A woman turns to prescription medication as a way of handling her anxiety concerning her husband's upcoming release from prison.
Chloe, a teenager who is confined to a wheelchair, is homeschooled by her mother, Diane. Chloe soon becomes suspicious of her mother and begins to suspect that she may be harboring a dark secret.
For years, Ollie has illicitly helped the struggling residents of her North Dakota oil boomtown access Canadian health care and medication. When the authorities catch on, she plans to abandon her crusade, only to be dragged in even deeper after a desperate plea for help from her sister.
The dark secrets of Holly's seemingly perfect life are exposed when an unwanted intruder spins her life out of control forever.
A cure for some and a curse for others, widely prescribed anti-anxiety medication is examined by patients and experts in this revealing documentary.
When a new prescription drug permits a greater lucidity of one’s dreams, a woman resists her jealous husband’s demands that she induce a nightmare in order to scrub her subconscious of infidelity.
Anna Richardson investigates the latest generation of weight-loss drugs that have been all over the media and social media. Anna talks to doctors and actual users of the "skinny jab," explains what makes these drugs work, and investigates the most common adverse effects.
In this edition of Moulton's narrative series, the artist's character Cynthia suffers from Restless Leg Syndrome, and seeks relief in pharmaceutical ads on TV and in health magazines. In a domestic world enlivened with animated dance and mystic poetry (written and read by poet John Coletti), Cynthia finds relief in the healing mineral AION A, discovered by Swiss artist Emma Kunz.
A boy travels with his sick dog Sniffy to his medicine cabinet, where pills and other medicines sing the dangers of taking medicines without adult supervision.
By following the lives of five Japanese individuals this documentary explores the problem of depression in Japan and how the marketing of anti-depressant drugs has changed the way the Japanese view depression. Marketing of anti-depressants did not begin in Japan until the late 1990s and prior to this, depression was not widely recognized as a problem by the Japanese public. Since then, use of anti-depressants has sky-rocketed and use of the Japanese word "utsu" to describe depression has become commonplace, having previously been used only by psychiatric professionals.