Les Matriochka sont des poupées russes qui s’emboîtent les unes dans les autres. Chaque poupée en cache une autre. Anna est une jolie femme de 24 ans, mais qui est-elle vraiment et combien de femmes se cachent en elle ? Est-ce une simple vendeuse de poupées sur le marché de Moscou ? Un top model qui défile à Paris ? Une tueuse qui ensanglante Milan ? Un flic corrompu ? Un agent double ? Ou tout simplement une redoutable joueuse d’échecs ? Il faudra attendre la fin de la partie pour savoir qui est vraiment Anna et qui est « échec et mat ».

Un jeune homme d'une étrange beauté s'introduit dans une famille bourgeoise. Le père, la mère, le fils et la fille succombent à son charme. Son départ impromptu ébranle tous les membres de la famille…

Trois villes, trois récits sur le couple, la sexualité et le pouvoir. A Naples, Adelina vend des cigarettes au marché noir car son mari est au chômage. Mais elle se fait arrêter par la police... A Milan, Anna, une riche femme, s'ennuie et parle de s'enfuir avec son amant, un écrivain. Jusqu'au jour où il a un accident avec la voiture de celle-ci... A Rome, Mara, une call-girl, fait tourner la tête d'un jeune séminariste...

C'est l'âge d'or à Milan dans les années 80 et l'ascension de Santo Russo dans la spirale du crime mafieux.

Stefano Mattioli, adolescent timide et sensible, a suivi ses études dans un pensionnat suisse. Son diplôme en poche, il envisage de devenir prêtre, et revient en Italie pour l'annoncer à son père, Leonardo, grand éditeur milanais. Ce dernier nourrit l'ambition de voir son fils lui succéder et emmène Stefano dans son entreprise. Le jeune homme, assistant à une entrevue difficile entre son père et un jeune magasinier que l'on accuse à tort d'un vol important, découvre la totale froideur de Leonardo devant le désarroi de son employé.

An appassionato art student and a dispassionate college girl make a vow, saying they would meet each other again in the Florence Cathedral after 10 years.

Mr. Imbruttito, a leading executive of a large multinational, lives the routine in his hectic Milan. Breaking this balance is Brusini, an eccentric entrepreneur at the head of an economic empire, who for an absurd reason blows up what for the Brutito is the business of life. For the first time, the Ugly one feels the pinch, falls into depression, can no longer find a reason to wake up in the morning. The turning point comes from Brera, a longtime friend, who proposes to the Bruttito the purchase of a Chiringuito in Sardinia, to do business in flip-flops and finally be able to say: "I quit everything and open a chiringuito!"

A group of comedians are trying to be successful on stage. One night an important television network organises a public variety show to sort out some performers for their programs. Every one of them will try their hardest, but just a few will be chosen.

The rumpled owner of a dry-cleaning firm joins forces with a nun to care for an abandoned baby.

Six Italian directors explore contemporary Milan in a rich and eclectic portrait of urban life and spaces—both rooted in history and bursting with a diversity of architecture and humanity.

Milan in spring. City rides with radio music, interrupted by advertising. The external movement. Paola works in a photo studio and likes to play table tennis. Robert photographs girls and ice cream. Jule talks too much on the phone. - Another love triangle. They actually wanted to go to the seaside.

Documentary on the penetration of drugs in Milan in the 70s. Filomena is only 24 years old and recounts with a lucidity that takes her breath away her journey as a child locked up in boarding school, ran away from home, taken back by her family and treated as a lost woman. She talks about her marriage to a boy who emigrated to Germany, and her inability to adapt to this new situation. She narrates the arrival in Milan, the meeting with Antonio and the one with drugs. A dialogue for two voices traces the ruthless picture of drug addiction, the daily search for the dose and the attempts to get out of it. It is a poignant document, above all for the lucidity, measure, maturity and intelligence of two unforgettable figures.

Milan, western suburbs. In one of the nine districts ("zone") of the city, the students of the "Rosa Luxemburg" trade school meditate over the meaning of living in the suburbs. And they do so using their smartphones, filming their days and looking for a common thread among their lives. Crossing and mixing video-diaries, documentary shooting and fictional scenes, the project struggles to take a definite shape: every character and perspective channels the tale in a different direction, escaping from linear narrative lines and bringing us to some kind of archipelago.

The choral work of 57 directors and filmmakers who tell stories of Milan at the start of the COVID-19 pandemic.

Giulia has a one-night stand with a stranger to forget a heartbreak. Aimlessly walking through October city streets to let off steam, she meets a woman who came from Turin seeking an explanation from her partner, who doesn't even want to see her. The two join forces and settle accounts with him. Neither of them feels like going home and being alone, so they spend the whole night wandering around Milan.

Set in Milan in the summer of 1989 against the backdrop of the fall of the Berlin Wall, the film follows four frustrated individuals whose lives intertwine because of the loss of a planner.

Against the wishes of her Aunt Valeria, attractive Milena travels to Milan in order to secretly marry Marco Giraldi. Three years later, Milena returns to her hometown Fermo, where her husband's shoe business is in financial difficulties. Shortly afterwards, she is abducted, a valuable painting is stolen and Aunt Valeriais murdered. Two young villains, who carried out the dirty work, are then killed...

A short documentary about a homeless couple who face the ban on being on the street during 2020 quarantine. Just through their eyes, the two protagonists show us a different Milan, silent and suspended.

Retour sur l'histoire du célèbre constructeur automobile, depuis sa création au début du XXe siècle par Ettore Bugatti jusqu'à sa reprise par le groupe allemand Volkswagen AG. L'occasion de découvrir comment il a acquis son prestige avant de connaître une période difficile puis de renaître au milieu des années 1980.

Filmed during Tarja’s The Shadow Shows World Tour, during which the influential heavy rock singer circled the world for 7 ½ times with over 300.000 km travelled and played over 200 shows in 40 countries in front of 1 million people. Act II consists of the singer’s very intimate set filmed and recorded live at the Metropolis Studio in London, UK and the breathtaking live performance of one of her shows in Milan, Italy, as well as previously unreleased interviews and photo galleries. Set-List: 1. No Bitter End / 2. 500 Letters / 3. Demons in You / 4. Little Lies / 5. Eagle Eye / 6. Diva / 7. Calling from the Wild / 8. Supremacy (Muse Cover) / 9. Tutankhamen / Ever Dream / The Riddler / Slaying the Dreamer / 10. Undertaker / 11. Lanterna dos Afogados (Os Paralamas do Sucesso Cover) / 12. Love to Hate / 13. Victim of Ritual / 14. I Walk Alone / 15. Innocence / 16. Die Alive / 17. Until My Last Breath.