Phone Booth dials up its millennial tension through suspenseful confined calls. Joel Schumacher is a rather inconsistent director. Unusual, yet capricious. From ‘The Lost Boys’ to ‘Batman & Robin’, his career has been considerably scattershot in terms of quality. Phone Booth, whilst quintessentially being a product of its time, happens to be his most simplistic. An arrogant publicist is held hostage in a phone booth by a mysterious sniper who offers him an ultimatum.

A hyperbolised exercise in absolution from an absurdist’s perspective, Schumacher delivers a nail-biting thriller from the con... read the rest.

Stu's an unlikable guy. He treats people poorly. He plays tit-for-tat. He lies, a lot. He's a publicist and a hustler. His life is about taking as much money from people as he can manage, unless they're an inconvience, when he'll shove money at them to make them go away.

Stu lives his life on the phone; not that he wants anyone to know it. He tells people he's in a meeting in an expensive conference room, or that he's just dined with some bigwigs, because that's who Stu is. He's full of it, and no one that he talks to will ever know the difference. Because no one can see him when he's on th... read the rest.