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July 16, 2013

Comedian Aisha Tyler hosts this improv comedy show where the actors on the show - Wayne Brady, Colin Mochrie, Ryan Stiles along with a special guest each episode -must put their comedic skills to the test through a series of spontaneous improv games, prompted only by random ideas supplied by the studio audience.

September 23, 1988

An un-scripted comedy show in which four guest performers improvise their way through a series of games, many of which rely on audience suggestions.

August 5, 1998

The show where everything's made up and the points don't matter. Not a talk show, not a sitcom, not a game show, Whose Line Is It Anyway? is a completely unique concept to network television. Four talented actors perform completely unrehearsed skits and games in front of a studio audience. Host Drew Carey sets the scene, with contributions from the audience, but the actors rely completely on their quick wit and improvisational skills. It's genuinely improvised, so anything can happen - and often does.

Australian version of the US version of the UK improvisation show Whose Line Is It Anyway. Hosted by Tommy Little.

December 2, 1981

Ken Harrison is an artist that lives to make sculptures. One day he is involved in a car accident, and is paralyzed from his neck down. All he can do is talk and move his head, and he wants to die. Whilst he is in hospital he makes friends with some of the staff, and they support him when he goes to trial to be allowed to die.

Set in a hospital room, the action revolves around Ken Harrison, a sculptor by profession, who was paralysed from the neck down in a car accident.

“We felt humiliated when they hit us, we asked ourselves what kind of life this is. Being in the union we realised that we should be allowed to live decently.” There have been calls for the abolition of child labour for years, but this film follows working children in the slums of Delhi and Bangalore who are demanding the right to work. They are forming unions and challenging authorities as they try to take control of their own lives. “They never ask us as working children what our problems are because they don’t want to know the truth.”

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