Claude Autant-Lara

Información personal

Conocido por Dirección

Créditos conocidos 52

Sexo Masculino

Fecha de nacimiento 5 de agosto de 1901

Fecha de defunción 5 de febrero de 2000 (98 años)

Lugar de nacimiento Luzarches, Val-d'Oise, France

También conocido como

  • Claude Moore
  • Клод Отан-Лара

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Biografía

Claude Autant-Lara was a French film director and later Member of the European Parliament (MEP).

Born at Luzarches in Val-d'Oise, Autant-Lara was educated in France and at London's Mill Hill School during his mother's exile as a pacifist. Early in his career, he worked as an art director and costume designer, his best-known work in this vein was possibly for Nana (1926), a silent film directed by Jean Renoir. Autant-Lara also acted in the film.

As a director, he frequently created provocative movies, saying "if a film does not have venom, it is worthless". In the 1960s, he turned his back on the New Wave movement, and from then on he had no popular successes.

On 18 June 1989, he came to public notice again, controversially, when he was elected to the European Parliament as a member of the National Front and the oldest member of the assembly. In his maiden speech, in July 1989, he caused a scandal by expressing his "concerns about the American cultural threat", provoking a walkout by the majority of the deputies.

In an interview granted to the monthly magazine Globe in September 1989, he accused ex-President of the European Parliament and Holocaust survivor Simone Veil of playing "ethnic politics" to try and "infiltrate and dominate", saying that "If they try to speak to me about genocide, I say they missed mother Veil!" He also described Nazi gas chambers as a "string of lies". The resulting scandal led to his resignation as European deputy. Moreover, the members of the Académie des Beaux-Arts, of which he was a vice-president for life, voted to prohibit him from taking his seat thenceforth.

His memoir, The Rage in the Heart, appeared in 1984. He died at Antibes in Alpes-Maritimes in 2000.

From Wikipedia, the free encyclopedia

Claude Autant-Lara was a French film director and later Member of the European Parliament (MEP).

Born at Luzarches in Val-d'Oise, Autant-Lara was educated in France and at London's Mill Hill School during his mother's exile as a pacifist. Early in his career, he worked as an art director and costume designer, his best-known work in this vein was possibly for Nana (1926), a silent film directed by Jean Renoir. Autant-Lara also acted in the film.

As a director, he frequently created provocative movies, saying "if a film does not have venom, it is worthless". In the 1960s, he turned his back on the New Wave movement, and from then on he had no popular successes.

On 18 June 1989, he came to public notice again, controversially, when he was elected to the European Parliament as a member of the National Front and the oldest member of the assembly. In his maiden speech, in July 1989, he caused a scandal by expressing his "concerns about the American cultural threat", provoking a walkout by the majority of the deputies.

In an interview granted to the monthly magazine Globe in September 1989, he accused ex-President of the European Parliament and Holocaust survivor Simone Veil of playing "ethnic politics" to try and "infiltrate and dominate", saying that "If they try to speak to me about genocide, I say they missed mother Veil!" He also described Nazi gas chambers as a "string of lies". The resulting scandal led to his resignation as European deputy. Moreover, the members of the Académie des Beaux-Arts, of which he was a vice-president for life, voted to prohibit him from taking his seat thenceforth.

His memoir, The Rage in the Heart, appeared in 1984. He died at Antibes in Alpes-Maritimes in 2000.

From Wikipedia, the free encyclopedia

Dirección

1977
1969
1968
1967
1966
1965
1965
1963
1963
1961
1961
1961
1960
1960
1959
1958
1958
1956
1955
1954
1954
1953
1952
1951
1949
1947
1946
1943
1942
1942
1939
1939
1938
1937
1933
1932
1932
1931
1929
1928
1925
1923

Guion

1969
1954
1954
1953
1951
1947
1923

Interpretación

1980
1975
1974
1956
1926
1920

Arte

1926
1924
1922
1920
1920

Vestuario y maquillaje

1947
1943
1942
1924

Producción

1966
1939

Creador

1973

Edición

1923

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