Ghost Rider: Spirit of Vengeance (2011)

Written by Filipe Manuel Neto on September 28, 2022

It's better to forget this movie.

As I said before, in the review I wrote for “Ghost Rider”, I'm not a fan or even an expert in comics, so I'll ignore the source material and focus on the movie. I'm not the right person to say whether or not it's a reliable adaptation. However, I can already say that it is a bad movie. With all its weaknesses, the first film was a work of art when compared to this unfortunate piece.

The biggest problem with this movie is that it's a sequel designed to make money. Producers and studios didn't even bother to try to disguise their greed, and rubbed their hands at the good box office obtained. Poorly received by critics, the target of numerous criticisms from the public, but a relative success at the box office, the initial film paved the way for this sequel, which wouldn't be bad if it was a good sequel. Unfortunately, almost the entire cast and crew of the first film (except for Nicolas Cage) is absent from this project, which adopts a totally different visual and dramatic language from the previous film and, thus, cuts any hypothetical continuity.

The script is mediocre and is based on a fight between Johnny Blaze and especially powerful evil forces that want to kidnap a child, supposedly the son of the Devil, key-figure to Armageddon. Simple, extremely clichéd, very poorly crafted and poorly developed, it's a script worthy of a 70's B-movie. All the dense atmosphere and something sinister we saw in the initial film is totally absent, having been replaced by something lighter, "hard rock" and eventually designed for young adults and teenagers aspiring to be rockers. The fast pace with which everything happens favors the logical flaws, which appear in the script with the magnificence of Baroque palaces, being impossible to ignore them: the case of the monks, with medieval robes and caves coexisting with high-tech devices, weapons that would suffice for Ukraine for a year, and wine capable of getting half the Russian troops drunk, is one of the most egregious. I'd rather not talk about the ability to decompose objects and food that one of the characters will acquire at the end, and that seem to work only when it's convenient for the film.

Nicolas Cage is still present in the film, but he is the only one from the previous cast to do so, since all the others, especially Eva Mendes and Peter Fonda, dropped out of the project after reading the script. Smart decision. Cage, if not brilliant in the first film, is mediocre in the sequel, with a one-dimensional, apathetic and sleepy interpretation. Ciarán Hinds is doing well and doing a great job and very worthy, but he doesn't have much to do, while Violante Placido and Idris Elba, despite their efforts and some good moments, don't make more than an average effort.

Technically, the film bets massively on CGI, of great visual and dramatic effect, with the flames and the whole apparatus around the Rider reaching hyperbolic levels. The mine scenes are perhaps the most obvious example of what I'm saying: enough bullets for a military battle, fire everywhere, that huge machine... everything taken to the extreme for visual grandeur and spectacularity. It sometimes worked, there's no denying it, but it often feels like something out of a computer game. Set in an area of ​​Central Europe, the film was partially shot in Romania and makes good use of the beauty of the chosen locations. The sets and costumes are decent given the script and location, and the soundtrack is heavy, tiresome and uninteresting. Worse, however, are the sound effects used, as they are often clearly fake.