A headstrong Chinese-American woman returns to China when her beloved grandmother is given a terminal diagnosis. Billi struggles with her family's decision to keep grandma in the dark about her own illness as they all stage an impromptu wedding to see grandma one last time.
A Chinese-American lesbian and her traditionalist mother are reluctant to go public with secret loves that clash against cultural expectations.
Shy, straight-A student Ellie is hired by sweet but inarticulate jock Paul, who needs help wooing the most popular girl in school. But their new and unlikely friendship gets tricky when Ellie discovers she has feelings for the same girl.
Reunited after 15 years, famous chef Sasha and hometown musician Marcus feel the old sparks of attraction but struggle to adapt to each other's worlds.
Through a series of flashbacks, four Chinese women born in America and their respective mothers born in feudal China explore their pasts.
13-year-old Corrine deals with her parents' recent divorce while everyone else is already adapted to their new roles as a blended family, challenging herself to train a rambunctious puppy as she discovers her new purpose.
Two cabbies search San Francisco's Chinatown for a mysterious character who has disappeared with their $4000. Their quest leads them on a humorous, if mundane, journey which illuminates the many problems experienced by Chinese-Americans trying to assimilate into contemporary American society.
A YouTube adaption of David Henry Hwang's play about race, identity, politics, and casting.
A Chinese-American cop, skilled in martial arts, battles the most powerful criminal gang in San Francisco that is responsible for the death of his partner.
At the onset of the pandemic, a Chinese Uber driver in New York struggles to make ends meet as he picks up various passengers on a long and dreary night.
Questions of race, identity and heritage are explored through the lives of young American women growing up as adoptees from China. These four distinct individuals reflect on their experiences as members of transracial families.
Two Asian-American teenagers meet in the bathroom of a Chinese restaurant while having dinner with their families.
After being sexually assaulted by a well-respected professor, a reclusive Chinese American girl who grew up in an abusive family struggles to find her voice while her mother tells her to be silent.
Soon after a Chinese princess comes to the US to buy planes for her people, she is murdered by a poison dart fired by an air rifle.
A Chinese-American woman tries to expose an illegal alien smuggling ring.
Some people think coming out is a one-time event. But in reality, it’s an ongoing series of conversations that need love and courage. See what it means to be a #LifelongAlly in the new film by acclaimed director Alice Wu. Brought to you by OREO and PFLAG National.
Ella is a divorced Chinese American taxi driver who spends her days ferrying people around the roads of Sausalito, San Francisco. After work, she spends time with her 8-year old son, Scott. Ella meets Mike at Sky House, an infamous pick-up joint. Awkward strangers at first, they nonetheless find passion and what they want in each other.
In THE COLOR OF FEAR, eight American men participated in emotionally charged discussions of racism. In this sequel, we hear and see more from those discussions, in which the men talk about about how racism has affected their lives in the United States. We also learn more about the relationships between them, and about their reactions during some of the most intense moments of that discussion.
Diversity trainer Lee Mun Wah assembles a diverse group of eight American men to talk about their experience of race relations in the United States. The exchange is sometimes dramatic as they lay bare the pain that racism in the US has caused them.
The Curse of Quon Gwon is the oldest known Chinese-American film and one of the earliest American silent features made by a woman. Only two reels of the film survive, and no intertitles are known to exist, making it difficult to parse out the exact plot. An article in the July 17, 1917 issue of The Moving Picture World states that the film "deals with the curse of a Chinese god that follows his people because of the influence of western civilization." The film also touches on themes of Chinese assimilation into American society. Formally premiering in 1917, no distributor was willing to purchase a Chinese-American film without racial stereotypes. Considered a devastating financial failure, the film was only screened two more times until its rediscovery in 2004. Preserved by the Academy Film Archive in 2005.