As queer trans and gender non-conforming children of the Vietnamese diaspora, we are fragmented at the crossroads of being displaced from not only a sense of belonging to our ancestral land, but also our own bodies which are conditioned by society to stray away from our most authentic existence.
Yet these bodies of ours are the vessels we sail to embark on a lifetime voyage of return to our original selves. It is our bodies that navigate the treacherous tides of normative systems that impose themselves on our very being. And it is our bodies that act as community lighthouses for collective liberation.
Ultimately, the landscape of our bodies is our blueprint to remembering, to healing, to blooming.
A Mexican farmhand migrates to America to better support his family, but his dream crashes to the ground when his wife and daughter can't meet him across the border.
The collision between two cultures explodes in one household as all three wait for Javier's immigration papers. A dark comedy that explores immigration, mental health and the magnetism hiding as aversion.
In the heart of the Camargue region, in the south of France, Jawad and Belka find freedom in their love of Camargue races. For these young Maghrebi men, the event is more than a simple tradition. Facing off with a bull is an opportunity to establish their place in the arena—and in French society. But at what cost?
Vivienne Le Coudy, una mujer tremendamente independiente, se embarca en una relación con un inmigrante danés llamado Holger Olsen. Después de conocer a Olsen en San Francisco, Vivienne accede a viajar con él a su casa cerca del tranquilo pueblo de Elk Flats, donde comienzan una vida juntos. Sin embargo, la Guerra Civil los separa, dejando a Vivienne sola en un lugar controlado por el poderoso ranchero Alfred Jeffries, su violento y descarriado hijo Weston Jeffries y la ayuda y la complicidad del corrupto alcalde Rudolph Schiller.
A powerful set of stories of “righteous persons” taking action along the U.S.-Mexico border, motivated by moral conviction and compassion. "Borderland" shows how courageous actions can lead to political mobilization and the defense of human rights in the face of hate and discrimination.
A Haitian asylum seeker flees an immigration camp, unknowingly approaching a house owned by a paranoid blue-collar worker.
“An Untitled Film” by George Alshevskij-Jones is a short documentary/visual essay about the struggles of moving to seek a better future in a different country. The research for the film was done by observing and talking to people who have left their home country. It doesn’t matter what country a person has left and in which country he has found himself, the general experiences and emotions stay the same. The most important message that I want the film to convey is that everything is possible and home is not a place on a map, but a place in the soul of each person that I spoke to. The unconventional way of showing many people as one is not just a way of making the film more convenient to create, but a way to fit a much information into one consistent image, that the audience is more likely to understand and perceive as the author intended it. My own experience blended in with the experiences of others.
At America's elite MIT, a Ghanaian alum follows four African students as they strive to graduate and become agents of change for their home countries Nigeria, Rwanda, Tanzania, and Zimbabwe. Over an intimate, nearly decade-long journey, all must decide how much of America to absorb, how much of Africa to hold on to, and how to reconcile teenage ideals with the truths they discover about the world and themselves.
Three young Afghans find themselves in limbo after being evacuated to the US from Kabul.
Ina, an introverted 11-year-old immigrant, finds herself captivated by Petra, a new classmate coming from the same country as her. Faced with the newcomer’s indifference towards her, Ina embarks on a desperate quest for connection in a world oscillating between dream and reality.
Kye-na, an average woman in her late twenties, holds a steady job and a committed boyfriend, Ji-myoung. Yet instead of feeling content, she constantly faces uncertainty, confusion and anxiety. While struggling with personal relationships and life's woes, Kye-na finally embarks for New Zealand despite everyone’s dissuasion on leaving her home behind.
Nezzy arrives at the airport dreaming of moving to ‘Clean Island’, the cleanest place in the world. She will undergo a strange immigration process at the immigration hall, where she begins to tell the story of ‘4’ and a special pig to the examiner who tells her that she can only pass if she confesses her sins.
In this tale of labor and family that shines a light on the precarity of temporary work visas, Raymundo Morales leads a crew of workers who have to make the challenging decision to leave their families in rural Mexico to plant commercial pine forests in the United States.
This Saturday is a Turkish wedding day at Espace Venise. Huddled in a car in the parking lot, 21-year-old Fatih wants to get married. He has set his sights on Ipek, Recep’s sister. But neither his best friend Murat nor Recep nor even Ipek are yet aware of this.
Ilyas y Brahim trabajan en un taller de reparación de televisores. Cuando llega el final de su jornada, el jefe les envía a llevar un televisor al otro lado de Barcelona, horas antes de la esperada final de Champions del FC Barcelona, poniendo en riesgo su amistad y su trabajo con tal de llegar a ver el partido.
Boys on Film presents ten encounters from across the globe, where the dangerous allure of a risky attraction yields emotional results — proving that the age-old adage of taking the plunge is as relevant — and sexy — as ever before. The 10 short films are: My Uncle's Friend [O Amigo do Meu Tio] (2021); Budapest, Closed City [Budapest, zárt város] (2021); Eden (2020); Chaperone (2022); Break Me [Knus meg] (2018); By His Will [שעשני כרצונו] (2021); Red Ants Bite (2019); Jim (2022); Hornbeam (2022); Too Rough (2022).
