Ralph Burton is a miner who is trapped for several days as a result of a cave-in. When he finally manages to dig himself out, he realizes that all of mankind seems to have been destroyed in a nuclear holocaust. He travels to New York City only to find it deserted. Making a life for himself there, he is flabbergasted to eventually find Sarah Crandall, who also managed to survive. Together, they form a close friendship until the arrival of Benson Thacker who has managed to pilot his small boat into the city's harbor. At this point, tensions rise between the three, particularly between Thacker, who is white, and Burton, who is black.

A lawyer plans to murder an aristocrat and steal his inheritance.

During the 1917 Russian revolution, a group of artistocrats find themselves in the custody of a brutal Communist revolutionary. He lusts after one of them, a ballerina, and gives her an ultimatum: give in to him or her friends will face the firing squad.

An intensely unhappy woman hatches a plot to switch the babies of a poor family and a rich family. But the nurse hired to pull off this transfer refuses to go through with it, leaving each baby with its proper family. When the babies are grown, the man from the poor family (who has been led to believe that he did come from the rich family) goes to the house of the other and throws him out. The remainder of the film deals with the frustrations of mistaken identity.

Reconstructed through Super 8 as if it was actual found footage, with documents, newspapers and readings superimposed, this is the fascinating story of lesbian poet, film pioneer and provocateur Mary MacLane, who in the early 1900s was dubbed the Wild Woman of Butte, Montana. She resisted the categorisation and prejudice of the day through the creation of multiple versions of herself.

When a scientist finds a cocoon a woman emerges from it. She is being chased by two faceless monsters who are collecting specimens for a museum.

In a nursing home in the northeast of China, the last stages of the lives of the elderly are dramatized. At the same time, the director, as the filmmaker, becomes an actor in this life drama.

The European invasion in Abya Yala has left us many scars. Ziel Karapotó uses his body to denounce five centuries of colonization and its consequences on the native people.