With Karen gone, Hank has to deal with a more and more rebellious Becca. Meanwhile, Charlie and Marcy move back together though they still plan to divorce each other.

Hank starts working as college professor and soon gets into trouble while Charlie interferes with Marcie's romantic life.

Hank attends a university mixer and consoles his jilted assistant; Charlie celebrates his first talent signing.

Hank objects to Becca's adult fashion sense; Hank and Charlie visit a strip club to discover the secret life of a talented student; Charlie and Marcy's house sale goes awry.

Hank has the apartment all to his bad self when Becca visits Karen in New York. Hank's old buddy from Long Island pays a visit. Hank shows him an epic time. Hank and his talented pupil Jackie take their student / teacher relationship to the next level. Charlie and Marcy are finally hitting the sheets again.

Karen hatches a plan to move the family back to New York for good. Hank's mighty pleased, but Becca's crestfallen about leaving her new best friend, Chelsea. After inviting herself to Hank's class, Karen meets the comely ladies of the university: T.A. Jill Robinson and sexpot student Jackie. Later on, tempers flare when Becca and Chelsea get into some serious trouble and Hank and Karen are forced to pay a tense visit to Chelsea's parents, Felicia and Stacy Koons.

Charlie is crushed when Marcy loudly consummates her girlhood-crush on Rick Springfield. But Sue Collini thinks up a creative way to restore Charlie's confidence.

Hank's attempts to set things right with Karen lead to even deeper entanglements with the campus ladies. In the meantime, Charlie tries to prevent Sue's top client from leaving the agency and Becca scolds Hank for being a terrible role model for her.

Hank's in for a hedonistic night to remember when Jackie and two stripper friends arrive at his doorstep, unannounced. The next morning, before Hank can escort his new friends from the apartment, Charlie shows up with a verbally abusive Rick Springfield. Hank’s forced to hide the hung-over party girls all over the house after Jill and Felicia pay surprise visits. The charade reaches its boiling point when Dean Koons arrives on the scene, resulting in a messy catharsis by fire.

When Becca and her friend Chelsea get into a brawl on campus, it leads to the revelation of one of Hank's affairs. In the meantime, Charlie risks his job trying to hold Marcy off drug addict Rick Springfield.

Hank takes Charlie out on the town to drown his sorrows after Sue Collini fires him for causing client Rick Springfield to leave the agency. Meanwhile, Karen, still miffed by Hank's dalliance with Felicia, organizes a girls' night out with Becca and Marcy.

Karen drags Hank to an end of the semester goodbye luncheon at Felicia’s. Hank realizes he’s walked into a hornet’s nest as Felicia, Jackie and Jill all gang up on him. The Hank bashing is interrupted when Richard Bates, the novelist / professor Hank replaced at the college, pays a surprise visit.

As the Moodys at last prepare to move to New York, Becca tells Hank about an intimate coming of age experience she had. Hank’s stunned when Mia shows up at the house unannounced, in town with her slimy boyfriend / manager PAUL for a book signing. Hank fails to prevent Mia and Paul from hatching a devious publicity stunt, forcing Hank to finally share the long-buried heartbreaking secret with Karen. gives Charlie a career opportunity of a lifetime, but Charlie must confront the fact that he might be losing Marcy for good.

Just as Hank is released from a 72 hour jail period for assault he is picked up by Charlie and dragged off to show the recent events of F&P with Mia becoming public and dropped into a meeting with a young actress that wants to capitalize on the publicity, and make a movie out of F&P. whom which he later re-enacts F&P in her hotel room. The episode ends with Hank hearing from his lawyer that the assault charges have been dropped and he is then arrested for statutory rape.

Hank is told he faces 3 years in prison because the DA wants to make an example of him. There are signs Marcy is pregnant. Hank tries to fix things with Becca. The episode ends as Hank high on drugs and liquor writes a letter to Becca and then passes out.

Hank takes advantage of the misperception that he tried to commit suicide and moves back home with Karen and Becca, but his daughter knows the truth; Charlie sets out to reach a sexual benchmark while a wealthy producer pursues Marcy.

Hank Moody is notified by his attorney Abby that he will be going to trial for statutory rape. But not before Hank hands the completed F&P script to Charlie, who promptly drags him to a meeting with the Director, producer Stu Beggs and eccentric financier Zig Samitaur, setting off a chain of events that leads to Hank and Charlie having to explain why there’s a dead billionaire in the bathroom.

After a personal grooming mishap, Charlie discovers that his vasectomy was botched and that Marcy's baby could be his; Hank's relationship with lawyer Abby gets more personal but a good deed yields a compromising photo that could ruin Hank's life.

A sensational photo derails Hank's case and threatens to destroy his movie project until his sincere love for Becca rescues his career, while Karen resuscitates her ex-husband's relationship with his beautiful lawyer.

Forced by her relationship with Hank to recuse herself as his lawyer, Abby pitches the case to a senior partner on the golf course; Hank is dismayed by Karen's growing relationship with artist Ben; Marcy and Stu ask Charlie to help them pitch a TV project.

Hank takes a gig rewriting dialogue on a zombie sequel but threatens his job when he hooks up with a sexy woman with close ties to the film's female lead; Marcy tells Stu she's pregnant but not that the baby may be Charlie's.

Evicted from his apartment, Hank moves back in with Karen and Becca while he prepares for his trial and teaches his daughter to drive; while Karen's out on a date with Ben, Becca and Pearl steal the Porsche and wreck it.

A nervous Hank discovers that he's got good reason to panic when his trial turns into an all-out character assassination, with even friendly witnesses Charlie and Karen unable to portray him as anything other than a drunken, oversexed lout.

Found guilty of statutory rape, Hank buys a used Porsche and considers fleeing from Los Angeles, but instead enjoys one last night in the company of his friends and family.

As Hank awaits sentencing, the lines between his real life and the movie based on his life blur as the film's star hits on his ex-wife and he feels stirrings of passion for the actress hired to play Karen.

A few years have passed and Hank is living in New York but looking for a ticket out of town after his latest breakup. He accepts an invitation from Charlie to come to Los Angeles for a job writing a film starring rapper/actor Samurai Apolcaypse, then reunites with Karen, her former professor and now-husband Richard, and his daughter Becca, who now has a boyfriend named Tyler that is the spitting image of Hank himself ... in the worst possible way.

Hank passes on writing Samurai Apocalypse's new movie but Sam won't take no for an answer and drags Hank to a meeting with director Peter Berg, where they discover that Hank and Peter have shared more than just a love of the written word. Sam takes it on himself to get rid of Tyler, which makes things worse between Hank and Becca. Co-parents Charlie, Marcy and Stu have their hands full when Little Stuart exposes himself to a preschool classmate, and Charlie takes it upon himself to mend fences with the offended girl's attractive mother.

Hank hands a completed draft of "Santa Monica Cop" over to Samurai Apocalypse, but he still finds himself stuck in L.A. when he's asked to take Kali, his "acquaintance" from the flight to Los Angles, out for a night on the town. Tyler crashes at Karen and Becca's house while he recovers from his injuries. Charlie is rescued from a serious parental crisis by Stuart's nanny, Lizzie.

Hank receives an unwelcome surprise in the form of Carrie, ex-girlfriend and arsonist that he's forced to invite along when Karen and Becca show up to invite him to a dinner party. Stu, Marcy and Bates' talk of sexual proclivities leaves the Moodys searching for the nearest exit, but the party gets even more out of control when Carrie has a realization about Hank. Meanwhile, Charlie goes on a blind date with Mary, a "nice girl" who's more than a little inexperienced.

Charlie's boyhood dream is realized and Hank's worst nightmare comes true when Samurai Apocalypse invites the boys on a ride-along with the Santa Monica Police Department and takes them on a joyride that goes sexually awry for Charlie; Richard hits the bottle at a crowded Venice restaurant but Hank and the boys arrive to save the day for Karen and Becca, and Tyler realizes he's seen Sam somewhere before.

When Samurai Apocalypse hits a lyrical roadblock with his protege, he calls on the best writer he knows: Hank Moody, who unites with Kali to imbibe, bear his soul, and write a song that takes Hank back in time to an era when he, Karen and Charlie were happier and life was simpler before "A Crazy Little Thing Called Love." But the present comes roaring back when Karen shows up at Hank's door, worried that she made a mistake.

Hank saves Karen from embarrassment with a drunk Richard, then covers for Richard by pretending to be dating a stripper named Holly, who takes a liking to Tyler and offends his girlfriend, Becca. Meanwhile, when she's fired after an inappropriate encounter with Stu, nanny Lizzie calls on Charlie and allows their relationship to progress, only to have Marcy beg for her return.

Hank is stuck reading Tyler's screenplay but discovers some talent under that head of hair, even though the script appears to be disturbingly autobiographical account of the author's relationship with Becca. Charlie and Lizzie's love quadrangle with Stu and Marcy heats up, but when their bedroom games hit too close to home for Charlie, it may be off to therapy for all four of them.

On the first day of production on Hank Moody's latest movie "Santa Monica Cop," Stu has brought back his "F--king and Punching" director in hopes of creating a cinematic masterpiece, but Hank's rendezvous with the film's leading lady puts his relationship with Sam in jeopardy. Luckily for Hank, Stu and the production's crew, Charlie has a backup plan.

Minus one agent and best friend, Hank crashes with his two favorite ladies, Karen and Becca. Looking for new representation, he meets with Hollywood power agent Larry Levine, who quickly sets a meeting with world-class filmmaker and Hank Moody idol Lars Manderhoff. It may be a match made in heaven when Lars surprises Hank with one of his favorite working girls, Trixie (guest star Judy Greer). Distraught over his personal losses, Charlie seeks comfort from Marcy while Lizzie enjoys her big break, a part in "Santa Monica Cop" courtesy of Stu.

Hank overstays his welcome at the house of Karen and Richard and hits the road with one last stop at Malibar, where he runs into Lizzie, who uses her newly acquired acting chops to lure him back to the Runkle Manor. Once there, Hank is surprised by everyone he loves and loathes: Karen, Becca, Charlie, Marcy, Stu, Richard and his creepy sponsor, Gabriel. Even Sam and Kali show up, but it's not a party until someone gets hurt and luckily for these partygoers, Hank has it in him for one final run-in with Tyler.

Hank discovers the bartender at a local watering hole is his late friend Lew Ashby and wonders if he's in Hell. Richard makes a startling announcement about Hank and Karen. Hank tries to make things right with Becca, but her news about Tyler leaves him stunned. On the set of "Santa Monica Cop," Sam's jealousy and fondness for firearms give Charlie an opportunity to show how much he loves his best friend and number-one client; Hank's arsonist ex-girlfriend surprises him with a way for them to be together forever.