I'm looking for the owner of that horse. He's tall, blonde, he smokes a cigar, and he's a pig!

It's debatable of course, since there are legions of fans of the first two films in Sergio Leone's Dollars Trology, but with each film there not only came a longer running time, but also a rise in quality - debatable of course!

Here for the third and final part of the trilogy, Leone adds Eli Wallach to the established pairing of Lee Van Cleef and Clint Eastwood, and brings all his tools of the trade to the party. Plot is slight, the three principals are on a collision course to find some buried... read the rest.

Sergio Leone's The Good, the Bad, and the Ugly is a classic Western film. Clint Eastwood is the Good, aka the Man with No Name, a taciturn wanderer who follows his own sense of justice. His opposite is Angel Eyes (Lee van Cleef), the Bad, a brutal mercenary who kills anyone who stands in the way of making ready cash. The film's comic relief is Tuco (Eli Wallach), the Ugly, a Mexican bandit wanted in several states who ends up inadvertently doing some good turns. At the height of the Civil War, as Union and Confederate armies battle each other in the West, these three men vie for an aband... read the rest.

I am not a fan of Sergio Leone. In fact, this movie and Once Upon a Time in the West are the only movies of his that I have seen. But I think they are both classic westerns. He seems to bring out the best in his cinematographer, both for scenery and for his characters.

In one review I read, he was criticized for staying with facial close-ups too long, and I would probably agree if he populated his movies with beautiful actors and actresses as many films do, but he relies heavily upon actors with interesting faces.

Sometimes I feel he relies on too many shootings, and on having his gunfigh... read the rest.

There is one word to define The Good, The Bad and The Ugly. And that word is “transcendent”. This movie is not only the pinnacle of the Spaghetti Western, but it transcended into the pinnacle of the Western genre in itself. It’s safe to say it transcends that too, and can be considered one of the greatest pieces of filmmaking ever. It counts with memorable performances by three different leads, a story that breaks the “black and white” concepts of morale, and an original score that can only be defined by the word “epic”.

Directed by the man responsible for the revitalization of the western... read the rest.

Solid western, which generally isn't a favorite genre of mine, with great performances and some well shot scenes and landscapes. Been a long time since I saw A Fistful of Dollars or For a Few Dollars More, but this is a great entry in the "Man With No Name" Trilogy. 4.0/5

Very good no doubt about it, even if I feel it's an odd fitting third installment of the Dollars trilogy.

In case this review sounds negative at any point, I wanna explicitly state for the avoidance of any doubt that 'The Good, the Bad and the Ugly' is very good! Any cons noted are relative.

I just feel like it's a drop-off from the brilliant double of 'A Fistful of Dollars' and 'For a Few Dollars More'. The near 3hr run time is one of the reasons, though the pacing is actually pretty good in fairness. I guess it's more so the plot, which is filled with an Ameri... read the rest.

Not as bad as the other Leone Westerns. Still, that is not saying much at all. At 3/10, this is better than his totally ridiculous ones. It's still a dull movie with non credible one dimensional characters who have no motivation for a single thing they do. Three homicidal maniacs who are called good, bad, and ugly, but really they're all just bad and ugly. Eli Wallach steals the show. I think most people agree with me on that, and for some people he saves the show, but I need better writing, and more "credible characters in incredible circumstances" than we get with Leone. Blondie (Eastwo... read the rest.

One of the best, most famous and most iconic Westerns ever. More than a classic, it's mandatory.

I'm not an expert nor do I want to sound like one, but I think this is one of the most famous western films ever made, despite being shot by an Italian director and being more European than American. Sérgio Leone was one of the most notable directors of his time and he left us, in this film, one of his masterpieces.

This is one of those movies that is almost perfect. Problems and failures are scarce and reside in minimal details that end up not making a big difference in the overall work.... read the rest.