A small town pastor is forced to reckon with an act of forgiveness when the convict he forgave for murdering his wife returns to town five years later.

During the 1990s, at a Scandinavian psychiatric hospital, a man known as Mads Lake confessed to multiple murders and was convicted. However, the uneasy triumvirate of Mads, therapist Anna Rudebeck and policeman Soren Rank, all have a vested interest in unearthing the truth, and a deepening co-dependency threatens to consume them all.

At home at her Virginia farm, photographer Sally Mann reflects on the controversy surrounding her earlier collections while forging ahead with new work in this intimate portrait of an artist. Also offering insights into the photographer's career are Mann's husband and her now-grown offspring.

After moving from Iran to the US, Leila spends a day at the suburban house of her uncle Reza who she last met 13 years ago as a young girl. Reza, his daughter and his colleagues get together to welcome Leila.

A look at the people that live and work on the disappearing coast of Louisiana via travelling with oysters from the coast to New Orleans and back again.

what remains is constructed from images shot and gathered during 2015 and 2016 in Cizre, a primarily Kurdish town in Turkey on the Syrian border, as well as found footage from all over Turkey from the same period. A focus of the work is the artist’s footage of collective Kurdish mourning practices, and looking at how images of the dead are used in these practices. Sağ approaches her subject both philosophically and emotionally, and is driven to find a way of making work that is theoretically rigorous and morally and ethically compassionate.

A film that explores the intersection of a virtual and analog image. Through the hand-processed 16mm and 3D simulation, the film questions what remains.

The work displays light sources acting in a nocturnal forest; the light shakes the branches and fragments of a sculpture laid on the ground. To achieve it, I began from a static shot, slowly going towards a fragmentation of the image itself through the light’s game. My main interest is on the latency created by the movement of the light, the moments ruled by shadow, when everything is invisible.

Months after the death of her fiance, Grace stumbles upon a mute and inexperienced survivor, Oscar. The unlikely duo travels across a barren landscape in hopes of survival, but Grace's past lingers behind them like a dark shadow.

Emilio is a lifelong farmer in his eighties who lives alone on his abandoned farm. Everyone close is gone. One animal is all there is left. Today is the day he decides to sell it.

While both living under demanding conditions of city life, Sevda and Zuhal’s paths intersect when Sevda’s husband Cezmi starts having an affair with Zuhal. This betrayal is life threatening for Sevda, who considers her marriage and the perfect order of daily life she created as a huge success.

The very personal inner process of mourning is shown in the way stragglers clean the house of their deceased parents. That house is the most personal domain, loaded with touchable memories of an accomplished human life. A documentary about dismantling and grieving.

The silence can be more thunderous than many screams. Even when we lose everything, there is always something left.

An accident brings Ana back to Buenos Aires, to the turbulent reunion with her past and the delayed mourning of her first love.

Explore the personal and professional triumphs and challenges of actor Natalie Wood, which have often been overshadowed by her premature death.

In 2013, self-defense groups originated in the state of Michoacán with the aim of eradicating cartels from their communities. But it was not until 2014, when in Nueva Italia, Michoacán, the self-defense groups looted and burned properties linked to drug trafficking, including the only existing cinema in the town. "Now what are we going to do if we don't have a cinema?" Asks one of the voices in the documentary.

A girl is contemplating her relationship with her boyfriend. Somewhere in the grass, the imprint of two bodies is slowly overgrowing. But in the corridor the light is still burning. He always forgot to turn it off. In her hands, a few stones. She synthesize a story not to remember but to forget.

After the loss of her family, a young woman struggles to survive in a world long-since destroyed by disease; but when a lonely traveler offers her a place in his community, she must decide if the promise of a better life is worth the risk of trusting him.

A reflection about memory, the digital world and the files that we generate daily through the audiovisual gallery of a mobile phone

Following a criminal act perpetrated by a small group of young men, several questions remain unanswered. While François searches for them, he must maintain control over his emotions, but struggles with his impulses and rational thoughts.