Jane/Richard written by Steven S. DeKnight, directed by Danny Salles

Jane and Richard are step brother and step sister. They have a lot of sexual attraction between them, but are interrupted by Kurt, Jane's tutor, and Audrey, Richard's tutor for school. Both Audrey and Kurt, think they will make out or even have sex, but both Jane and Richard don't want to. Audrey and Kurt leave, and Jane and Richard, snuggle in bed, complaining about their parents, saying that they fell in love first. Kurt scrambles into his own bed room, when Annie, their mom, tells them good night. Jane and Kurt look at each other (joint rooms, bathroom in the middle) wanting each other.

Elvis/Susie/Sam written by Jason Berlin & Rico Gagliano, directed by Tim Andrew

Susie gets help from this guy named Elvis on her painting. She complains that she sucks, and he teaches her to use her hand rather than the brush. They proceed to have sex right after. Susie tells her friend, Andrea about it, and says Elvis is th

Elvis/Susie/Sam written by Jason Berlin & Rico Gagliano, directed by Tim Andrew

The three decide to talk things over, and she tells them if she could maybe date both of them. She is shocked when they both say yes, but who will Susie get tonight? They decide over a game of pin ball, and Elvis wins. Doing some foreplay, Susie asks about the relationship, and Elvis reveals it's good because commitment wise, no one really cares about it. That's when she explodes. Sex. Is that all she means to him? Sex? Well, Susie goes to Andrea for advice, and Susie decides to call Sam over to prove that she wants to be... boyfriend... girlfriend... and boyfriend.

Jane/Richard written by Steven S. DeKnight, directed by Danny Salles

Jane decides to make a plan where they could date Kurt, and Audrey so that they could be secretly dating each other, while everyone think that they will be seeing Kurt or Audrey.

Zia/Helen/Beth written by Damon Lindelof, directed by Paula Goldberg

Zia confronts Helen abou

Jane/Richard written by Steven S. DeKnight, directed by Danny Salles

The plan doesn't go so well, since Kurt decides to have a double date. They decide to order pizza, leaving Kurt and Audrey alone. You see, Kurt and Audrey made their own plan, of having sex with Jane and Richard, but it doesn't go to well. While playing with these sex dice, it goes to far, and Richard and Jane decide to have a talk in their bathroom. Audrey finds a picture of Jane and Richard kissing. Jane and Richard make up, saying that they only can love each other, and they end up kissing. That's when Kurt and Audrey catches them. They try to explain but Kurt and Audrey calls it gross, and decides to 'break up' with them (they were loosely going out for a day or so).

Elvis/Susie/Sam written by Jason Berlin & Rico Gagliano, directed by Tim Andrew

Elvis, Susie, and Sam decides to go out on a date, and all goes well. They are ready for sex, but they don't know how to start it. They end up kissing Susie, and

Elvis/Susie/Sam written by Jason Berlin & Rico Gagliano, directed by Tim Andrew

They make a rule that all three must be present in order to have sex, but they break it, when Elvis goes to a study break. He finds out about it, and breaks up with Susie and Sam. But this is all new to them, and Elvis returns, saying that he wants to try it out, and they welcome him back into the relationship.

[This segment ends.]

Jane/Richard written by Steven S. DeKnight, directed by Danny Salles

Jane and Richard decide to have sex, but cannot due to all the weirdness of being step brother, and step sister.

[This segment ends.]

Zia/Helen/Beth written by Damon Lindelof, directed by Paula Goldberg

Beth goes for another kill with Helen, but Helen clues her in that she loves Zia. As this segment ends, Helen and Zia share a kiss.

[This segment ends.]

Lucy/Leo/Thea written by Erica Rothschild, directed by Paula Goldberg

Lucy wants sex, but they only thing is she is a virgin, and it doesn go to well with guys finding out she is a virgin. So her friends, Thea, and Diane decides to bribe a guy, named Leo to have sex with her first.

Paula/Jim written by Katy Ballard & Damon Lindelof, directed by Tim Andrew

Kurt, and his brothers Michael, The Jock, and Jim, The Dork, are very excited when Paula, an old school friend, decides to stay over when her older sister wanted to check out some colleges over there. Michael, Kurt, and Jim fights over Paula, and every second he has, he reminds them that they are meant to be, because he shared his first kiss with her. Kurt brushes it aside, and tries to hit on Paula. Michael instists that she could take his room. Kurt reminds Michael about his slutty girlfriend, Kimmy, and that's when she walks in. Kimmy reminds him about their date, and they are off. Jim some how manages to get Kurt out of the

Paula/Jim written by Katy Ballard, directed by Tim Andrew

Paula reveals to Jim that she has a crush on Michael. She wants Jim to help her get Michael, and he tells her that he is really into sex, so he should try that. Jim sends for Michael, and she hits on him. They are interrupted by Kimmy, when she sees him doing stuff with her. She storms out, and Michael follows. Jim goes back to his brothers, and tries to confront anyone of them, on who set him up.

Lucy/Leo/Thea written by Erica Rothschild, directed by Paula Goldberg

Lucy finally has sex with Leo, and Thea tells Diane, she might be interested in him. Diane reminds her that if he comes back, Lucy might think he will come back for her.

Wade/Andrea/Foster written by Damon Lindelof, directed by Danny Salles

Andrea tells Wade about not having sex, and she decides she wants to have sex. Wade decides he can go on, without telling her that he is faking the whole sex before marriage. In the midst of foreplay, Wade decides he canno

Paula/Jim written by Katy Ballard, directed by Tim Andrew

Paula asks Jim for help on getting Michael, and he's been really stuborn about it. She then tells him that she needs help kissing, so they kiss. She reveals that she doesn't like Kurt, but wants Michael. Being a friend, he does help her, Although being a good brother, Michael said to back down from Paula, despite having a girlfriend, and that Jim did kiss her first, where they were little. Paula wants to take a bath, so she does. Jim tells Michael that Paula is naked... with bubbles... 4 feet away... in the bathroom, and Michael tells him he has to do ""something."" Michael goes into the bathroom, ""looking"" for his tooth brush, but talks with Paula instead. Kurt comes home, and Jim tells him everything between him and Paula. All of sudden they hear giggles from the bathroom, and they head in, thinking that Michael was doing something. Paula screams, and they say sorry thinking that ""something"" was interrupting her, but Ji

Paula/Jim written by Katy Ballard, directed by Tim Andrew

The three brothers fight over Paula, and Jim tells them that they aren't worthy enough to have her, since he kissed her first. He goes to her and she is upset at him for not talking to her. He explains that how she came, it was almost like faith. She then reveals that she just took advantage of this situation, since most guys she date goes after her older sister, upon meeting her. She too likes him, and it's presumably they go out. It's the last night to stay over, and she decides to kiss each brother good bye. Starting with Kurt, where she kisses him on his cheek. She moves on to Michael, where she forces him to kiss her on her cheek. Pretending he is upset, Michael forces Jim to kiss Paula. It is then revealed to the brothers that Paula chose Jim. After they share an intimate kiss, Paula leaves, and Jim gawks at his two brothers. As this segment ends, Michael flicks at Kurt's forehead, to show his anger at him.

[Thi

Kimmy/Michael written by Damon Lindelof, directed by Tim Andrew

Lucas, from the last episode, is dating Michael's ex, Kimmy. Kimmy thinks she's pregnant, and goes to her friend, Gale for advice. Bad enough, she's paired up with her sex, Michael, for a project that they have to do... ""I was a teenage mother."" Michael and his friend, Skeey make fun of the video and it upsets Kimmy. Gale clues Michael in and he talks to Kimmy. Gale reveals to Skeet that Kimmy could be pregnant.

Haskell/Keisha/Marco written by Damon Lindelof and Steven S. DeKnight, directed by Paula Goldberg

Haskell finds the truth about Marco kissing Keisha, and he decides to leave for his home town, after working up Keisha. (really great scene, he dumps her like a cold turkey... sorry ladies...)

[This segment ends.]

Renata/Victor/Brenda written by Damon Lindelof, directed by Danny Salles

Renata prints all these flyers reading ""Panty Thief!"" and clues Victor about just leaving the panty in the dryer. Victor consults

Mitch/Gale/Skeet written by ??, directed by Tim Andrew

Gale turns off her pager because she is sick of Skeet paging her all the time. Mitch admits to Gale that he likes her, and he wants her to like him back. She doesn't want to ruin things between Skeet and her, because she had a crush on Skeet for so long now. Mitch still pressures her, and he kisses her. Gale turns on her pager and she gets a page from Skeet. Next thing they know, Skeet is coming upstairs. Mitch leaves due to the weirdness in the air. Skeet then gives Gale a cell phone, a picture of himself, and his class ring. Mitch yells from downstairs wanting to finish their project, and he comes back upstairs. Skeet decides to stick around, and Mitch starts to compete with Skeet over Gale, and Mitch finally gives up and leaves. Skeet knew Mitch had a thing for Gale, and confronts to Gale. She denies it, and tells him they have to finish the project and she leaves. She then meets up with Mitch again, and they start t