Um dos maiores sucessos espanhóis de todos os tempos. Um jovem andaluz, Rafa, conhece Amaia, uma mulher do país Basco, por quem se apaixona. Quando esta abandona Sevilha e regressa ao norte, Rafa decide ir atrás dela até à sua pequena aldeia mas para se aproximar da sua amada, terá de conquistar o pai da rapariga e isso significa fazer passar-se por Basco.
A french writer documents the seductive power of the beautiful Carmen, who has enchanted José, a young soldier, awakening his most fervent passions leading to tragedy. A path chained to obsession, jealousy, betrayal, and blood.
A murder is committed in a small village of Andalusia.
On March 22, four days after returning to his home in Andalusia, Luis de Vargas writes the first of his letters to his uncle and favorite professor at the seminary. He reports that his father intends to fatten him up during his vacation, to have him ready to return in the fall to finish his training for the priesthood. He mentions in passing that his father is courting a twenty-year-old, attractive widow, Pepita Jiménez; his father is fifty-five years old. Pepita had been married for only a short time to an eighty-year-old moneylender named Gumersindo. Luis is not eager to see his father marry again, but he promises his uncle not to judge Pepita before he knows her.
Religious-based images and traditions permeate the lives of all the people who inhabit Seville. Historically, the city's mariquitas ("sissies") have also assimilated them in their childhood and, through them, have been creating their own encounter spaces and their own codes. Nowadays, new dissident identities continue to respond to them: they participate or distance themselves, they continue what exists or transform it. This film looks at these traditions from a perspective always relegated to the margins.
Tres pescadores barbateños, Manuel (Pablo Carbonell), un hombre bueno al que apodan "Nadando con Chocos"; el Perra (Pedro Reyes), su amigo fiel, y El Cherif (Antonio Dechent), un paria iracundo y orgulloso, intentan sobrevivir como pueden a pesar de la crisis pesquera que vive la costa gaditana.Un día Manolín (Andrés Rivera), el hijo de Manuel, llega a casa con un problema más: quiere hacer la comunión. Algo que provocará más de una sorpresa. Primero porque no está bautizado y segundo porque sus padres ni siquiera están casados. Contagiados por la ilusión de su hijo, María y Manuel deciden ordenar su vida y casarse. María lo organiza todo: arregla con el singular cura del pueblo (Paco Vegara) para que oficie la ceremonia, busca los trajes, invita a los vecinos... Pero claro, no hay boda sin convite. Y eso cuesta dinero. ¿Cómo conseguirlo?
1860, in the Bay of San Fernando, Cadiz. Lola is an Andalusian singer who all men that meet her love. Along with guitarist Heredia, a man who is resigned to love her in silence, she travels to the farmhouse of the wealthy Don Diego, which is also in love with her, to sing in the compromise party of his son Jose Luis and Rosario, his fiancée of childhood. Lola, a woman who never loses her head, is disturbed by the presence of the handsome young gentleman José Luis. Both are attracted and inadvertently awaken the jealousy of Rosario and the envy of Don Diego ... Remake of an eponymous film directed in 1947 by Juan de Orduña
Mr. Rosbif is an internationally renowned English chef. In order to take the most famous international recipes to his restaurant in London, he travels the world like an explorer. During a summer he arrives in Cádiz with the intention of finding the unspeakable flavor of the shrimp omelettes so famous in the area.
A young drag queen from Andalusia exposes the difficulties of adding aspects of her homeland culture to her artistic expression.
Biopic of Javier Imbroda, coach and teacher, who transformed people and cities. The story of an overwhelming personality who made everyone win. Imbroda made it possible to take his school team to the national elite, the creation of Unicaja, the Lithuanian revenge or the genesis of 'the family', the best Spanish team in history. The documentary questions the conception of superficial and fleeting success compared to the human and profound triumph that Javier Imbroda represented in all its facets.
