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A trailer is recorded on the set of a disaster movie that should entice a mass audience. But it turns out the staging and the voice-over, modelled on the American example, don’t go together well for the hero in the doomsday scenario.
Trailer narrates the elaborate fiction of a young man—perplexingly named Alfgar Dalio--who unexpectedly discovers the story of his birth parents while visiting a rundown movie theater in Ohio. In the movie "trailer," he hears the bizarre tale of two long-lost cinema stars stranded by plane wreck in the jungle, and realizes he shares a name with an obscure, now-extinct Amazonian moth. Intuiting that this link holds the key to his origins, Alfgar must navigate a slippery, revelatory, and almost magical realism in which his own truth is both excavated and explored.
TRAILER 2010 is a text-based work that was originally presented as a projection in the exhibition YOUNG-HAE CHANG HEAVY INDUSTRIES PRESENTS: DOWN IN FUKUOKA WITH THE BELARUSIAN BLUES at Gallery Hyundai in Seoul in 2010. The narrative texts alternate between English and Korean and are accompanied by a dramatic soundtrack of Jazz-style music composed by the artists. They tell the story of a confrontation between two people, one of whom shoots the other in the wrist before demanding he be shot in the forehead. While the English text tells the story in a coherent manner, the Korean text appears only intermittently, consisting of fragments of phrases and loaded words such as ‘eroticism’, ‘sex’ and ‘attractive proposal’. The title of the work alludes to the dramatic conventions of cinema even though this ‘trailer’ has no images.
Rejecting the billions of alphabetic diktats to liberate the incessant metamorphoses and metaphors of a necessary and true language by re-turning to the locations of past film shoots, while keeping track of modern times.
The Caucasian Doug (Steve Hedden) and the Afro-American Donnie (Andre Ware) simultaneously receive a letter with a surprising inheritance of lands. They travel and arrive in a trailer park that belonged to their unknown mother. Both losers and racists, they have difficulties to accept each other. But when a gore killer creature attacks them, they have to join forces to save their lives.
Ricky, Julian, Bubbles, Lahey and Randy take to the stage of legendary Red Rocks Amphitheatre for a night of greasy fun. Featuring John Dunsworth's final performance as the greatest trailer park supervisor of them all, Jim Lahey.
A chaotic family go on holiday to Spain and get mixed up with a gang of diamond thieves
Short written and directed by Pedro Almodóvar to promote his movie "What Have I Done to Deserve This?".
After being born Georgina in the outback of Bahia, she became known as Diva Rios in São Paulo’s Boca do Lixo and Rio de Janeiro’s Lapa, as well as Suzy King in the nights of Copacabana, but died as Jacuí Japurá on the border of the United States and Mexico. Four names for just one woman: fascinating, moody and very creative. Singer, songwriter, actress, ballet, folk, burlesque and exotic dancer, snake charmer and fakir were only some of the artistic endeavors she tackled during her life. Found dead on the trailer where she lived in August of 1985, in California, she left behind stories without conclusion, lost remainings of her troubled trajectory and a trail of mystery. Three decades later, two historians gather fragments of her tale with the goal of piecing together the complex puzzle that was her life. Actresses, singers, musicians and performers join them to rescue the poetic aspects of her unique personality. A question resounds throughout the entire movie: Suzy King, who are you?
When Micke announces he has just been accepted to a music school in another town, his gal pal Julia has an announcement of her own to make: she's going to Hollywood, if she can just get the job she's interviewing for that very afternoon.
Trailer Park Boys: Don't Legalize It is the third film in the Trailer Park Boys franchise, and a sequel to Trailer Park Boys: Countdown to Liquor Day (2009). In the film, Ricky (Robb Wells), Julian (John Paul Tremblay) and Bubbles (Mike Smith) attempt a series of get-rich-quick schemes after being released from prison, but are again pursued by former Sunnyvale Trailer Park supervisor Jim Lahey (John Dunsworth).
The boys get arrested for robbing an ATM machine and spend 18 months in jail. When the get out, they decide to pull off "The Big Dirty" which is to steal a large amount of coins because they are untraceable and quit their life of crime forever
Ricky, Julian and Bubbles are about to get out of jail, and this time, Julian vows to go straight, even open a legit business. Soon the Boys will all be rich. At least that's what they've told the parole board. But when they arrive back at the park, they find it's not the same old Sunnyvale - and it's not the same old Jim Lahey, Trailer Park Supervisor.
Goofy's in the driver's seat, Mickey's in the kitchen, and Donald's in bed in Mickey's high-tech house trailer. When Goofy comes back to eat breakfast, leaving the car on autopilot, it takes them onto a dangerous closed mountain road. When Goofy realizes this, he accidentally unhooks the trailer, sending it on a perilous route. They come very close to disaster several times, while the oblivious Goofy drives on and hooks back up to them.
"Say goodnight to the bad guys" picks up where "A Sh*t river runs through it" left off. it's a year after the events of A.S.R.R.T.I and Ricky, Julian, and bubbles are rich with cash, but Julian sits on the money for a year claiming "movies like casino prove that waving money around right away is a bad idea." and then hides it in his newly purchased Delorean (AKA car from back to the future)
A satirical crime, comedy of errors that involves three trailers that have been smuggled into Israel. A mistake in the harbor brings together Arabs, Orthodox Jews and a gay couple that must join forces in order to solve the mishap.
With blocks, talent and a lot of creativity, "Belrock 2 - Promotional Trailer" takes enthusiasts of the best game of all time - Minecraft - on a new journey. It portrays the purest idealization of a perfect world and shows how nothing is impossible for the beldades.
A newly wed couple, Tacy and Nicky, travel in a trailer for their honeymoon. The journey is a humorous one that could end up destroying their marriage.
Six troubled high school students and their chaperon, an optimistic youth ministries Pastor, return from an outdoor character building retreat in the mountains. During a raging storm, their bus crashes, hopelessly stranding them in the middle of the Trucker's Triangle, a forgotten locus of consummate evil in the middle of nowhere.
A tropical storm floods Soggy Meadows trailer park and forces a hungry shark upriver.