This is a story of how Ru Ji, a farm girl of Chao Kuo, who sacrificed her own life to save her country and people in the year 257 B.C.
Dream of the Red Chamber, one of the big four of classic Chinese novels, has been adapted for film and television dozens of times over the past decades. Yet this sui generis Great Wall production daringly transposes the setting to modern-day 1950s. The contemporised story revolves nonetheless around the love triangle between Jia Baoyu and his two cousins. Both girls love him but his heart belongs to only one. The ending, however, is remarkably changed to separation of the lovers as a result of war—the war that was surely still haunting the minds of the filmmakers at the time when the film was made. Not only did Great Wall pour money into building extravagant sets just so to recreate down to the smallest detail the grandeur of the legendary Jia mansion, but the film also boasted of its lavish costume designs for the diverse female cast. (From Hong Kong Film Archive)
Tang Bohu is smitten by the stunning beauty of Qiuxiang, the maid of Grand Tutor Hua, during his visit to a monastery in Suzhou. Stalking the maid, Tang's affections are finally reciprocated with three charming smiles. To approach the fair maid, Tang seeks work in the Grand Tutor residence as a study companion, and his talents win Hua's attention. As a frustrated suitor, he turns to his resourceful friend Zhu Zhishan for help.
On her way home from Lan Sin Restaurant, Liang Li-chin is horrified to have beheld a man's body inside a private hired-car. But when she explains what she has seen to her fiance Hu Ming-lin at his Red Bat Apartment, she is no longer sure whether it was a drunkard or a corpse. But Hu is arrested by the Police as the suspected murderer of his boss Chia Lei on certain material evidences: a/ Hu's visiting card has been found near the corpse; b/ the scarf which strangled Chia to death belongs to Hu as there are his initials M. L; and c/ he has been seen to have quarreled with Chia. But somehow Hu denies he has killed Chia. Liang now recalls that she has seen a strange figure, a man, that night in the car. She is sure he was not Hu, but the Police Inspector, is not a bit convinced, especially because of her relation with the suspect, Hu. Liang feels she must act fast, if she is going to save her fiance's neck.
A diamond flower from the rich merchant Sun was stolen, his neighbors gathered a detective group to solve this problem.
HK drama film.
Yan Xintang have seven kids with his wife, all their kids have grown up now and facing different problems on their own romance experiences.
Young widow Li Jingqin is struggling to put her son Du Shaoxiong through school with her meagre income. Bullied by the landlady, Du spends his days wandering the streets where he is lured by a gang to commit crimes. Fortunately, Du has a heart of gold.
HK horror film.
HK horror film.
Wang Lewu is over 35 but never had any successful romance relationships, his friends and relatives tried to introduce single females to him but none worked out in the end. Until one day, his mother introduced a young lady, Li Meijuan to him...
Tragedy strikes two pairs of lovers and a family, just three days after a happy marriage.
Li's direction and Jin Yong's script always go hand-in-hand with each other. This time, their collaboration sparks again as the film seamlessly brings three short stories together through three different segments of flashbacks. Yin Zhaozong (Bao Fong) is an amour fou falling in love with a girl much younger than him. Instead, Yu Baicheng (Fu Che) is a playboy trapped by his three girlfriends. The bartender (Chiao Chuang), however, tells them how he and his wife are blessed by true love. The film not only displays Li's sensitivity to narrative structure but also his ability to cast the most suited actors for their respective roles, as such Mao Mei had a chance to demonstrate her dance talent for her debut in this movie.
The first Hong Kong-made Huangmei opera film.
After the deaths of their parents, sister and brother Lan and Cow must take care of their younger siblings. Living hand to mouth, they struggle to overcome unscrupulous employers and unfair labour practices. The Younger Generation, with its humanist perspective on social justice, is the first film co-directed by the husband-and-wife team of Huang Yu and Wu Peirong, and stars Nina Paw, daughter of renowned actor-director Bao Fong, in one of her earliest roles.
A Hong Kong production blending the breathtaking highlights of 1973's Asian-African-Latin American Table Tennis Friendship Invitation Tournament in Peking with the accompanying cultural explosion of songs, music and dances.