This film consists entirely of close ups of famous persons' bottoms. Ono meant it to encourage a dialogue for world peace.

A 16 mm film, featuring Yoko Ono's own eye slowly blinking, shot by Peter Moore with a high-speed camera at 2,000 frames per second, which is projected at normal speed, 24 frames per second, thus creating a slow-motion effect.

Artype patterns, intended for loops. Benday dot patterns. Dots, lines. Screens, wavy lines, parallel lines, etc. on clear film. No camera.

Single frame exposures of words.

Flicker: White and black alternating frames.

Shot at 2,000 frames per second, this short shows a man exhaling smoke in incredibly slow motion.

Seeing, Hearing, Saying Nothing. Ben stands with ears, eyes, mouth bandaged.

Begins with a shot of a demarcation line on an asphalt tennis court. A hand points to the distant landscape, then numbers 408 and 409 appear on a female torso.

Tips of feet walking at the edge of frame, all around the frame.

Close-ups of two faces, shouting at each other.

Prestype on clear film measuring tape, 10ft. length. No camera. At the end of every foot of film numbers appear, 1, 2, etc to 10

Various gestures of hand held razorblade, single frame exposures.

Single frame exposures of dot-screens.

A smile gradually fades into a neutral facial expression.

This feature-length documentary chronicles the life and playful methods of Dutch pianist and composer Misha Mengelberg, a significant figure in post-WWII European Jazz and free improvisation. Archival footage, rehearsal / performance sequences and interviews with both Mengelberg (the "godfather of Dutch improvised music") and key collaborators provide a clear insight in Mengelberg's original way of thinking and way of working.

Lifting and holding up a chest of drawers.

Sitting on a promenade in nice with a sign: Watch me, that’s all.

Face going out of focus by layering sheets of plastic between camera and subject.

Color test strip from developing tank.