Verrat, Gewalt, Sex, Intrigen, Leidenschaft. Mord – das ist Chicago in den zwanziger Jahren. Die Tänzerin Velma Kelley ist Chicagos absoluter Mittelpunkt der Nachtclubszene – die Männer sind verrückt nach ihr und das unschuldige Starlet Roxie Hart träumt davon, genauso erfolgreich zu sein. Doch es kommt zu einem unerwarteten Skandal: Velma gerät wegen Doppelmordes in die Schlagzeilen und vor Gericht. Das Schicksal will es, daß Roxie kurz darauf ebenfalls zur Mörderin wird. Als Star und Starlet sich im Gefängnis treffen, wittert Roxie ihre Chance.
When love came the way of this gentleman crook he turned to the right---only to be caught in the swirling eddy of his criminal past! (original ad)
Millie weiß genau, was sie will: ab in die Großstadt und einen reichen Mann heiraten. Darum ist sie auch sicher, dass der nette Jimmy nichts für sie ist. Ihr Boss Trevor Graydon schon eher, schließlich ist er reich und angesehen! Aber der Weg zum Ziel ist steinig - Millie muss sich nicht nur Jimmy, sondern auch ihre habgierige Vermieterin vom Leib halten. Und dann ist da auch noch die liebenswerte Miss Dorothy, die allein einfach nicht zurechtkommt. Am Ende braucht es eine wilde Party bei dem reichen Jazz-Babe Muzzy, um der Verwirrung ein Ende zu bereiten und die richtigen Paare zusammenzubringen...
Duke Ellington and Orchestra perform 'C Jam Blues'.
The story is about Iris's rise to the apex of a love/power triangle that includes her roguish English lover, McHeath, and Art, an earnest young boxer. Within the flawed moral landscape, each character struggles to establish their sovereignty.
Filmed in Chicago & finished in 1959, The Cry of Jazz is filmmaker, composer and arranger Edward O. Bland's polemical essay on the politics of music and race - a forecast of what he called "the death of jazz." A landmark moment in black film, foreseeing the civil unrest of subsequent decades, it also features the only known footage of visionary pianist Sun Ra from his beloved Chicago period. Featured are ample images of tenor saxophonist John Gilmore and the rest of Ra's Arkestra in Windy City nightclubs, all shot in glorious black & white.
A jeremiad against intemperance, jazz music, and abortion, set on a train filled with unrepentant sinners hurtling toward damnation.
Ann Martin will inherit six-million dollars if she marries a man her two spinster-aunts approve of, but, so far, her aunts haven't approved of any man she knows. Ann tries to get a bashful hotel clerk to marry her in name only, and then get a divorce, but he refuses to because he is in love with her. Her cousin then brings in another clerk and Ann now has two men on her hands. Ann now wants to marry the first clerk, having discovered she also loves him, but the aunts object. She then hires two gigolos to charm her aunts into a compromising situation.
FOR MY SISTERS is a movie about black culture or rather: black women, specifially: a movie about black singers. Alberta Hunter, Sarah Vaughan, Carmen McRae, Nina Simone. They are the four "Big Sisters", singer Carole Alston follows through to the age of jazz. Alston, "a voice as dark and sweet as molasses", as described by the Financial Times, was born in Washington, DC and has been living in Vienna for almost 30 years. She is sure: "Those four icons help you explain what jazz is and even the history of jazz right along."