Gener retells the origin of opera and compares it to a metaphoric pregnancy. He guides explaining a double journey: the life journey of a future baby and Opera's "journey" to Florence and Mantua, through the history of music, of its evolution and gestation, until it gives birth to a genre as universal as the one of being human.

In London Gener reveals how Handel managed something which nobody had ever managed before: to make England love opera. This is an episode about a very competitive man who achieved everything he aimed for and converted opera into something which could be enjoyed by everyone in London.

To bring to light one of the most famous seducers in history, Gener delves into the world of the night, to get to know the techniques for hooking up used by today's Don Juans.

Così fan tutte by Wolfgang Amadeus Mozart is one of the leading examples of musical classicism, and its main topic, narrated as a comedy, is infidelity.

The Magic Flute is the ideal opera for all ages, from children to seniors. Gener goes to a Spanish school to interview 7 year olds and their parents about their reception to the opera. Later, he interviews a neuroscientist and a musicologist to understand more how Mozart's music is so captivating.

"The Barber of Seville" is the quintessential comic opera and irrefutable proof that opera is not just drama and tragedy, but also pure entertainment. In this episode, Ramón Gener explains the essential "ingredients" in Rossini's music: staccato, crescendo, patter song, the fifth interval and coloratura.

Over 24 hours, Gener roams about the picturesque village of Aichach in the federal state of Bavaria in order to talk about one of romanticism's first operas, "The Freeshooter". Written in 1820, The action of the opera takes place in an German village similar to Aichach, an opera through which the author tried to convey his love for a country's roots, traditions, legends and culture.

Gener explains why Bel Canto awakens so many emotions and why it is a favorite for lovers of opera. Despite bel canto being born in Italy and all its composers being Italian, the viewer discovers why many of its operas are written in French and why so many of its authors moved to France to premiere them.

Gener explains why Verdi's other operas would never have existed if Nabucco had never come to be. Gener travels to Valencia where Nabucco is being put on at the Palau de les Arts Reina Sofia. There, he speaks about one of the central themes in Verdi's career- that of parent-child relationships.

Rigoletto is not just the story of a curse. It's also a story of oppressors and the oppressed. Giuseppe Verdi wrote it at 40 years of age, a critical point for every human being: a time of changes, of maturity, midlife. To bring to light "Rigoletto" and its symbols, Gener travels to the island of Menorca. At 40-year-old Verdi places all his hopes, dreams and frustrations into one of the most popular and fascinating characters from the world of music.

To love and to be loved. This is the main theme in Verdi's "La Traviata", based on "The Lady of the Camellias" by the younger Alexandre Dumas and inspired by the famous courtesan Marie Duplessis. Paris will be the backdrop for this episode. Out on its streets, Gener interviews random people who tell him about their experiences with love and how it has transformed their lives. Guest appearance: Diana Damrau, Ludovic Tézier, Boris Izaguirre

Gener heads to Cadaques on the Costa Brava to talk about a great love story, of a love beyond death: what Tristan and Isolde felt for one another. Again, Gener interviews anonymous people who have experienced great love stories like the protagonists of this particular opera, and who act as a counterpoint to show that love is more powerful than death.

In the first episode, Ramón Gener talks of the cultural setting of "Carmen" by Georges Bizet-the most frequently staged and the most popular French opera of all time. In relation to the opera, filming takes place in locations such as Seville and Paris where the viewer is "transported" back to 1875 at Paris's National Theatre for Comic Opera, and the scandal it caused at the time.

Gener heads to Bayreuth, the hometown of Richard Wagner, the composer of the most ambitious operatic saga in all of musical history, "The Ring of the Nibelung". This tetralogy is made up of four operas: The Rhine Gold, The Valkyrie, Siegfried and Twilight of the Gods. Gener touches on all of them as he visits the Autostad automotive plant, walks the stage at the Bayreuther Festspielhaus (the theatre designed by Wagner himself), and converses with one of the most renowned experts on the composer.

Tchaikovsky and Pushkin- the greatest examples of Russian Romanticism-speak to us about impossible romances, homosexuality, dandies, love letters and duels of honor. Gener goes to the Liceu Conservatory to collaborate with some aspiring musicians.

"Theatre is life" is the verism motto behind this beautiful opera. Gener explores Pagliacci in which fiction and reality intermingle and where nothing is as it might appear.

At the height of his career, Puccini wrote this song to life, friendship and love. To illustrate it, Gener travels to bohemian Paris and enters some of its most characteristic locales such as the century-old book shop Shakespeare & Co. and Au Lapin Agile Cabaret, along with visiting a rehearsal of La Bohème at the Paris Opera House.

Rome, the eternal city, is the setting for this episode. It's also the city where the action in "Tosca" unfolds, a thriller with all the elements of a genre film. To unveil what these elements are, Gener seeks out the help of students from the Rome Film School.

Written in the early 20th century by Antonin Dvorák, "Rusalka" is based on the Hans Christian Andersen story "The Little Mermaid". The heart of the story is accepting one's own identity. But it also explores one of the great mysteries of humankind: the fragility of love. Will giving up on being who we are bring us happiness or misery? Is "Rusalka" a metaphor for racism? Or is it simply an exaltation of difference?

"Der Rosenkavalier" by Richard Strauss, is a wonderful comedy of errors that reflects upon the passage of time. Set in eighteenth century imperial Vienna, it tells the story of the romance between an aristocratic woman at the gates of later life and a handsome boy of seventeen. Gener interviews psychologist Patricia Ramírez Loeffler, to discuss topics about the passage of time, about how it affects us all, about our fear of aging, about couples with a significant age difference, but also, about giving up and accepting.

In this episode which is based out of two European cities, Milan and Munich, Gener looks into the opera of Turandot- a love story set in Imperial China. The host then explores the idea of how this opera represents much more than a simple love story. It's the story of an absolute success, but also a failure.

Lulu is an opera about our most basic instincts, starring an enigmatic, dangerous and spellbinding woman. Sex, death and psychoanalysis are the necessary ingredients for a story that will leave no one indifferent.

Gener speaks about the most important operas in history and why, thanks to emotions (both positive and negative), human beings are capable of feeling.