马特．狄龙初登银幕的处女作，一部反映七十年代未期美国青少年人生迷茫的社会问题片。故事背景是加州小镇的中下层社区，年轻人生活空虚，缺乏正当娱乐，于是转向摇滚乐、迷幻药和性发泄寻求满足。当地警察意图扫荡孩子们的毒品交易，卡尔深受困扰。于是跑去找小无赖里奇帮忙，因为他有枪，不料事情发展越弄越糟，暴力事件一发不可收拾。导演乔纳森．卡普兰以敏锐面灵活的手法表现年轻人的叛逆感觉，效果不落俗套，以大量摇滚乐歌曲为基础的电影配乐更令人有活力充沛之感。
故事发生在1984年的夏天，地点是波罗的海沿岸小村庄Schmalenstedt。7个十几岁的孩子刚刚接触到新兴的“蓬克”。一天Malte和他的朋友们被邀请去一个party，他们要解决的问题是如何泡MM，还有成立一个四人演出小组，最终达成一致——当艺人组建乐队！就在这时，Roddy与 Maria一见钟情。乐队的练习远比他们预想的更加困难重重，更糟糕的是他们的第一场演出便演砸了。而且在Maria的Party上，Roddy的伙计们弄得一团糟，maria非常生气，要和Roddy分手……乐队的解散似乎已是不可避免的了，roddy也意识到他们四个正在疏远。知道他遇到邻居的儿子 Schwaster，Roddy才领悟到“蓬克”的真正含义……
January 13th, 2024; Suffolk County's punk, grunge, and emo scenes are showcased through the more than a hundred attendees at Caveversary; an annual celebration of the independently operated basement venue, The Cave.
A documentary on Queercore, the cultural and social movement that began as an offshoot of punk and was distinguished by its discontent with society's disapproval of the gay, bisexual, lesbian and transgender communities.
Meet Shavon O'Brien: Her family doesn't understand her, her church ignores her, even Jesus forgets about her. With only the spirit of Sinead O'Connor to guide her, Shavon battles institutional child abuse, narcissistic group think, a talking stomach and a singing poop bucket! Shavon goes from Catholic to Crusty Punk in this very, very, very, dark musical comedy!
本片改编自Michael Muhammad Knight的小说《Taqwacore: The Birth of Punk Islam》，“Taqwa”在伊斯兰世界中意指来自于真主安拉的爱与恐惧之感，Muhammad将这个词与摇滚风格中的“HARDCORE”等词相融合，创出“Taqwacore”这个新词，指代那些由穆斯林背景的乐手组成的地下摇滚乐队（主要都是一些OLD SCHOOL PUNK，硬核，RIOT GRRRL，滑板朋克，SKINHEAD,死亡金属等）跟他们的风格主题。影片以此为依托描述了这群乐手们的生活，信仰以及在特殊的文化宗教背景之下所产生的种种迷惘矛盾感。而本片同时也有一部纪录片，全景记录了片中的真实乐队在美国境内巡演之旅。
It’s not easy to rebel when your dad wants to join the party... One day (in 1979), Magnus and his son Nikolaj hit the wall in their new terrace house in Rykkinn. Magnus is an architect, hippie and free spirit, a glaring exception in a community where equality and conformity is the norm. He always stands up for his son, supporting him unconditionally, even when Nikolaj decides to stop giving a damn.
An Outlaw. A Jester. A Psycho. An Artist. A Sage. A Slut. One Suitcase. One Key. Six Concrete Dogs.
Cara de Ángel's sexuality is about to explode, with Gabriela and Johnny in its sights in a context where it is not allowed. Transgression, sex, confusion, and the end of innocence.
Two girls rediscover their love for playing rock, find a drummer and begin practicing. When one of their mothers intervenes, they run away from home and are forced to fend for themselves on the streets against gangs and rival bands. Soon they are discovered and taken under the wing of rock manager Johnny Tremaine (played by Steven McDonald) who uses them for sex and his own aspirations of wealth. The Love Dolls set out to get revenge on those who have wronged them, and rise to the top of the rock world.
A punk scarecrow, endowed by life, annihilates its roots and revitalizes its territory.
When a Hong Kong teenager from a poor family wins a trip to Japan, he unleashes a chain of events that will soon bring him from his secluded fishing village to Tokyo. On the way, he connects with a barely competent tour guide and a gender-fluid pickpocket. Upon returning home with this merry band of schemers, he and his family of counterfeiters discover that a multinational conglomerate led by a ruthless Japanese developer has found the village, and is determined to raze it to build the new center of world trade.
Tina Crimson's "Scissor Bay" gets visualised through a series of nightmarish, chaotic and eerie shots that represent transgender oppression and endurance.
After her release from involuntary hospitalization, “Annie” grapples with the trauma of her confinement, all while working as a lifeguard, a job that becomes increasingly challenging as she descends deeper into despair.
Taking the City By Storm: The Birth of Milwaukee's Punk Scene is a documentary focusing on the progression of Milwaukee's Protopunk, Punk, New Wave, and Alternative music scene from 1975-1985.
"Toronto's first punk rock club is the subject of this innovative document featuring performances by The Dead Boys, Teenage Head and the Diodes. The rock magazine CREEM praised the film for 'doing everything in its flickering power to self-destruct,' and commented that anyone who 'thought Canadians bored their beef to death ate a different delicatessen." –The Funnel Film Theatre Distribution Catalog.
Under the Eyes retraces the route of a parisian hardcore band, from creation to their first concert.
Follow the conception of their first EP, from rehearsals to the studio.
Discover what's behind the scenes of the evolution of a band in an underground environment.