NUDE explores perceptions of nudity in art by chronicling the creative process of photographer David Bellemere as he's commissioned by NU Muses founder Steve Shaw to shoot a fine art calendar of nude photographs.
Bohemian Alex Morrison has just finished directing his first feature length movie. In its previews, the movie is considered a critical, artistic and surefire commercial success. As such, Alex seemingly has his choice of what his next project will be. As he makes the rounds both in the Hollywood community and European movie centers for ideas, he fantasizes about movie scenarios of those everyday situations he is in.
This film follows the making of Nekfeu's 3rd album, between Paris, Japan, Greece and the United States.
Six California kids test their brains and talents against students in Odyssey of the Mind, a problem-solving competition requiring mechanical, creative and intellectual skills. With little money and zero adult participation, the teens build a robot to tell a story about bullying, exclusion and mental health. But how does their solution measure up?
Rare glimpse into the fascinating mind of one of cinema's greatest directors. Footage was gathered over a two year period and documents David Lynch's many creative interests as well as his passion for filmmaking. It’s “abstract trip” which reveals new aspects of the personality and the cinematographic vision of one of the exceptional authors of contemporary cinema. Personal portrait of David Lynch and his creative universe.
Award winning documentary by Joslyn Rose Lyons exploring the relationship between spiritual connection and the creative process in hip-hop music.
An inside look at the creation of Universal Orlando Resort's new Jurassic World VelociCoaster.
This documentary celebrates one of Britain’s greatest actors, Dame Judi Dench, and looks back over her remarkable 60-year career.
Ariel is a painter who finds herself stuck in a creative slump that threatens her sanity. Meanwhile, her ego takes the shape of an Astronaut, looking for something that might awaken her from this creative and psychological state
Seijiro Ito possesses good looks, but also has an overinflated ego. He gets involved with five different women. Rio Yazaki is one of the women involved with Seijiro Ito. She wants to revive her career as a screenwriter, by using other people's unhappiness.
How can emotion come to light on the opera set? Does it come from singing, acting or music? How can someone become the incarnation of Verdi's masterpiece? Following world famous French soprano Natalie Dessay from the first repetitions until the premiere under the direction of Jean-François Sivadier, we meet a very special woman, a piece of art, a myth: LA TRAVIATA.
Four filmmakers working in the region of Galicia (in the northwest of Spain) follow and portray on the screen Galician artists working in disciplines of different nature. The result is four pieces around the creative process of these artists. Lois Patiño film their parents working on their paintings in their studio in Vigo, Jaione Camborda films dancer Janet Novás rehearsing for one of her pieces, Xisela Franco follows film director Margarita Ledo revisiting the location of her latest film Nation and Alfonso Zarauza reflects on the relationship between actress-director by putting together the work of Melania Cruz in two of their collaborations.
Sparked by the impending 25th anniversary of the Academy award-winning film Shine, this documentary explores the power of the musical brain. Featuring exclusive, intimate footage of superstar international musicians in their private worlds, it opens an intriguing portal into the musical mind.
Charles Santore, in an expansion of his discussion in “Oz: The American Fairyland” (1997) (V), tells about his experience making an abridged storybook of “The Wizard of Oz”. He tells of his inspirations, the little girl who modeled for Dorothy, the tin man in folk art, and a left to right progression in a journey of identity, with opposing forces pushing the movement in art back to the left.
Marc with a C is the stage name of Orlando indie/DIY singer-songwriter Marc Sirdoreus and was formally a persona enacted on stage for over 20 years. This documentary covers their career using only filmed stage performances, interviews, and other video and audio releases published online by Marc or their audience. Made from a myriad of videos with view counts ranging from 15 to 30k, it chronicles their attempts to use music and lyrics to connect to and understand others, as well as their relationship to attention and performance as social media swallows up small artists to turn art into content.
A group of young architects, confined to a forest in Barcelona during the COVID crisis, explore the problems generated by the ambition of wanting to be completely self-sufficient.
Award-winning choreographer Alexander Ekman dives into the subject of creativity by meeting scientists, professors, artists, film directors and choreographers, with the goal of trying to understand every aspect of the phenomenon.
Lizzie Lovejoy’s mini-documentary explores the world of non-traditional performance spaces, especially in the Tees Valley and celebrating the fantastic work they do. Lizzie spoke to Bobby Benjamin, artist and curator of Pineapple Black in Middlesbrough, about the exciting range of work the gallery has housed over the past couple of years during festivals, exhibitions and events. And from Redcar Palace Art Gallery, director James Beighton and curator Beth Smith of Tees Valley Arts discuss how the venue is used to create works as well as share them, and why accessibility has become one of their main focuses.
People connect to performance in different ways than visual art, but both can be incredibly powerful and influential. Using local creative spaces to pull both together highlights how fantastic our local cultural community really is.
This is an Art Mouse film for NARC. TV, written and directed by Lizzie Lovejoy.
Helen, a schizophrenic visual artist, takes refuge in a house preparing for a new production. When her wife, Angela, returns from a trip, Helen's hallucinations are mixed with growing paranoia – indicating that she doesn't believe that the woman in her house is really Angela