Thanks to the chicanery of his crooked uncle Major Cosgrave, Jet has been cheated out of his father's property and branded a pariah. He spends the rest of the film trying to regain his birthright and clear his name. The two women in Jet's life are Judy Polsen, who chases him for so long that he finally catches her, and Alice Austin, Major Cosgrave's fianee.

The prologue shows the life of a trapper, living in the solitude of the forest. He digs a bear trap, which is covered with boughs and grass. An Indian girl, armed with a bow and arrow, creeps close to a wild turkey, which she brings down. As she runs forward to gather up her prey she falls into the trap. Evans, the trapper, finds her there and on lifting her from the pit, finds that she has sprained her ankle, and takes her to his cabin, and makes her as comfortable as possible. As the shades of evening fall and the pain subsides, the girl drops into a slumber, and loath to awaken her, Evans leaves her in possession of his cabin and, wrapped in a blanket, sleeps outside. In the morning, the girl having recovered sufficiently, he lifts her to his horse, and mounting behind her, proceeds to the Indian camp. On the way he is attacked by a trio of Indians, who fire at him from behind a tree, and the trapper brings down one of his assailants.

A sad story of rejection and betrayal.

A powerful story of three brothers who live by the axe; love from the heart; lust and hate with passion and die violently!

A music-hall star and his best mate are conned out of their earnings (twice!) and left with nothing but a beloved greyhound.

After falling victim to a humiliating prank by the high school Queen Bee, best friends and world-class geeks, Mindy and Jodi, decide to get their revenge by uniting the outcasts of the school against her and her circle of friends.

After financial improprieties are discovered at the Eastern trading company where he works, Peter Willems flees the resulting disgrace and criminal charges. He persuades the man who gave him his start in life, the merchant ship captain Lingard, to bring him to a trading post on a remote Indonesian island where he can hide out.

Damien and his friends are garbage collectors in a small provincial town. One day, Damien finds a decomposing corpse in the dump where he works, but also a knife that turns out to be his. Because of his personal and social environment (an omnipresent mother, humiliating friends, an unenviable situation) and because he arrives at a moment in his life when he realizes that he is nothing to anyone, Damien wants to prove that he is capable of doing something with his life, of becoming someone, by finding the murderer who is prowling around the dump. In the course of his investigation, he meets Julie, a young divorced woman who is a little lost and who moves in across the street from him. But as his investigations progress, Damien wonders if he is not the killer he is looking for.

The owner of a gambling hall is entrusted with the care of a pretty young girl. He falls in love with her, but he must decide whether to let her go to his best friend, with whom he believes her to be in love, or to try to win her for himself.

Siegmund Lubin's 1903 film illustrating The Outcast and the Bride survives and is the only vestige of Lubin's myriad attempts at coordinating sound and film extant today. With words by Howard Wall and music by Allen May, the song was published in Philadelphia by Joseph Morris. The morality tale of two friends, Kate and Alice, was a perfect vehicle for an illustrated song...Shot in Lubin's glass-enclosed studio atop 912 Arch Street, the film was originally 250 feet. The surviving footage at the Library of Congress contains six shots utilising four different sets but seems to be missing footage.

Four undesirables run out of a mining town and become marooned in a deserted mountain cabin during a raging snowstorm.

A film that raises concerns about the mental, physical and sexual Health issues faced by the ‘the Third Gender of India’. The social determinants that affect Transgender Health in India as a result of social rejection. The film also highlights the noble work of two Indian NGOs that work for providing Health care services to the Transgender community in India.

In 1810 Ireland, a man whose wife has died finds that his daughter is accused of being a witch. A magic fiddler comes to her aid.

Roaring through the streets in dirty denims and leather, The Outcasts present a menacing appearance to the respectable folk of East Anglia. Theirs is an alternative world of wild parties, arrest and sudden death. This film shows a group most people would cross the street to avoid. It's a life which borders on the edge of society and the law, but one which is governed by strict rules and traditions. There are two faces to The Outcasts. One exists in the pounding of heavy metal music and the exhaust fumes of powerful customised motorbikes. The other lies in the day-to-day grind, where even Outcasts have livings to earn, children to feed and bills to pay.

Three short stories about grown-up orphan girls who are trying to achieve their housing rights. Each of them has its own complicated story, but despite all the difficulties and peculiarities of their destinies, the heroines believe in goodness, people and love.

A lonely widowed water-gate keeper is attracted to the lonely young wife of a soldier who is away at the battlefront. Their passionate need for each other is strongly condemned by the hypocritical villagers. The tragedy unfolds as the village is starved of its precious water supply.

Industrial development and social decay in a small Swedish town leads to unemployment and unrest. Families are forced to move to where work is available. Young workers are protesting.

After the ecological catastrophe, only a small population of people survived, who built the "sterile world" underground. Only renegades who have committed crimes against the system live on the surface. What happens if one of them is allowed to return?

A kind-hearted village girl attempts to raise a child whose father was taken as a political prisoner.