A thinly-veiled portrait of the immensely powerful newspaper magnate William Randolph Hearst, the movie created a buzz long before it was released. Most people thought it the work of a genius, but Hearst set out to destroy the director, Orson Welles, and suppress the movie. Just a year earlier Welles had terrorized the east coast with a radio broadcast simulating an alien invasion. But now the 24-year-old boy-genius had taken on one of the most powerful men in America.

An atmospheric profile of Joe DiMaggio (1914-99), baseball's "Yankee Clipper," explores how and why he played what narrator (and co-writer) Richard Ben Kramer calls "the hero's game" by projecting -- and zealously guarding -- an image of effortless elegance on and off the field. On the field, the Yankees won nine World Series in the 13 years he played for them. Off the field, former teammate Jerry Coleman describes DiMaggio's short-lived marriage to Marilyn Monroe this way: "She was the greatest woman in the world and he was the greatest man."

In 1886, Buffalo Bill's Wild West Show played to over one million people in New York City. It was one of the most elaborate shows on earth. There were cowboys and Indians, sharp shooters, hundreds of horses, buffalo, elk and donkeys, with more than 200 cast members, all moving about in a sweeping western landscape of mountains and plains. It would go on to dazzle crowds in London, Paris, Rome and Barcelona, cementing the legend of the Wild West in the minds of people around the globe. Behind the extravaganza was one man -- a meager plainsman turned international celebrity and frontier hero, whose meteoric rise to fame was made possible only by his genius, and his hucksterism. His name was William Cody, better known to the world as Buffalo Bill.