appuntamento al buio, di professione fa l'agente federale, June Havens viene catapultata in un complotto internazionale in cui dovrà proteggere l'elemento chiave per accedere a una risorsa di potere energetico infinito. June e Roy capiranno ben presto che le uniche persone su cui possono contare sono solo... loro!

Mentre un terremoto provoca l'innalzamento del livello del mare, un biologo cerca di raccoglie il DNA di ogni specie, mentre altri creano un'"arca" nel tentativo di preservare la vita sulla terra, una lotta spietata per la sopravvivenza del pianeta.

Josh fa uno studente di San Francisco, abbandonato dalla ragazza, che per risarcimento comincia a sciupare femmine. Fino ad avere una crisi esagerata, che lo porta addirittura alle allucinazioni: vede donne formose e nude dappertutto. Allora decide di punirsi: per quaranta giorni e notti rinuncerà al sesso. Solo che fa l'incontro della vita, e come fai a gestire un innamoramento così intenso senza ...quel dettaglio?

Swellegant and elegant. Delux and delovely. Cole Porter was the most sophisticated name in 20th-century songwriting. And to play him on screen, Hollywood chose debonair icon Cary Grant. Grant stars for the first time in color in this fanciful biopic. Alexis Smith plays Linda, whose serendipitous meetings with Porter lead to a meeting at the alter. More than 20 of his songs grace this tail of triumph and tragedy, with Grant lending is amiable voice to "You're the Top", "Night and Day" and more. Monty Woolley, a Yale contemporary of Porter, portrays himself. And Jane Wyman, Mary Martin, Eve Arden and others provide vocals and verve. Lights down. Curtain up. Showtune standards embraced by generations are yours to enjoy in "Night and Day."

Condannato all'ergastolo, un giovane ricorda le persone, le circostanze e il sistema che l'hanno portato sulla strada del crimine.

A pandemic, a time of hard lockdown, when contact with other people is severely limited. The most common means of communication are online conversations, which the director uses to talk to people who, like him, are stuck alone in their apartments.

Reckless desire wreaks havoc over Memorial Day weekend as a family confronts the volatile and fragile nature of love. A modern retelling of Anton Chekhov's "The Seagull", set in rural New England.

It follows Ben and Jen whose relationship is put to test as they embark on a trip of a lifetime to Jen's lifelong dream destination Iceland.

120 minutes Schiller live from Germany - a unique audio-visual experience in award-winning surround sound. The concert is the same that is on Tagtraum DVD.

To celebrate Arena's 40th anniversary, a new film made entirely from its own archive, evoking the one experience common to all - the 24-hour cycle from dawn to dusk to dawn again.

A young woman tries to hold it together during a tense and unpredictable evening with her brother and estranged husband.

Being trapped in the United States and self-isolated, I had a video chat with my family in China. Back in January, I shot a roll of film recording the sunset at Santa Monica beach, and rewatching it now, I decided to prolong the dusk as an attempt to erase the decisive boundary which separates night and day.

Kain, a young rock musician, is on his way from an "insider tip" to an acknowledged newcomer. Even though he often has to work at night, he leads a more or less settled life until he meets Nina. Nina, who is blind from birth, works as a switchboard operator at the post office. Her life as well is settled, and more so than for Kain the order in her life is a system of security for her.

They fall in love and as time passes Nina gets much more involved in Kain's life as a musician than she wanted to.

On the streets of Jakarta, an impulsive, small-time con swindles a big-time aristocrat out of house and home at risk of abandonment by his only brother.

DAY AND NIGHT was photographed with a still-camera with close-up attachment. Two close images were taken, with the subject -a heather plant- on a turning platform. The heather blossoms are tiny, on average less than 1/8 inch in size. Color was augmented and transformed via computer. Movement was computer-created by way of an editing-formula of my invention (patented) by which 3D films can be made from 2D imagery exploiting similarities and differences between two adjacent film-frames. Active 3D events appear that impossibly continue in one direction without change, my name for them is both silly and fitting: eternalisms.

"Day and Night" is an omnibus release by William Kwok-Wai of 3 short films consisting of 3 Malaysian filmmakers Ho Yuhang, Charlotte Lim and Yeo Joon Han, reflecting their personal feelings about the health of Malaysian society. "TRESPASSED" by Ho Yuhang is about a girl who misses her father slowly becomes entirely possessed by grief. It seems as if an outside force has taken control of her emotions. "BITE" by Charlotte Lim is about a school girl, meticulously observed by a patient camera in a small, yet sensitive story. Perhaps a lesson in life, for it isn't as innocent as it seems and "BEDSIDE MANNERS" by Yeo Joon Han is about a man who lies in bed, paralyzed. He can still see and hear and has to suffer the stupid talk of a bunch of idiots. Satire on all sorts of things in Malaysia.

A man's last night of freedom. We watch as he desperately tries to sort out his affairs before imprisonment. Short film shot in Edinburgh in 2007.

‘Nights and Days’ uses notes written and filmed during summer 2006 as a personal account of the experience of war. The first part, which resembles yet is not a diary of war, oscillates between day-shots and night-shots and features a soundtrack expressing the idea of time passing, awaiting, interrogations and fears experienced in such an unusual time. The second part is a journey to south Lebanon which was devastated during that war. It alternates between peaceful landscapes and ruins and destruction accompanied only by music, as no words could express this devastation. ‘Nights and Days’ questions the relation between image and sound and reflects on notions of ‘beauty’ and ‘horror through images of urban and natural landscapes, where sometimes a detail betrays the presence of war and its violence.

"A 'drawn' film, with images that are constantly changing, drawings of landscapes that keep escaping, traces of faces, everything is almost what it is but never stays that way. The soundtrack punches out a wild monotone of dirty, nonsense limericks to the accompaniment of hand-drawn images related only in their complementary rhythm." -- David Holmstrom

Kim Seong-nam travels to Paris to escape an arrest, leaving his wife behind in Korea. After he arrives, he meets an ex-girlfriend and is introduced to a small community of Korean artists.