Joe Bob welcomes himself back, and then he discusses the careers of Chuck Connors and other cast and crew members of Tourist Trap (1979).

Joe Bob goes on a tangent about the transgender bathroom scandal before conversing with Felissa Rose, the vivacious star of Sleepaway Camp (1983).

Joe Bob delves into the forgotten history of 1970s pornography when he hosts the first mainstream film starring Marilyn Chambers, David Cronenberg's Rabid (1977).

Joe Bob gripes about people fiddling with their phones, and then he criticizes the dull senselessness of The Prowler (1981), but heavily praises Tom Savini for his work on the film.

Joe Bob's discusses Sorority Babes in the Slimeball Bowl-O-Rama (1988) and devolves into a prolonged rant about the lack of awareness of the Los Angeles mass transit system.

Joe Bob digresses into rhetoric about gluten before giving a geography lesson and discussing Daughters of Darkness (1971).

Joe Bob shares an in-depth history of the career of Herschell Gordon Lewis and the making of Blood Feast (1963).

Joe Bob discusses the making of Basket Case (1982), as well as his personal involvement with the original release of the film.

Joe Bob gives a lecture on the human brain before hosting the cult favorite Re-Animator (1985).

Joe Bob jumps right into his introduction for Demons (1985), though he veers into a dystopian tirade before trying to sort out the complex history of the notoriously grisly Italian import and its sequels.

Joe Bob discusses his days in the Boy Scouts, and then he's joined by author/actor/musician/cryptozoologist Lyle Blackburn to discuss The Legend of Boggy Creek (1972) and perform an impromptu sing-along.

Joe Bob has a convoluted argument with himself over the meaning of the phrase "take a knee" before spouting off a slew of trivia about Hellraiser

Joe Bob pays tribute to horror host John Zacherle and tells the story of how he nearly lost his job over a review of the 1982 slasher "Pieces," which he then proceeds to emcee.

After giving a skewered history of Thanksgiving, Joe Bob hosts The Texas Chain Saw Massacre (1974) for the very first time, discussing every aspect of the film as well as the careers of its cast and crew.

Joe Bob tells the tale of Sawney Bean, whose family inspired characters in The Hills Have Eyes (1977), and then he's joined by the film's poster-boy, Michael Berryman.

Joe Bob rants about probiotics before trying to make sense out of the 1999 Japanese import "Dead or Alive."

oe Bob discusses the communal movie experience and then he provides recurring recaps of Blood Rage (1987), as well as information about where the film was shot.

Joe Bob gives viewers intoxication instructions and begins to divulge the history of the Don Coscarelli franchise Phantasm (1979).

After ranting about the unthinkable destruction of a 1971 Plymouth Hemi 'Cuda in "Phantasm II," Joe Bob skips ahead to the third movie and then chats with star Reggie Bannister.

Joe Bob tells a Christmas story about his mentally-challenged nephew, and then he grows so increasingly befuddled by Phantasm IV: Oblivion (1998) that he ties Reggie Bannister to a chair and forces him to answer questions about the film.

Joe Bob discusses Linus's speech from A Charlie Brown Christmas (1965), then "Phantasm" FX lady Gigi Bannister stops by for a chat and finally, Joe Bob leads a Christmas sing-along.

Joe Bob bemoans the censorship and gradual disappearance of shower scenes in horror movies when he hosts C.H.U.D. (1984).

Joe Bob discusses the warped ways of the Miss America pageant before he talks with Barbara Crampton, one of the stars of Castle Freak (1995).

Joe Bob goes on another gluten tangent before settling down to host one of his favorite movies, Q: The Winged Serpent (1982).

Joe Bob and Darcy discuss all manners of perversion when they host the gooey cult-classic Society (1989).

Joe Bob goes on a tirade about Tesla Motors before screening Deathgasm (2015) and placing a call to the show's resident mangled dick expert.

Joe Bob discusses the history of Madman (1981), including its origins as a film about the Cropsy killer.

Joe Bob gets into the history of Japanese horror while hosting Wolf Guy (1975), even inviting production designer Yuki Nakamura to join the conversation.

Joe Bob discusses the "painful decision" to show Demon Wind (1990), the bizarrely diverse careers of its cast and crew, and he also attempts to untangle the film's confusing multigenerational story.

Joe Bob delves into the many different concepts of Hell and then hosts The House of the Devil (2009).

Joe Bob riffs on Canadians while he hosts Wolfcop (2014).

Joe Bob discusses the making and controversy surrounding the release of Henry: Portrait of a Serial Killer (1986) before sitting down for a conversation with the film's director, John McNaughton.

Joe Bob reiterates his old "Riverplace Courtyard-on-the-Square Plaza" spiel, and then he hosts Contamination (1980), a blatant Italian ripoff of Alien.

Joe Bob discusses and ponders the true meaning of the first American-made Iranian vampire Western, A Girl Walks Home Alone at Night (2014).

Joe Bob turns to statistical facts when he announces his boycott of the Kimberly-Clark Corporation as a result of their decision to rebrand "Mansize" Kleenex, and then he hosts The Stuff (1985).

Joe Bob discusses his wellness regimen, and then he makes a call to the show's resident mangled dick expert while screening Street Trash (1987).

Joe Bob pays tribute to Tiny Tim, the star of Blood Harvest (1987), by talking with two authorities on the unique entertainer. Things become utterly surreal when they unearth old footage of Tiny Tim watching Joe Bob discussing the film.

Joe Bob discusses the dangers of the zero-tolerance policy, and then he hosts one of Darcy's all-time favorite movies, Hello Mary Lou: Prom Night II (1987), before the crew assembles for a season-finale prom.

Joe Bob discusses Mexico's Day of the Dead Celebration, and then he showcases photos of fans dressed up as Michael Meyers while hosting the original Halloween (1978).

Joe Bob bemoans the degradation of Lifetime movies. Later, while hosting Halloween 4: The Return of Michael Myers (1988), Joe Bob reads fan theories regarding why Michael Meyers is compelled to kill.

Joe Bob singles out directors who should be forced to apologize for making terrible big-budgeted films. He then hosts Halloween 5: The Revenge of Michael Myers (1989), reads more fan theories about Michael Meyers, and receives an irate phone call from Tom Atkins.

Joe Bob points out the communist themes of Rudolph the Red-Nosed Reindeer (1964) before hosting the Canadian cult classic Black Christmas (1974).

Joe Bob teases that other famous horror hosts will join him during a screening of Jack Frost (1997), but they gradually each send regrets.

Joe Bob hosts Silent Night, Deadly Night Part 2 (1987), and then he and Darcy tell sad Christmas stories and reenact the infamous antler impalement from the original film.