From Showtime:

Chris is initially thrilled when cousin Ordell shows up in town with his new band. His excitement turns to dismay when he discovers that Ordell's new band, Blue Hotel, is a Chris Isaak tribute band. If it was anyone else, Chris would raise hell, but he still feels guilty about his role in a lawn-dart accident that cost Ordell a toe years before. Ordell borrows Chris's clothes and dates his old girlfriends. When Ordell records a cheesy commercial for a fried chicken outlet using one of Chris's songs, Chris finally has to speak up.

Meanwhile, Chris's band members are both intrigued and appalled by their alter-egos in the tribute band. Anson bonds instantly with Deke, his wild-man counterpart in Blue Hotel. And Roly has his eye on the woman who plays Hershel in the band; much to Hershel's consternation. Yola tries to sort everything out, all while struggling with her love-hate relationship with Cody, the young and cocky new manager at the agency.

From Showtime:

When a stalker throws a brick through Chris' window, his record company insists he hire a bodyguard at their expense. He's reluctant at first, but eventually he picks Brock Rudman, an intimidating and eminently qualified personal security expert. Brock cramps Chris' style and scares off his friends – Lisa Loeb is visibly disappointed, thinking Chris has succumbed to the worst temptations of being a celebrity – but that's not the only problem. It seams the hired muscle has a broken heart and it falls to Chris to find a way to heal it.

Meanwhile, Anson is swept up in the paranoia and, since the record company won't pay for a bodyguard, he arms himself with a stun gun. And Yola, desperate to look her best for a Billboard magazine ""Women in Music"" feature, has a very bad hair day when she gets tangled in a romantic triangle with her favorite stylists, Maurice and Bridget.

From Showtime:

After a month in the studio, Chris and the band have finally finished recording the title song for the new David Lynch movie. The next day, the studio burns down, taking with it the master recordings of the new song. Good thing Chris burned a CD version and brought it home. Now, if only he could find it. He tears his place apart and his cousin Ordell, who's also got a track on the same CD, stops by with a dowser, but the CD remains missing. As the clock ticks down to the deadline, it looks like they'll have to record it again. But can they do in four hours what it took four weeks to do the first time?

As the tension rises, Anson is wondering if his new girlfriend Deedee is responsible for the CD's disappearance. After all, she is an obsessive collector who's already got Dave Matthews' old Snapple bottle and Flea's toothbrush, not to mention Alanis' barrette. Yola, meanwhile, is exploring her creative side in a pottery class run by a charismatic and hunky ceramics