Episode 1 focuses on the 1950s and 1960s, when the Great American Songbook competed with new forms like rock ‘n’ roll, and rhythm & blues. As Feinstein crisscrosses the country performing with big bands, symphony orchestras and jazz combos, viewers learn how iconic singers like Frank Sinatra, Nat King Cole and Rosemary Clooney kept the Songbook alive by reinventing pop standards of the 1930s and 1940s.

Episode 2 examines how popular songs provided emotional solace and patriotic inspiration during World War II. While preparing an original patriotic song, Michael weaves in the history of 1940s big bands, USO shows, V-disks, war bond rallies, and the powerful role popular music played in boosting morale.

Episode 3 explores the fast and furious 1920s and 1930s, when jazz was hot, credit was loose, and illegal booze flowed freely in underground speakeasies. Between performances, Feinstein illustrates the impact of talking pictures, the dawn of radio, and the fledgling recording industry. Additionally, it introduces viewers to other collectors and musicians who keep the spirit of the Jazz Age alive today.

Nightlife has always played an important role in popular culture, from Delta juke joints to the Vegas strip. Join Michael on a tour of nightclubs, from blues dives to the casinos where Frank Sinatra’s Rat Pack reigned; and get a private tour of the now-closed Liberace Museum in Las Vegas.

Stars in the Broadway universe don’t shine much brighter than Stephen Sondheim, Angela Lansbury and Christine Ebersole, all of whom appear in this episode about great American musicals. Sondheim reveals the composers he most admires and shows Feinstein some rare home movie footage of the original Broadway production of the classic Follies. Tony Award-winner Ebersole gives a tour de force performance of a showstopper from the stage musical Funny Girl, and Lansbury reflects on her Broadway career, from Mame to Sweeney Todd and Gypsy. (Michael also has a surprise for Angela.) Feinstein discusses his personal relationship with the lyricist Ira Gershwin and performs the classics “Lullaby of Broadway,” “Let Me Entertain You” and “No One Is Alone.

Fred Astaire is Michael Feinstein’s favorite singer—but he also was the favorite singer of Irving Berlin, Cole Porter and the Gershwins. Why was this dancer, first-and-foremost, so beloved by the America’s great composers? With that question Feinstein launches into an exploration of the marriage between music and choreography, unearthing rare home movies of Astaire rehearsing on set, and some remarkable memorabilia from that other screen-dance icon, Gene Kelly. Kelly stuns in never-before-seen footage of his Broadway debut in the original Pal Joey. Liza Minnelli struts her stuff in two rare vintage clips—including a duet with Gene Kelly. Feinstein indulges his inner Astaire with private dance lessons, explores the endless popularity of ballroom dance in America and performs the classics “Change Partners”, “Singin’ in the Rain,” “Shall We Dance” and “Let’s Face the Music and Dance.

Today, “American Idol” is the country’s biggest music star-maker, but decades ago, the Golden Age of Radio fulfilled the idol-making role in the U.S. Feinstein traces the phenomenon with archival clips of Bing Crosby, Cab Calloway, Kate Smith and many others. He visits with TV and stage star Rose Marie (best known as “Sally Rogers” on “The Dick Van Dyke Show”) and learns about her career as a highly paid child radio star named “Baby” Rose Marie. On his own NPR program, Feinstein showcases the virtuoso talents of classical superstars, including violinist Joshua Bell and pianist Jeremy Denk. Finally, he discovers a lost radio program that featured Rosemary Clooney, and recalls his own memorable duet with her.